The 2014 event took place in an old shipyard at Refshaleøen, Copenhagen, Denmark and once again set new standards for production technology and as an eye opener.
Danish lighting designer Kasper Lange relied on seven grandMA2 full-size and two grandMA2 light consoles, 19 x MA NPU (Network Processing Unit) and 9 x MA 8Port Node for control.
Amongst numerous Martin Moving Lights and PRG Bad Boys, 178 x Clay Paky Sharpy Wash 330, 32 x Clay Paky Alpha Beam 1500, 30 x Philips Vari*Lite VL3500 Spot, 24 x Philips Vari*Lite VL3500 Wash and 212 x Philips Vari*Lite VL5 were in the lighting rig. Furthermore six Robert Juliat Cyrano and four Robert Juliat Aramis were used as follow spots.
Lange stated, "On a system of this size there is really only one control choice today - the grandMA2. The console allows multiple users to access the same show file simultaneously. Also we had the great advantage of MA 3D, both for pre visualisation and for blind editing on site. We were quite surprised to experience a stunning 25 fps with the full rig visualised."
Programmer Nicolai Gubi Schmidt added, "The synchronized DMX output across a big network was a big benefit. The MA part of the ESC network used 17 x Luminex GigaCore switches. Also the ease of working with timecoded shows on the grandMA2 was great."
Johnny Sørensen, Timo Kauristo, Thomas Brockmann, Leif Hellberg, Rasmus Bremer and Kristian Sørensen worked as programmers. The Creative director was Per Zachariassen, the head of production was Kamilla Monies, the eye-catching set was designed by Claus Zier and the show's creative director/content producer was Nicoline Refsing.
[LITE]COM A/S was the technical supplier with PRG as subcontractor. Gobo & Highlight A/S is the distributor of MA Lighting in Denmark and Sweden.
For full and comprehensive coverage of the production behind Eurovision 2014, see the June issue of LSi - out soon!
(Jim Evans)
