The company has been quietly building a formidable reputation in the local and international arena with several high-profile projects under its belt. Locally, they've been involved in the refurbishment of Channel 9 Sydney's Studio 1, the turnkey outfitting of the Channel 7 Melbourne Broadcast Centre, supplying a range of equipment for Foxtel's new Sydney studios and lighting the mast at 120 Collins Street in Melbourne. Much of the work follows on from the internationally prominent lighting of the Sydney Opera House during the Sydney Olympics. The company has also been involved internationally with huge projects such as the Hong Kong Harbour, working in collaboration with one of Australia's most successful operators in the Asia Pacific region, LaserVision.
CDA's MD Peter Kemp says: "Turnover has grown significantly over the years. But it's not all one way traffic. Customers, nowadays, are very discerning; lighting designers are well-informed of what products are out there. They all demand value for money. I believe we offer customers not only top quality products, we provide absolute dedication to ensuring the job is done right. We do not compromise on quality and we make sure that after-sales support is maintained to the highest standard."
Commenting about the company, Channel 7's lighting supervisor, Robert Coia, who was heavily involved in the Channel 7 Melbourne Broadcast Centre, commented: "Coemar De Sisti Australia has provided tireless support for Channel 7. Their experience in this industry is invaluable."
The company's new premises combine an open-plan administration and sales area on the lower floor of the building, with a new showroom and offices for visiting consultants and designers on the first floor. Increased floor space for warehousing and service rounds off the new building. Staff numbers have grown along with floor space, with additional sales and support staff joining the company as well as new logistics staff to accommodate increased sales.
After almost 40 years in the business, having started way back when a Patten 23 was the big thing in lighting, Kemp has seen many changes. "It's been a great industry to be involved in. Just when you think you've seen it all, something new comes along and you just have to say, "Isn't that cool!" I think I'll be around a little longer . . . can't wait to see what someone will think of next!"
(Lee Baldock)
