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Events

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UK - Spirit Design was invited by production company Corporate Events Plus to light the Tesco's Company Conference 2003 - the second time Spirit has been involved in this project. The biennial event brings 2,000 senior managers from as far afield as Malaysia to attend a one-day conference and gala event. This year Excel in London's Docklands was selected as the venue for the meeting. Using 13 of Excel's 34 flexible venues such as a registration area, plenary auditorium, champagne bar and dinning space were created, totalling 28,000sq.m of presentation space. Spirit directors Danny Evans and Justin Adams shared responsibility for the design of individual zones. Adams commented: "The size of the event and the lead time made it impossible for the entire project to be handled by one designer, Danny and I were particularly careful to ensure that all of our designs gelled into a co

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France - Delta Sound recently provided all sound reinforcement for the prestigious Microsoft Xbox X03 games festival in the South of France, attended by some 400 guests, among them members of the international games press, developers, publishers and programmers.

Microsoft is a long-term client of Delta, and this was the third year running that the London-based PA company has worked on one of the annual Xbox events. It followed the unveiling of the first console, the X01, at Pierre Cardin's 'bubble' villa, also in the South of France, and a second event on a lake in Seville last year. This year saw a return to the Côte d'Azur and the exclusive resort of Juan Les Pins, where the festival was held at the newly opened Les Pecheurs beach club followed by an all-day conference at the town's Palais des Congrès.

The proceedings kicked off with presentations by Microsoft dignitaries

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UK - The Mirror Mirror Ball is one of the annual fund-raising events underwritten and primarily sponsored by high street retailer Next. This year's event was in aid of The Healing Foundation, and was held, as usual, at the Grosvenor House in London. Rick Bailey of RMPA was responsible for the Electro-Voice XLC PA system which carried the performances of Bryan Ferry, Liberty X and Robbie Williams' Swing Band to the furthest corners of the Great Room, and the 1000-plus dinner guests.

The event was notable for its comprehensive use of the latest Electro-Voice RE-1 microphones. FOH engineer Rick Bailey said: "We used the EV mics exclusively, the 767 heads are brilliant, offering far more separation and definition than other well-known models, also the RE-1s are very easy to set up; even with 20 channels of RF in the room, including eight IEM systems, the ClearScan softwa

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UK - Large format projection specialist E//T//C UK supplied two different corporate events at London's Billingsgate old fish market with widescreen projections. Both events, which were staged on concurrent evenings, were produced by GSP. The first, titled the Emerging Markets Ball featured a Brazilian theme, and the second, the Swaps Ball, was a fantasy theme involving Billingsgate, fish and 17th century London life. Scrolling artwork for both was created by E//T//C UK's Ross Ashton and Paul Chatfield.

The two PIGI 6kW projectors were positioned on 'the Bridge' of the venue, which partially separates the main hall into two halves. They were beaming onto a 25m wide by 7m high screen and soft-edged down the middle. Two video windows were incorporated in the artwork to allow logos and video images to be dropped into the panoramic montage.

Artwork for both shows was loaded into bo

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UK - The Observer newspaper celebrated the launch of its new glossy music magazine at Dave Stewart's recently opened and much-heralded multimedia music facility in Covent Garden, the Hospital. The launch of the Observer Music Monthly, attended by 800 music luminaries and members of the press, was the first event to be hosted by the Hospital Group, and was thus an inspired choice of venue for the Observer. The event's organizers turned to Sound Division, who have since become the Hospital's preferred audio supplier, to specify and provide all the necessary control, sound and staging equipment.

It was important to get everything absolutely right for an event of this nature. Sound Division's Chris Baxter, who designed the system, commented: "There was a huge amount riding on this launch for everyone concerned. Knowing how much money has been spent on this venue, all eyes were

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UK - Creative Technology was the sole technology provider for Sub Postmaster 2003 (the annual Post Office and Convenience Retailing Show) at Wembley Exhibition Centre this month. The lighting design, by CT's project manager Rob Merilees, made extensive use of LED lighting technology using the new Color Blast 12 fixture by Color Kinetics (CT is the first company in the UK to stock the units).

The Color Blast resembles a 12" x 6" flat panel and utilizes high output LEDs to project a 21° soft edged beam. Merilees said: "The RGB colour mixing enabled us to provide an exact colour match for the client's Pantone references."

The main feature of the stand was the walk-through tunnel, which ran the full width of the stand and was dominated by vibrant slowly fading colour changes from the Color Blasts, with graphic displays on the 10 plasma screens. The canopy feat

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UK - Pearce Hire promoted its three specialist divisions, united as a production package, to event organizers at this year's Showman's Show. The three divisions - audio, lighting and temporary power - have invariably worked independently, or in various combinations at events over the years. The new package will now combine the specialist skills and equipment of the three divisions.

