In recent years the theatre's audio department has expressed a desire to upgrade to a digital console to provide more features and greater flexibility. Head of audio Ralph Atkinson evaluated many consoles in his search, concluding that none came close to the sonic performance of the theatre's existing console.
That was until the launch of the Midas PRO6 live audio system. Atkinson realised the PRO6 offered a number of advantages over other platforms. One important feature for the theatre was its ability via the Dt451 I/O box to locate audio inputs and outputs throughout the theatre running just a Cat 5e cable. Inputs and outputs can be located close to the source or destination, significantly reducing the amount of copper cable in the system. And finally, according to Atkinson, "The PRO6 was by far the most flexible and expandable system that I'd come across, as well as being the best sounding."
As well as purchasing a standard PRO6 system that includes a DL 351 I/O box, the theatre also bought a Klark Teknik DN9331 Rapide motorised fader remote control for graphic EQs, and three DL451 boxes loaded with combinations of input and out modules to facilitate maximum flexibility.
The Empire's PRO6 was first used for a concert by English rock 'n' roll veterans The Searchers, and will be put through the paces of its first theatre production in April with the musical Singing in the Rain.
Finally, to highlight that Midas analogue is very much alive and in demand, the H2000 has been added to the hire inventory of Queensland-based CPC Audio, where it joins a Heritage 3000, an XL200, several Venices and, of course, two new Midas PRO6 systems.
(Lee Baldock)
