Massimo Didonna of Partners in Sound (New York) created the party's lighting rig to be impactful and versatile at the same time. "The party is a very big event for the school," said Didonna. "Not only does it draw a huge turnout of students, it also attracts quite a few alumni. The students want dancing, intensity and visual exc
On 9 June, Brigitte Zypries, Parliamentary State Secretary at the Federal Ministry of Economics and Energy, will open the symposium under the heading of Theatres and cultural spaces - urban centres and their continuous metamorphosis and cultural adaptation in the 21st century by delivering a keynote speech.
At the symposium a variety of concepts will
Galloway created a "compact but punchy" show using a package from Nitelites, including six Chauvet Slimpar Pro's, four Martin Atomics, eight 2-cell blinders, and eight Clay Paky Sharpys.
Though he has toured with Avolites consoles since 2012, this was Galloway's first show using the Tiger Touch II. He had to be creative with his show design as he was limited on colours. "When I came onboard the band requested I only use red as a stage wash, which can make it difficult creating separate looks for every song," he explains.
"It can be really interesting to see what you can do when you're limited to usin
The submission process is simple; students submit their best project, which may include work completed for a class assignment, and answer three questions, each in 150 words or less. An esteemed panel of judges will evaluate submissions on the basis of design integrity, effective use of computer technology and originality, as well as the articulation and communication of a design vision.
"Today's students are tomorrow's visionaries, solving all types of design challenges that the Vectorworks Design Schol
Bright Norway, formerly AVAB CAC has been involved with the event since the first tattoo held over 25 years ago, supplying full technical services including lights, audio, video, staging and special effects but as the years have passed, the event has become more spectacular and complex.
As Hans Peter Jenssen, Bright Norway's network specialist explains, "This show is very complex timing wise. As one band leaves the arena, another has to enter on precise cues and this has to be
The preparation for both shows took place at Orbital Sound's Brixton facility, involving detailed system planning, build and testing prior to the tours going out on the road under the aegis of technical director Bill Addison. Dan's sound design for both shows centred around a d&b audiotechnik system, comprising principally Q-Series loudspeakers, complemented by the compact line array T-Series, B2 SUBs as well as E6 and E8 cabinets. Dan explains:
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A screening of the film will also premiere in the Tate auditorium followed by a discussion at 7.30pm. Hire and install company Brighton Sound System will be overseeing the installation into the gallery and plan to fill it with a selection of Traction Sound bass speakers, including their BH218 'Zeus', BPS218 'Hades' InfraSub and BP18 'Atlas'.
Visitors will be free to explore the gallery and the sound waves, discoveri
The company was founded by Vaino Gennaro, formerly of Sennheiser Canada where he was in charge of Kling & Freitag distribution, and Susanne Seidel who has held top management roles within a number of technology-driven corporations, including Sennheiser and DPA. Gennaro will occupy the role of general manager with Seidel providing support in marketing and operations.
Together, Gennaro and Seidel represent many years of audio expertise and international business management in addition to Gennaro's specific and wide-ranging knowledge of the brand and the market. The new operation is designed to optimise market reach,
Matt Green, Broadsword's Sales Director, led the tender process and is excited about the opportunities at The Science Museum. He explains: "It is a bespoke venue, visually stunning, with a unique mix of the modern and traditional. Here at Broadsword, we offer the perfect mix of flexibility and innovation; the ability to design and adapt production solutions so that they work within unique environments. The Science Museum is definitely a space where we will be able to find new and interesting ways to stand out from the crowd.&
Speaking at the London Press Club Awards, where he was named Londoner of the year, Lloyd Webber said, "I believe that London would be a more vibrant place if we allow a more flexible use of theatres and recognise that some of the theatres may no longer really be exactly what we want in the 21st century. There are theatres from which frankly you can't see and that aren't fit for today's purpose."
Fame Academy - Ringo Starr has been inducted into the Rock and Roll Hall of Fame i
"With the help of Meyer Sound's new loudspeakers, [the Trustees Theatre is] the best sounding room in town. Enough kudos can't be given; when Taylor Goldsmith hit his first note, it was like the room collectively gasped in wonder at the mix," writes Anna Chandler of Connect Savannah after hearing the concert by Dawes.
The selection of Meyer Sound was driven by Chris Evans, the festival's chief audio engineer, who is responsible for system specification, tuning, and supervision of the audio crew. He also mixed Mavis Staples using a MIna line array loudsp
Ahead of the shows - spread out over three months and starting at the Forum in London - Will received a list of bullet points from the band about what they did and didn't want to see in the show.
Coincidentally, this happened to be almost identical to the ideas he was already formulating in his head for the design. The basic premise was to have a dramatic beamy style of lighting that was fundamentally dark and moody, yet punchy and hugely powerful at the same time.
The design featured four upstage 45 degree angled truss
As its name suggests, C2C is an international multi-day festival of country music, the result of a collaboration between live music promoters SJM Concerts, entertainment group AEG Europe (developer and operator of London's O2) and the USA's Country Music Association (CMA). From its beginnings in 2012 as a two day-event at London's O2 only, C2C was held in London and Dublin in 2015, featuring appearances by eight artists over the weekend, with the performers swapping between the two venues on the different days. Extra dates were also played this year in Norway and Sweden.
Audio equipment supply and RF manageme
Simple Minds live have also been known for their spectacular and audacious lightshows, and this tour features another impressive creation by long term lighting designer Steve Pollard, whose working relationship with Simple Minds dates back to 1981. In fact, along with founder members Jim Kerr (vocals & song writing) and Charlie Burchill (guitars, keyboards and song writing), he's the only remaining member of the original team.
