Events United lights Firehouse fundraiser
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Since the arrival of COVID-19, however, the stage at this 191-seat venue has fallen largely silent. The absence of shows has not only cut off a vital source of funds for the centre’s far-reaching programmes, it‘s also deprived the talented young people that Firehouse Centre supports with an opportunity to perform in public.
This October, the centre’s organisers did something about both issues, when they journeyed 37 miles from their coastal Massachusetts town to Studio Lab in New Hampshire where Events United produced Firehouse Ignites, a fundraising livestream that required a donation (suggested at $75) to access online.
Reflecting the diverse range of the centre’s programmes, the 95-minute livestream featured 20 different performers. The Events United team kept pace with this diverse entertainment mix with help from a versatile lighting and video rig that featured 60 Chauvet Professional fixtures and a 52.5’ by 13’ curved LED wall made of F2 LED panels.
“This was a fun project for us,“ said Tim Messina, owner of Events United. “The scope of the programme was quite broad since we had so many different acts. This opened a lot of creative possibilities for us.“
Providing a warm and inviting background for the Firehouse Ignites performers was the set’s video wall, which featured a series of circles in engaging amber tones. “Our creative process began with sourcing an image for the video wall,“ said Jon Martell, who served as the technical director for the livestream. “After that we built our lighting around the wall.
“Our colour scheme was loosely based on the client’s colours,“ continued Martell. “We went with the circle patterns because they created a friendly, supportive image that helped the transition from act to act. At times, the circles made it look like there was a crowd in the background holding up candles or cell phones.”
The Events United design team, which included producer Chase Clark, L1 Ryan Lane, A1 Kevin Smith and playback Trifon Athnos, added an elegant touch to the livestream by arranging 15 COLORado Solo Batten fixtures at the base of the curved video wall. Colourful light from the high output RGBAW linear fixtures shimmered elegantly off the polished set floor, giving the show a finished look.
“We recently added a high-shine Marley floor to increase the production value of our livestreams,” said Martell. “The reflection of the light from the battens and the circular patterns from the video wall on the floor gave the stage a nice textured dimension.”
A collection of 24 Maverick MK2 Spot fixtures flown on U-shaped upstage truss as well as on two rows of mid-stage truss provided downlighting and specials.
To provide added colour, 19 Rogue R1 Wash fixtures were flown over the entire stage, making it possible to set different emotional tones by changing palettes. A group of three Ovation CYC 1 FC fixtures delivered camera friendly front lighting.
Together, the bright front lighting, reflective set floor and curved wall backdrop created a stylish setting that made each of the programme’s 20 performers shine. In so doing, they not only helped raise funds for the Firehouse Centre, they also supported its core mission of aiding aspiring artists.
