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14 March 2016

Held in memory of ex-Deep Purple keyboard player Jon Lord, Celebrating Jon Lord at the Royal Albert Hall featured performances from many of his friends and band mates. The resulting album, for which DMZ Live recorded and mixed all versions, has subsequently reached number one in the Music Video charts (Blu-Ray and DVD) in four countries.

DMZ Live's high spec digital recording mobile was used for the recording stage at the Royal Albert Hall, with the premix done at the comp

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14 March 2016

The main stand was home to the lighting and rigging offering from AED Distribution that includes High End Systems, Prolyte, Columbus McKinnon, SRS Light Design, Swisson, AV Stumpfl, Doughty, Verlinde (Stagemaker) and MediaLas.

Prominent were the latest stage lighting luminaires from High End Systems under the LED RISING Banner, including the SolaSpot Pro 1500 with its 400w White LED engine providing a staggering 20,000 Lumens output and the Shapeshifter C

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14 March 2016

Constellation not only restores the sense of a unified worshipping community that was present in their previous smaller church, but by engaging different presets, it also adds acoustic "life" to the spoken word and energizes both the worship team and the rest of the congregation.

Constellation gives venues the ability to modify their room acoustics at the press of a button, allowing them to host a wide range of events and provide the acoustics most appropriate for them. For houses of worship like Clinton Frame, Constellation offers the ideal sonic characteristics for congregants to feel immersed in t

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14 March 2016

Having begun his career at the legendary Olympic and Townhouse studios, it made sense for Andy to turn to ex Olympic maintenance engineer Paul Wilkes for the installation of the upgrade.

He explained: "Paul did a great job and recommended we used Van Damme blue series cable almost exclusively because of its reliability and suppleness when running it around corners and tight turns. The studio is based around a Pro Tools HDX system with Xmon software and I use an Icon 24 mixing surface which suits me and the way I work. Originally the Icon

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14 March 2016

This first-ever AES Convention to be held in Poland was co-chaired by Bozena Kostek and Umberto Zanghieri, and featured a keynote address by ORF (Austrian TV) sound engineer Florian Camerer, as well as the Heyser Memorial lecture given by Genelec Chairman Dr. Ilpo Martikainen.

Other highlights included the popular Project Studio Expo stage, several unique Tech Tours of local Polish audio production facilities, and a wall-to-wall exhibition area, where attendees were given a first-hand look into the latest professional audio equipment and services from leading manufacturers.

Additionally, as part of the Tech Programme events, the Best Peer-Reviewed Paper Award was presented to Frank Schultz, Florian Strau

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14 March 2016

In the restaurant, accommodating about 100 people, elegant and discreet Audac ceiling speakers have been chosen to provide an elegant and subtle sound. After visiting the restaurant, guests are invited to make their way to the cocktail bar where they can round off the evening on comfortable couches, with good music and classic drinks.

To make good music sound even better, four LDEB82A loudspeakers from the Stinger series were combined with two Stinger Sub 12A G2 subwoofers. Six Cameo Flat Par Cans Tri 3W IR provide the perfect lighting. In the Private Dinner Room, audio systems from L

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14 March 2016

A wide selection of industry professionals from across the installation, live, rental sectors as well as engineers and production managers came to check out the action.

Adlib Director John Hughes explained that the open days were planned in particular to focus on installation and sales potential, and how offering turnkey solutions with leading brands can have a huge impact on assisting venues in being more competitive and attracting new business. He was delighted with the response and turnout as well as the support from the manufactur

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14 March 2016

Robe's general manager for the Middle East, Elie Battah, and his team were joined by Robe International's Nathan Wan and Steve Eastham for the build period, and together they constructed the impressive stand which featured a special Lightshow, designed and programmed by Nathan.

As with other recent Robe exhibition stands, this proved a real magnet in attracting people as well as creating a great buzz and a talking point around the show floor.

Robe also partnered with three dynamic complimentary visual effect companies at PALME ME this year - LPS Lasersysteme from Germany, MagicFX from The Netherlands and fog / haze ex

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14 March 2016

SGM Nordic ab is located in Gothenburg, Sweden with warehousing and central administration, but also includes branches in Norway, Finland and Denmark. Heading SGM Nordic are SGM veterans Mikael Uddh and Steen Geertsen teaming up with well-known industry specialists around the region.