Blackburn based lighting and visual rental specialist HSL has been supplying lighting kit for all Simple Minds touring work for the last three years and a
Ably lit by LD Chris Rigby, Aurora shipped a suitably rocking lighting package to the Maidstone Studios for this, the 46th series of the BBC flagship music show.
Show one alone featured a line up worthy of any festival date, including the newly reconvened Blur who were last on the show 15 years ago. Other acts featured on the bill include English singer-songwriter Laura Marling, London foursome the Vaccines and Mali punk blues outfit Songhoy Blues. Singer/songwriter Marc Almond also joined Jools for the customary chat at the piano.
All eight episodes promise an equally classically eclectic line up of leading purveyors of quality music from the past, the present and the future.
Recorded in front of a live audience, Later is
Chosen by monitor engineer, AJ Sutherland, and supplied by Patchwork London for the European leg, the system comprised a Dante-enabled GLD-112 mixer with an AR2412 and two AR84 remote IO racks to manage five pairs of wedges and four stereo IEMs plus the engineer's listen wedge and cue mix.
Promoting Enter Shikari's fourth studio album, the tour included 25 dates across Europe, including two nights at London's Roundhouse on a sold out UK run, and 30 dates in 23 States in America, which included two festival appearances.
"I bought a GLD-80 when it first came out and have used it on various projects over the past three years. I think it nails the midscale console market. The IO, functionality and audio quality are
The ceremony was held at London's O2 Brixton Academy, and featured live performances by The Vaccines, Run the Jewels, award-winners Royal Blood and Charli XCX, and the recipients of the 'Godlike Genius' award, Suede.
XL Video project manager Paul Wood worked with Reality's Paul Corrick and vision director Matt Askem to specify the multi-camera, multi screen set-up. This is the eighth consecutive year XL Video has supplied the awards.
Upstage centre, a 35sq.m 16:9 screen formed from XL's ROE MC-7T LED Screen was flown, and 25m2 of XL's ROE MC-18 Hybrid LED Screen was used for an additional square LED surface flown to the left of the stage and 6 portrait banner screens arranged around the main screen.
The LED
Placing an exclamation point on the salute was the lighting design of Bob Dickinson, Jon Kusner and the rest of the Full Flood team, which utilized Syncrolite SXL 7K fixtures on stage and upstage to backlight Brooks and his band during this especially emotional moment of the broadcast. This year's ACM Awards set a world record for the most attended award show.
Syncrolite fixtures were also used throughout the stadium adding excitement and drama to the entire evening. Twenty-four SXL fixtures provided big beams of light making dramatic backgrounds throughout the show. Programming the dynamic stage system was Andy O'Reilly a
Introduced by local constituency MP Alec Shelbrooke, the Prime Minister spoke on the topics of the day to local supporters, guests and JHS staff, then toured the JHS facility, showing great interest in the company's story, which was started in 1965, from humble beginnings in the home of the eponymous John Hornby Skewes and his wife Madge.
The company now offers a portfolio of over 4500 products, which are sold to over 2000 customers throughout the UK and Eire, contributes to the local economy with employment, and to the wider UK economy with its exports to over 85 overseas markets including the USA, Canada, Australasia,
CEG's director Ben Bowles says: "In 2014 we took the decision to make a significant investment in the Robe Robin range, and we felt that in 2015 it was time to take this to the next level with the BMFL Spot. In line with our current growth plan, the BMFL allows us to be involved with new exciting projects, as well as supply to a growing sub-rental market within the UK and Europe.
"The BMFL is not only a complete workhorse of a fixture, but it also provides unique features not available in any competing product available on the market today. It has enabled us to provide a versatile range of fixtures that any of our LD clients and production customers would have a hard time resisting the temptation not to specify them on their next project."
The invest
"I've enjoyed a good relationship with the team at XS," said Lieberman. "When XS managing partner Jesse Waits announced that they were ready to take the next step at the club in terms of lighting, we put our heads together to come up with a state-of-the-art concept. They wanted to incorporate newer technology into
Colour Sound provided both lighting and LED screen for H's lighting and visual design. His relationship with the band dates back 22 years, with this tour a continuing 20th anniversary celebration of their seminal first album, dubnobasswithmyheadman, a special expanded edition of which was released in late 2014.
H received a loose brief for the lighting, which was that it should be 'minimal', so he kept things restrained, raw and relatively monochromatic for the first half of the show, which was a powerful and complete rendition of dubnobasswithmyheadman - performed live in its entirety for the first time ever.
After this, he morphed the lightshow into a different style which became funkier and more colour
Due to the special milestone year, this year's production expanded into a much larger scope and scale in the Las Vegas Orleans Arena. With more than a decade of working with the Stellar Awards, Carver knows how to create looks that thrill the crowds in their seats, and translate well on to television.
Carver's design consisted of Martin Vipers for graphic air effects and hard edge back light, Vl3500
Following the success with its Leo Family products in high-profile projects such as the Nobel Peace Prize Concert and the FIS Cross-Country World Cup skiing competition, Bright Norway says the new Leopard and 900-LFC will help simplify its rental operations.
"In a perfect world, audio companies would love to rely on one single model to bring consistency to all its projects, but that's not possible," says Asle Nilsen, head of audio at Bright Norway. "Now with Leopard adding
