d&b at New York Shed’s McCourt opening
- Details
Located on West 30th Street between 10th and 11th Avenue, The Shed is commissioning and presenting new work from artists working in all genres, including Steve McQueen, Steve Reich, Trisha Donnelly, Anne Carson, Ben Whishaw, Renée Fleming and Björk, among others.
Specialised Audio-Visual (SAVI) engineered and installed a d&b V-Series line array in The McCourt, The Shed’s largest space in the 200,000sq.ft Bloomberg Building.
“SAVI and d&b audiotechnik are part of the team that connects The McCourt to its artists via technology,” explains Michael Cusick, president of SAVI. “The d&b sound system in The McCourt plays a daily role as a tool for The Shed’s technical staff to help the artists create the desired performer-audience connectivity, help the performers achieve their artistic goals and provide unique ways for an audience - through the d&b sound system - to realise the best in democracy for listeners.”
When The Shed’s movable shell is deployed from its base building it creates The McCourt, a 17,000sq.ft light-, sound-, and temperature-controlled space for large-scale performances, art installations, and events. The McCourt can accommodate an audience of approximately 1,250 seated and more than 2,000 standing; flexible overlap space in the two adjoining galleries of the base building allows for an expanded audience of up to three thousand. The shell’s entire ceiling operates as an occupiable theatrical deck with rigging and structural capacity throughout. Large operable doors on its north and east sides allow The McCourt to function as an open-air pavilion.
Acoustic and AV consultants Akustiks, who alongside HB Communications were responsible for the AV systems, played a large role in specifying the d&b system. “Akustiks greatly influenced the owner’s choice of speaker system and played a role in engaging SAVI to be the supplier of The McCourt d&b sound system,” says Cusick.
The development of The Shed and concept of audio in The Shed had been quite interesting over the past several years as the location of an arts centre would be shared with retail, commercial, and residential spaces. This was the leading reason why Akustiks chose a d&b system for the performance spaces at The Shed so as not to disturb residents, retailers and shoppers.
As the programming and mission for The Shed was solidifying, it was clear they needed a high-performance, well-behaved audio system that can visually, sonically, and artistically adapt to a multitude of configurations. Once Marc Warren, director of production at The Shed, got together with d&b and Akustiks, the focus was on compiling an equipment list that could handle the range and depth of programming.
The system had to be flexible to accommodate multiple setups within each space, and also had to have interchangeable parts so that pieces could move between venues and integrate seamlessly.
The d&b line array system configuration in The McCourt includes 12 V8 for L/R main arrays, four V8 for side out-fill arrays, eight D20 amplifiers located in the grid, eight Y7P loudspeakers used across the stage front for front-fills, two Y7P each side of the stage for edge-fills, 12 V-SUBs, four J-INFRA subs, four M4 monitors, eight D20s as stage amplifiers and two D80 amplifiers.
Akustiks also decided that the d&b 24C Column loudspeaker with the 24C-E Column loudspeaker extension were the appropriate solution for emergency announcements tied to the life safety systems for The McCourt. There are four columns in The McCourt, one mounted in each corner. “In such an acoustically live space, the pattern control of the columns proved to be the best solution,” notes Cusick.
"I conducted a very extensive study of products on the market, and after the end of that analysis I concluded that d&b was best suited to fulfil our programmatic direction," states Warren. The result of the chosen system and the attention to detail by SAVI and Akustiks in their design and implementation was an elegant and functional sound system for The Shed.
(Jim Evans)