Mikael Uddh explains: "Multiple projects and increased communication on dealer and designer level, including cross boarder coordination, require an organisation that has a deeper regional insight, thus improving operational matters. Therefore, we have set up SGM Nordic."

Peter Johansen, CEO o

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14 March 2016

Indeed it was a chance for recently graduated Entertainment Workshops' apprentice, Phil Smith, to exercise his potential by designing and engineering the live shows for the wide spectrum of venues throughout the tour. Under the guiding eye of MD Paul Byrne, Smith specified lighting fixtures from Prolight Concepts new eLumen8 range as, having trained previously with the units, he knew them to be compact, bright, responsive and efficient.

The specification led Prolight Concepts Ltd, who work closely with EW and also support the Entertainment Workshops charity, to supply th

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14 March 2016

"I chose iLive simply because it sounds amazing! To mix 128 live channels is not an easy task but the network options of the system are very reliable for live and broadcast work, and iLive has an awesome workflow with the capacity we need for a recording of this magnitude," explains OB engineer, Beto Neves.

The system captured 128 recording channels and 16 channels from the video recording, including both audio and video feeds. The iLive-144 surface was installed in Mix2Go's OB truck, whilst an iDR-64 and an iDR10 rack were located in the hall. iLive was complemented by Focusrite units and RTS intercoms, all connected with optical fibre

The musical director could speak from within the OB Truck directly

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14 March 2016

The contract includes the provision of all generators, electrical equipment, distribution boards and cabling for the show and a complete project management solution. In addition they will also be supplying lighting for around the site and within temporary structures, from tower lights to fluorescents. This is the first time that the New Forest & Hampshire County Show has used one company to provide all their requirements and Power Logistics were chosen because of their impressive track record at large scale events.

Mike Whitehouse, Power Logistics' managing director said: "Power Logistics is honoured to have been chosen to support such a long-standing and highly respected even

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14 March 2016

With a new haunted attraction being installed on the first floor of the Castle of Chaos building at the Hollywood Wax Museum Entertainment Centre, Hannah's Maze of Mirrors moved to the second floor of the same building. Due to the complex nature of efficiently creating a maze of mirrors and since Bandit installed the lighting in the original maze, Kuvera Partners once again reached out to the Bandit Lites' system and sales solutions team for the reinstallation.

Bandit added new elements including video monitor

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14 March 2016

Lighting equipment was supplied by Blackburn based HSL. The project was commissioned to help local roofing company Ploughcroft celebrate achievements in energy saving for numerous homes, schools and business across Yorkshire.

The tower, owned by Arquiva, is a broadcast and communication facility receiving TV and radio transmission signals from Emley Moor Tower and beaming these to areas in the north, east and centre of the town of Halifax which are blocked by the hill on which the tower resides. It also accommodates 3G and 4G cellular generators for se

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14 March 2016

The 24 x BMFL Spot fixtures were delivered by Robe UK to Scott Munro and his team, who regularly deliver equipment for a wide variety of music based shows and events.

SM wanted to replace their existing stock of large arena / outdoor stage moving spot fixtures with something that was new, of the moment and with a good future lifespan, and after narrowing down the options to a choice of two premium brands, they chose Robe and the BMFL Spot.

With Robe Robin 600E Spots, LEDWash 600s and LEDBeam 100s already in stock, Scott and his crew all knew that Robe's reliability factor and build-quality was excellent.

Scott comments that the Scottish market is generally tougher and less buoyant than south of the border, so any ROI takes longer, and p

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14 March 2016

Sagaidak first encountered the AirFXs at a Martin seminar in Moscow. As a fan of mid-air effects, he immediately wanted to test these fixtures in a club. He reached out to Martin product manager Anton Anufriey and with his support, a short-term loan was arranged for the following weekend - a disco night and a party titled This City Does Not Sleep. Sagaidak also regularly uses his personal M2GO during sh

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14 March 2016

Since the building was constructed, the original sound system had never served its purpose. The sound system was plagued by poor intelligibility and reliability while the mics constantly picked up and transmitted echoes and noise. To resolve this, Yunus Emre asked several companies to quote for a new system and the project for design and installation was awarded to Hifi Center Herteleer.

