Chroma-Q showcase at PLASA Focus Leeds
- Details
The latest Chroma-Q products share the same innovative, proprietary technologies, including fully homogenised beam output with no unsightly colour-mixing shadows, extremely smooth, uniform washing and theatrical grade dimming. Chroma-Q fixtures are convection cooled for quiet operation or fan cooled with selectable modes, for near quiet operation. All of these high output products feature Chroma-Q's premium build quality and calibrated light engines for superior unit-to-unit consistency.
The new, multi award-winning Color Force II batten range utilises homogenised optics to provide a superior RGBA colour blend of high quality saturates and pastels – and a purer white – with no unsightly colour-mixing shadows. Combined with their formidable output, they deliver smooth, even wall washing up to 12m - making them ideal for theatre shows, concert tours and all variety of architectural applications.
The new Color One 100X PAR offers nearly 60% more output than its predecessor and is one of the brightest fixtures in its category. Convection cooled and with an IP65 version available, applications range from indoor lighting to temporary outdoor events.
The award-winning Inspire architectural house lighting range provides high output and is convection cooled to give venues full control over their room environment to tailor the atmosphere and lighting scheme to pure white or most any mixed colour, creating a seamless experience from the stage to the audience.
The award-winning Space Force is a variable white soft source that produces a large volume of soft CCT adjustable white light and delivers a high-quality output suitable for studio through to innovative creative 'effects' lighting applications. The unit draws less than 400 watts of power, includes a built-in ballast and is convection cooled.
Clients utilising Chroma-Q LED lighting solutions include Broadway's revival of The King and I in New York, Mama Mia! The Party at Tyrol restaurant in Stockholm and UK productions by The Royal Shakespeare Company (RSC) and the National Theatre.
(Jim Evans)
