USA - Bandit Lites recently wrapped another successful tour with country music superstar, Carrie Underwood. Underwood rose to fame as the winner of the fourth season of American Idol. Since then, she has become a multi-platinum selling recording artist and is a multiple Grammy Award winner among numerous other accolades.

Carrie Underwood recently co-headlined with fellow Bandit client and country music star, Keith Urban. Award-winning lighting designer, Seth Jackson designed Underwood's rig so that it could coexist with Urban's set. Unlike most co-headline tours, Underwood was joining a production that was already on the road. Designed by Marc Brickman, the Urban show had a specific layout and lighting choices that Jackson said he needed to integrate with.

"After many phone calls, Marc and I got together with Chris Nyfield from Hindsight Studios and put both shows together in several 3D models so we could combine all of the elements together into a realistic production. The goal was to give each artist a unique experience and still fit into the trucks and get in and out of the buildings every day," Jackson explained. "Fortunately, most of the fixture choices matched my own choices, so the integration was fairly simple."

"Thanks to the team at Bandit Lites, we were able to engineer a system that would utilize fixtures that were labeled as "universal" and fixtures that were dedicated to "Carrie solo" and "Urban." The result worked," Jackson commented. "We used the same crew for both, used many of the same lights, and carried additional equipment that we only used on the Carrie dates."

Urban's show was based on an enormous LED wall and vast array of vertical towers and low-side light. Jackson chose to go the other direction. He built a show around articulating pods, loaded with VL2500 spots and lasers (Eric Pearce at SGPS designed the pods, Howard Ungerleider and PDI supplied the laser system and a softLED curtain). The cueing was intensive and complex.

"The funny thing is that I was trying to create a show that was very much a homage to the types of shows that Brickman created in the 80s and 90s, to then marry to the design style that he was doing on Keith Urban," Jackson added.

Equipment included Vari*Lite 3500 and 2500 Spots, Syncrolite MX3000s, Element Labs Versa Tubes, and Lycian M2 Truss Spots. Lighting was controlled by a Grand MA and Grand MA NSP.

(Jim Evans)


Latest Issue. . .

Save
Cookies user preferences
We use cookies to ensure you to get the best experience on our website. If you decline the use of cookies, this website may not function as expected.
Accept all
Decline all
Analytics
Tools used to analyze the data to measure the effectiveness of a website and to understand how it works.
Google Analytics
Accept
Decline
Advertisement
If you accept, the ads on the page will be adapted to your preferences.
Google Ad
Accept
Decline