Kristof Broux of Hifi Center Herteleer explained, "The budget was tight and we were the most expensive, so to convince them of our ability to deliver the best audio solut

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14 March 2016

As deeply rooted in family tradition as she is, however, Parton is a consummate entertainer who understands that even an old-time country show needs to make a bold theatrical statement to reach today's audiences. This is why the director of My People called on lighting designer Susan Rose to add an extra visual dimension to the show's stage. Rose drew on the power of two stalwart LED moving fixtures from Chauvet to accomplish this task des

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14 March 2016

Known as the greatest show on snow, the festival was a week-long whirlwind of world-class electronic DJs and bands, across 17 venues in a magnificent mountain setting.

Stephen Abbiss got the party swinging for Fat Boy Slim on main stage, The Racket Club, using a Tiger Touch II and Fader Wing. The console was controlling a house rig featuring Sharpys, Robe 100 LED beams, Mac 700s and PC beams as well as Sunstrips and Atomics.

"I always use an Avo for Fat Boy Slim shows", notes Abbiss. "The shows are so hands on, I need a desk with great live access.

"We've got set looks for set songs which we try to do on the fly. It was a bit more free-rein than nor

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14 March 2016

For the run of shows which saw the band play dates in countries such as France, The Netherlands, Germany and the Czech Republic, Campbell specified just four of the Showline strobes from Siyan. "The units are bright and impressive enough for this amount to be ideal," he explains. "I would normally have used at least double that with older fixtures."

The tour was an amalgamation of Karnivool's first three albums with Campbell's concept reflecting this. It saw big strong white/tungsten rock looks for album one 'Themata', darker, moody looks for album two Sound Awake and asymmetrical looks with maximum impact for the band's latest offering Asymmetry

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14 March 2016

Held at the Chauvet Professional Showroom in Burbank, the one-day event drew students from California Institute of the Arts, the University of California Irvine Claire Trevor School of the Arts, LACC Theatre Academy, and the University of Southern California School of Cinematic Arts. Groups of two or three students from each school collaborated on designing a lightshow for one song chosen by them. Lighting designer Joe Spangler programmed the one-song shows for the students.

When the student lightshows were completed, they

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14 March 2016

"I've always liked working with Meyer rigs, but Lyon is something special," says Scott Tkachuk, FOH engineer for Godsmack. " When the band's pushing hard and I'm going for it, I've still got 30 percent of my headroom still available. I also like the way it tracks every move I make on my Midas PRO9 console. When I pull something out in the mix, it's all right there. It's a very responsive box."

Having supplied Meyer Sound systems for every event genre from rock to comedy, Rainbow looked no further when it came time to expand its inventory. "The touri

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14 March 2016

After their first live tests, including productions with UK pop sensation Jessie J and US megasellers BoyzIIMen, as well as some corporate shows, Headroom Media CEO Andreas Adelhofer stated that he is very pleased with both the quality and versatility of the latest addition to their lighting rental pool.

"We were able to include the Cuepix Panels in the lighting design of some of our more prestigious shows and got great feedback from both the lighting designers and operators," Adelhofer commented. "This is a product just to my liking, well thought through and crafted, scalable with high light output. It seems like designers are thinking of new

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14 March 2016

Spanning four seasons, the talent show is extremely popular with viewing figures in the millions. To make sure season four packed a huge punch with fans, da Costa specified 99 x Clay Paky A.leda B-EYE K20 fixtures and 108 x Sharpys from Cologne-based supplier Magic Light and Sound.

"The biggest challenge this series was to find a set-up that allowed me and my team to change the stage visually so it stayed diverse and exciting over the course of about 80 titles," says da Costa. "My design therefore comprised various fixture blocks. This block system worked individually, in combination and as a whole."

Da Costa rigged the B-EYEs in these blocks all round the studio,