Chicane sound engineer Tim Peeling knows how difficult it can be to provide the best sound in constantly changing environments. He discovered the MIPRO digital system through UK hire company Concert Sound: "I was interested in it because it's digital and 'future-proof' and because of the rejection."
"I was really happy with the sound of it. The lack of compander works really well: I don't have to worry about the dynamic range. Every other condenser microphone I've used has been very wide open. With this, I can set it up with a very low input gain on the microphone so its sphere of collection is very small and I don't have the trouble of a wide open vocal mic on stage. I don't have to savagely EQ the vocal just to get it stable without feedback; I can EQ to taste, not to problem-solve.
"Initially we used it at Islington, a couple of dates in Scotland and a festival in Romania, then managed to secure it again for our London gig at Koko (April 2009).
(Jim Evans)
