The Atkinson Studio is designed to be a more flexible performance space
UK - Recently re-opened after a three-year, £17m redevelopment programme, The Atkinson is Sefton Council's flagship arts and cultural venue. Housed in a grade II listed building in the heart of Southport, The Atkinson integrates four arts and cultural venues - the Southport Arts Centre, the Atkinson Art Gallery, the Botanic Gardens Museum and the Southport Library - into one single, regional cultural centre.

Theatreplan, were called in as the theatre consultants to oversee the redevelopment of the two auditoria housed in The Atkinson. Theatreplan specified EM Acoustics loudspeakers throughout both venues, all of which were installed by Oxford Sound and Media, along with the rest of the loose audio equipment.

The main performance venue, the Atkinson Theatre, is a traditional proscenium arch theatre with a capacity of 440, and also houses a state-of-the-art cinema screen. The second venue called the Studio is designed to be a more flexible performance space.

Featuring a large permanent stage, an open floor and balcony seating, the Studio is suitable for music and children's theatre. It can seat up to 300 or as few as 60 for more intimate events. Theatreplan's Mathew Smethurst-Evans explained that they were keen to keep the equipment similar across the two venues to keep the users experience as straightforward as possible. "It was clear that the spaces are going to be used by a huge range of performers with widely differing skill levels, so the equipment needs to be easy to use whilst delivering high quality sound throughout the complex."

For the Atkinson Theatre, Smethurst-Evans opted for a combination of EM Acoustics flagship two-way point source MSE-159 and MSE-156 full range passive loudspeakers for the proscenium arch and L/R side-fill supplemented by five i-2 passive front-fill speakers. A pair of flown EMS-118 subs provide low frequency reinforcement and pair of ultra-compact EMS-51s are on fill duty for the Minstrels Gallery. On stage monitoring requirements are handled by six EM Acoustics dedicated M-12 stage monitors.

The Studio relies exclusively on MSE-156s throughout (six in total) with low-end reinforcement coming from two groundstacked EMS-118 subs plus six M-12 stage monitors. All amplification is provided with EM Acoustics amplifiers.

"We chose EM Acoustics products because we have been extremely impressed with them on recent projects," stated Smethurst-Evans. "Simply put, we believe that there is little to compete with them at this price point. Thanks to their passive crossover design, EM loudspeakers are truly "plug-and-play."

(Jim Evans)


Latest Issue. . .

Save
Cookies user preferences
We use cookies to ensure you to get the best experience on our website. If you decline the use of cookies, this website may not function as expected.
Accept all
Decline all
Analytics
Tools used to analyze the data to measure the effectiveness of a website and to understand how it works.
Google Analytics
Accept
Decline
Advertisement
If you accept, the ads on the page will be adapted to your preferences.
Google Ad
Accept
Decline