Besides lighting the show for the benefit of the live audience, Routledge also had the responsibility of making sure everything was lit to standard for broadcast on Channel 4 television.
Richard Martin Lighting supported the main lighting suppliers Lite Alternative by providing 20 of their most recent and popular purchase, the Clay Paky Sharpy.
Commenting on his choice of equipment, Routledge said: "The NME awards are a challenge. Turnaround time is short, and a restricted budget meant I was looking for something that could create strong distinctive looks, but relatively cheaply.
"The Sharpy definitely provided the bang for the buck. We used to be amazed when the Alpha 300 first came out; and now here's the Sharpy putting out much more light using just half the power - it's ridiculously bright."
Routledge's's idea to use the Clay Paky Sharpy came after he'd used them to light a Cee Lo Green performance on the BBC with LD Steve Nolan: "One of the bands, Crystal Castles, wanted a laser-style look for their NME show, which I was able to replicate using the narrow beam of the Sharpy. The strong beams it creates are very current and contemporary, but at the same time it's no one-trick pony, either. By playing around with the prism, we managed to create a variety of distinctive looks for each of the different bands."
The final act of the night was by the Foo Fighters who played an unscheduled two and a half hour set designed by Foo Fighters LD Dan Hadley who also managed to find room for the Sharpy, incorporating 20 of the units into the rig that the band had brought with them.
(Jim Evans)
