Developed to resolve some of the problems engineers had encountered when trying to record spatial environments with traditional omni-directional microphones, the Fukada Tree clarified microphone positioning and also incorporated directional microphones for main and environmental sounds.
Akira Fukada originally developed the Fukada Tree while working for Japanese state broadcaster NHK, but since 2011 he has been CEO of his own company, Dream Windows Inc., that consults on a wide range of music recording, special sound design and audio issues. From the outset, Mr. Fukada specified DPA microphones as best suited to his Tree arrangement because they offer a rich bass and high frequency sound that doesn't blot during the recording process. These were supplied by DPA's Japanese distributor Hibino, with whom Mr. Fukada has subsequently presented a number of seminars and workshops explaining the Fukada Tree.
"I insist on using DPA microphones because I like the transparent feel they deliver," he explains. "When recording piano, for example, they give me the clear attack sound and the beauty of reverberation when the sound attenuates. Their wide dynamic range and rich bass vigorously catches the expression of an orchestra, while for string ensembles recorded in a studio, they capture the rich overtones and give a better feeling of air."
Ken Kimura, DPA Microphones' regional sales director, Asia Pacific, says, "Following the upgrade and release of our finest Reference Standard Microphones, and given Mr. Fukada's requirement for the best audio equipment, I'm very pleased to see that he continues to rely upon our 4006A, 4011A, and 4015A mics for his recording sessions under Dream Windows Inc."
In recent months Mr. Fukada has used DPA microphones and The Fukada Tree to record a number of prestigious projects including capturing Shostakovich's Symphony No. 5 with the Saito Kinen Orchestra, directed by Seiji Ozawa.
(Jim Evans)
