The Supernova Core is available in two types of screen materials
The Netherlands - dnpdenmark will have a strong presence on the stand of their German partner, Comm-Tec Germany at this year's ISE Show in Amsterdam, showing significantly enhanced versions of Supernova products, alongside the Zenith rear-projection screen, which was seen for the first time at last year's show.

These will include an upgraded Supernova Core Screen, with new frame and mounting; an improved version of the Supernova Flex Screen, and the Supernova Flex Classic with IR remote (as an alternative to its RF remote).

These refinements are expected to have a considerable impact upon these already popular models in the Supernova range.

The Supernova Core is available in two types of screen materials: ISF-certified Supernova 08-85 for high contrast and extreme viewing angles and Supernova 23-23 high gain version for high contrast and uniform brightness.

SupernovaFlex Classic is a simplified version of the Supernova Flex screen. Available at about half the price of a standard Supernova Flex, the new screen targets the mid- to high-end market for meeting and boardrooms and is so named because it utilises a classic design with a dark grey drop above the screen, instead of being suspended by wires. The IR remote option meets market demands.

The improved 120" Supernova Flex has been developed to blend with the interior design. It is available in 16:9 format, and in both a wall-mounted and a ceiling mounted version.

Finally, the Zenith rear projection screen has been designed to complement the new generation of high-lumens projectors, and meets the challenges of providing improved contrast, viewing angles and brightness uniformity, says the company.

Zenith is designed for the 100"-plus market and is designed for use in TV studios, control rooms, conference rooms and mission-critical applications where high-quality images in ambient lighting are essential. It is available in widths from 2m to 4m, with heights customised to standard 4:3, 16:9 and 16:10 aspect ratios.

(Jim Evans)


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