This rewrite is the fruit of the creative minds of Rasta Thomas and Adrienne Canterna, the duo behind the international Rock the Ballet show. The lighting was designed by Patrick Woodroffe and Roland Greil from Woodroffe Basset Design, who chose, among other equipment, sixteen Sharpy Washes made by Clay Paky, and a grandMA2 light and Network Processing Unit (NPU) made by MA Lighting.
"Clay Paky Sharpy Washes are unrivalled thanks to their compact size. This is why they are always our first choice," Roland Greil said.
Regarding the lighting design: "Patrick and I had to create the most flexible possible lighting design with some oblique lights by combining moving lights and beam shapers. We also opted for a symmetric rig consisting of washlights, crowd blinders and beam lights, to give a flexible, classical and theatrical look, as well as a considerable lighting impact to accompany the modern music scenes. We also used the lights to create a stage architecture, since there was no set. The most exciting thing was giving life to a dull stage with proscenium and finding the right space for each setting. To achieve this, it was very important to reach the right combined balance between lights, video and look."
Michael Kühbandner was in charge of the programming. Director and choreographer: Adrienne Canterna. Consultant/stage manager: Toby Gough. The show was produced by Collien Theater & Konzert GmbH. Showconcept provided the lighting equipment.
(Jim Evans)
