ELP fixed over 150 lights including assorted Arri fresnels, Source Four profiles, standard and floor Par cans, Kinoflo Kits and Birdies with a selection of beam angles. Gardener continues: "Going out live every night meant that the different production departments had to work closely together in a highly charged atmosphere. Teamwork between camera crews, sparks, riggers and chippies was excellent."
(Lee Baldock)