In among the house rig of ETC Source Four Revolutions and Vari-Lite VL3500Q moving lights, lighting designer Mikki Kunttu used Selador Vivid for sidelights and cyc lighting and Selador Lustr for lighting set pieces. He comments, "When we first started planning the show lighting, we talked a lot about how to make the production as 'green' as possible. We even considered getting rid of conventional lighting completely, but this proved to be impossible. Using LED for sidelights was something new for me and they worked really well - I was very impressed.
"I was sceptical until now because previously I'd considered that neither the dimming nor the power were quite there yet. But this time, they were fantastic, with the colours especially good. We had no problems whatsoever with dimming."
Thomas Bek Jensen, the theatre's head of lighting adds: "For some time, the Royal Danish Theatre has wanted to become more power efficient and the climate change summit, when we would be on show to the most important people in the world, gave us a good opportunity to see what was available. With Selador powerful enough to light the entire cyc from bottom to top by just placing a row on the ground, pointing up, that meant the theatre could replace an entire wall of ancient 1,500W cyc lights totalling 100,000W with a single row of Selador totalling more like 1,000W.
"From the wings, the Selador fixtures were focussed just above the floor, so that the light was on the dancers' bodies and not their feet. This was a pleasant surprise for many of them, because they are used to being blinded by the side booms so that they can't see the floor. After initial curiosity about the lights, they were all very happy."
Kunttu also used some ETC Source Four Revolution automated zoom profiles to help create an underwater scene in Act II. They came as part of the house lighting rig, and, he adds: "They are fantastic fixtures. Looking from a practical point of view, they're really silent - in opera houses, noise from moving lights can be a big problem, so having a fixture which doesn't make too much noise is a major positive point for us."
Thomas concludes: "The theatre is funded by government grants and has a have huge power bill which we'd love to reduce as much as possible. We are hoping to get funding to change all our outdated and inefficient equipment as soon as we can, because if we change all the equipment, we can save a lot of money each year."
For more on Selador and this production, see the February issue of Lighting&Sound magazine.You can see the video of Mikki and Thomas talking about their use of Selador along with images from the show on ETC's YouTube video library, which can be found at www.etcconnect.com/copenhagen(Jim Evans)