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14 March 2016

With shows ranging from Watershed Live to the Baxter Theatre's production of Blue/Orange it was always going to be a challenge for the festival technical director, Michael Broderick, to supply the right equipment for such a diverse programme of events.

He appointed Durban based Black Coffee, headed by the irrepressible Brandon Bunyan, to take care of all the technical requirements. Add to this some top-notch freelancers, many of whom have been working at the festival for many years, and you have the smoothest running arts festival around.

Despite the very wet weather, usually a power nightmare for technicians, the festival ran without a mishap.

This all

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14 March 2016

That said, Hawon was very thorough when determining which system demonstration met with his congregation's approval. A group from the eighty thousand strong global worshippers were provided with a form of grading sheets so they could rate the three systems vying for the contract. The d&b V-Series system, augmented by some E8 loudspeakers and driven by the newly developed 30D and 10D amplifiers

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14 March 2016

A statement from PLASA reads: "This move will allow the associations to set strategic direction to meet their individual demands. It affords more focus of resources in each market toward the activities that are most relevant and pertinent to members and it will allow for more agility and decisiveness.

This in turn will foster the health of both organisations and protect their futures. As we did prior to the start of the cooperation agreement, the two associations will continue to work cooperatively on issues of common interest for the benefit of their members and the industry."

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14 March 2016

"This is my second year with the tour and this year we really wanted to move the audience with the music," began Quisberg. "While we wanted really big moments, we also wanted intimate and theatrical moments as well, and we needed the lighting to be a direct reflection of the emotion inside the lyrics to draw the audience in. Working with Elite Multimedia, they really listened to what we were trying to

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14 March 2016

This is the first of a series of planned LED screen purchases which will expand the company's substantial video department which also currently features Christie high powered projectors, High end video switchers, processing and a selection of media servers.

PR Live's Justin Hammond comments, "LED screens are becoming increasingly prominent in the shows and events for which we design and supply equipment, so we are expanding the department. We wanted a premium multi-purpose product particularly to service our high-end corporate work ... and that was also ideal for our general music and live event based work.&quo

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14 March 2016

Jacco van der Heijden, managing director of Stagelight said, "For us, SSL complemented our own strategy of always delivering to the highest possible standards: A global reputation for excellence, teamwork, and reliability are key to Stagelight operations. We had to find a brand that would fit with our high-quality i

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14 March 2016

The TheatreStage plays host to key organisations and associations in the theatre sector announcing their latest activities, making presentations and giving awards, including the Association of Lighting Designer's Michael Northen Award on Monday 5 October at 1.30pm.

The programme includes 15 presentations over three days from the Association of British Theatre Technicians (ABTT), Association of Lighting Designers (ALD), Backstage Heritage Collection, Behind the Scenes UK, Production Managers' Forum, Society of Theatre Consultants, The Theatrical Guild, and ourselves, The Theatres Trust, the National Advisory Public Body for Theatres.

We're delighted that many academic institutions are also part of the line-up on th

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14 March 2016

London-based creative technology expert Realtime Environment Systems Ltd (RES) provided the Avolites Ai media server know-how for the performance, which was a completely new and bespoke set up for Creamfields.

"We designed a custom metal frame which surrounded Eric on the stage - we wanted to move away from just huge video shows which Eric has done lots of in the past, and design a stage that used set, lighting and video to give an illusion of depth," explains RES founder Mark Calvert.

More than 100 lighting fixtures were employed for the spectacle, including Clay Paky Sharpys, Robin LEDWash 600s, and various strobes, wash and blinders all supplied by Colour Sound Experiment. In

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14 March 2016

For this high profile event, EQ Audio and Events, headquartered in Dublin, fielded an Outline rig featuring 12 Outline GTO C-12 per side for the main left and right hangs, chosen because a very consistent transparent sound was indispensable, with very even coverage and absolutely no coloration.

