The Vector Red controlled a massive lighting rig included 24 Martin MAC 2000 profile, 24 Robe colorSpot 1200, 12 Robe ColorWash 1200, 24 Martin MAC 550, 40 Martin Mac 600, 26 Xenon 4K, 10 Atomic strobe, four Unique smoke machines and more than 200 dimmer channels.
"The lighting rig was huge and impressive and I really enjoyed programming the show with Vector consoles"; commented David Winnik, the operator of the show. "Programming is very intuitive and the fast access to all important data is extremely easy. We used the Vector Red as master and Vector Blue as slave and the consoles feel very stable."
The conventional lights were controlled by Spark 4D via DMX input to Vector. Both, stage lighting designer Izhar Rosenthal and park lighting designer Amir Brenner were very pleased and impressed by the speed of programming the show.
(Jim Evans)
