The first room was a White Room with plain, simple and effective lighting. It was given a ‘chill-out’ area feel, complete with cool water feature, highlighted with MR16s above and below, and by lightboxes containing graphics of the product. The interlinking tunnels revealed more water features: for maximum impact, these were back-projected through, onto the opposite wall of the tunnel, which was lined with silk. The fixtures used were 24 Howard Eaton 500W Ripple Tanks and four High End Systems Studio Spot 250 luminaires. The Main Room staged the conference, complete with stage and screen surround carrying 18 x 35mm low voltage fittings in curved wings. The set was washed with 30 Par 30s, cross-fading between two colours, and the stage fascias included 14 integral 50mm low voltage fittings featuring two different colours of dichroic glass filter. The product was revealed through a water curtain, audaciously back-lit with Studio Spot 250s. The room walls and set were also lit with Studio Spot 250s producing a water effect. Glass gobo images of the product were projected onto the walls, underscored with break-up gobos. The show was run from an Avolites Pearl 2000 console programmed by John Harris.
Cutting-Edge Lighting from Rainmaker
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