Outline Butterfly CDH-483 cabinets were fielded for fills. Out-fill hangs comprised 10 CDH-483s per side, with more of the same enclosures deployed behind the FOH platform. All the CDH-483s were powered by Outline T7 amps, whereas, for the first time, the GTO C-12s were powered by Powersoft's new X8 amplifiers.

Production manager Shay Hannon explai

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14 March 2016

The eighth KOI Awards is this Sunday, 4th October at London's glamorous art deco Troxy, organised by The Association of Lighting Designers (ALD), The Society of Television & Lighting Design (STLD), The Fifth Estate Ltd and Clay Paky.

Light Initiative (LI) was asked to create the table centrepieces for the occasion, drawing on their talent for amazing LED designs.

"We wanted to add something special to the Knight of Illumination evening, something beautiful and subtle while celebrating the creativity of every lighting designer in the room," says LI's Bryn Williams. "These playful centrepieces can allow guests to create their own lighting states using a touch-activated interf

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14 March 2016

The internship award offers a paid position, and an introduction to all aspects of theatre consultancy, including auditorium design, technical systems and project management.

The first award winner, student Kathryn Nolan, has just started her placement in Charcoalblue's London Studio.

"Kathryn is already bringing her enthusiasm and great talent to our studio and challenging our thinking every day," says Charcoalblue's managing partner, Andy Hayles. "It's great to have her join our team. It was a delight to pr

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14 March 2016

"To bolster our iconic Halloween celebration on its 15th anniversary, we decided to elevate the scary experience to new heights for our guests by exploring different sound effect treatments," says Jacky Chan, technical manager of Ocean Park Hong Kong. "The project is challenging because we want to use sound to inspire an intense fear in our guests, independent of scary visuals. Meyer Sound's sophisticated D-Mitri platform, coupled with the company's experience with international performances in Broadway and Las Vegas, allow us to achieve ou

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14 March 2016

The installation is the result of an out of the blue phone call with an invitation to the opera in Verona for the Royal Opera House's head of sound, Steve Zissler.

"I was asked if there was anyone I knew that I'd like to take to Italy to see the opera and listen to some sound systems," says Jamie Gosney from Stage Electrics, who designed the system at the Royal Opera House. "I hadn't been at Stage Electrics very long, I didn't really know anyone then and I didn't even know the K-array products that well. But Dave Wooster, [now part of 2B Heard, K-array's new UK distributor], had already said that the K-array products were perfect for opera."

That particular trip was not to be, but it wasn't long after that Stage Elec

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14 March 2016

ESL was introduced to the 45°N-12s by one of its regular monitor engineers, Chris Wibberley, commenting, "I was offered the chance to try out the NEXO 45°N-12 monitors a couple of years ago. I have found them to be the loudest and clearest wedge I have ever used! I like the way they couple as pairs and also how narrow their pattern is, so you don't have one mix bleeding all over another?. A truly excell

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14 March 2016

Winners of the awards will be announced at a glittering ceremony on 17 November, 2015 at Doltone House in Pyrmont, Sydney.

TDC's involvement in Vivid Sydney this year included providing video expertise in cutting edge mapping techniques and core video technology across an unprecedented 10-kilometer distance as the festival expanded into Chatswood and Central Park inner-city precincts.

The company worked with Destination NSW, the NSW Government's tourism and major events agency, as well as various artists for each installation. TDC broke all records by providing nearly 9,000sq.m of video (or 7,464,960,000 video pixels) projected onto the stunning architecture of ov

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14 March 2016

Jon chose 48 x PATT 2013 luminaires as part of a highly distinctive upstage wall of lights aesthetic.

The 48 units were rigged on 12 25ft high upright pre-rigged truss towers, each of which was loaded with four PATT 2013s together with an array of moving lights and blinders.

This is one of the largest collections of PATT 2013s used in a single show to date. They formed a grid that Jon was able to map through his grandMA2 lighting console allowing him to produce a selection of mad, quirky and trippy effects.

PATT 2013 contains a 750W tungsten softligh

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14 March 2016