The company believes that event organizers will experience improvements in efficiency if they deal with a single contractor supplying these three key areas of production, as it gives one point of contact for the client, maximising co-ordination between the services on site. Secondly, clients will experience reduced production costs through economies such as transport and crewing levels.

Pearce Hire's owner, Shaun Pearce commented: "We have been surprised at various shows this year by organizers

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UK - 'Celebrating the spirit of beauty' was the theme at this year's Pantene Pro-V Style Awards, held at the Royal Albert Hall. Stage Electrics was contracted by Big Chief Productions to design and project manage the technical elements of the show, which included lighting, sound, set and staging.

The set design for the event comprised a backdrop of white sails, stretched in a variety of shapes framing a central entrance through which guest presenters would appear. The design required an extension to be built in front of the existing Albert Hall stage, as the client wanted to use the stage as a dance floor for the after-show party. Over 100 pieces of Maltbury Metrodeck, three pallets of chipboard and 200m of white vinyl flooring later, the Stage Electrics team had built a custom stage extension that followed the curve of the arena and met all of the venue's Health and Safety requ

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Germany - With little more than 18 months to go to Showlight 2005, the search is on for those contributions that make Showlight one of the most stimulating and rewarding event in the lighting diary.

Taking place in Munich, at the beautiful Prinzregententheater, Showlight 2005 will look forward to tomorrow's technology, to the ideas and equipment that will take lighting design into the next decade. The show will also look back at what has been achieved in the worlds of theatre and television, film, concert and architectural lighting design. A major part of the Showlight show is devoted to presentations, of 15 to 45 minutes, by people working within the lighting industry. The organizers are now inviting ideas for papers from lighting designers and directors, scenographers and equipment manufacturers - although sales pitches are not welcome!

Six main topics have been chosen for b

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USA - Visitors to the Entertainment Technology Show - Lighting Dimensions International (LDI) will have the opportunity to see prototype devices networked with draft versions of the control protocols E1.11 (DMX512-A), E1.17 (ACN) and E1.20 (RDM) at the ESTA Interconnectivity Pavilion in booth number 121. These control protocols are being developed by the Control Protocols Working Group, part of ESTA's Technical Standards Program, and are designed to take us into the next generation of self-configuring and almost limitlessly extensible lighting control networks. Equipment from a variety of manufacturers will be shown communicating bi-directionally with equipment from other manufacturers, demonstrating the progress that has been made in developing these protocols and the benefits of voluntary, consensus standards developed in ESTA's open industry forum.

The Entertainment Technolo

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UK - A record number of visitors from 18 different countries attended the UK's main outdoor event services exhibition this October. The 2003 Showman's Show combined decades of experience with the latest trends and new products to create a showcase of 300 companies. With all of the components of outdoor events on show, there was something of interest for all of the 4,471 visitors. The attendees, who braved rain on the Wednesday and enjoyed a sunny Thursday, came from varied backgrounds, ranging from charity event organisers through to multi-national Clear Channel Entertainment.

Exhibitor Steve Hayward of Amazing Parties, talking from his Mongolian themed Internet Café said: "We were over-run by hoards of visitors on both days, many thanks to the Lance family for delivering once again." On the Wednesday evening the annual Showman's Directory Dinner was once again a suc

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USA - The Parnelli Lifetime Achievement Award, established in 2002 by the Board of Advisors of Pro Production, the award was christened the 'Parnelli' in memory of the late tour manager Rick 'Parnelli' O'Brien, who passed away in October of 2000. The award is presented each year at the annual Parnelli Awards during the Pro Production conference. The recipient, chosen by the Advisory Board, is honoured for their lifetime of work within the industry and who best represents, in their own endeavors, the 'Four H's' - Humanity, Humility, Honesty, and Humor - which symbolized the life's work and ethics of Rick O'Brien.

The Pro Production Advisory Board has announced that Chip Monck will be the recipient of the 2004 award. Monck is perhaps most widely known as the "Voice of Woodstock" for his work as master of ceremonies at the industry's first 'Mega Event'. However, Monck's t

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USA - Fox Television has purchased six 32-fader, 96 in-line channel Solid State Logic C200 Digital Production Consoles to serve their on-air promotion and sports departments. The first four consoles, slated for installation in late 2003, will be used for on-air promotion replacing the SSL Scenaria digital post-production mixing systems in use since 1992. The remaining two C200 consoles will arrive in early 2004 and be used for Fox Sports projects.

Fox Digital made a thorough and exhaustive evaluation of all market offerings, large and small, to find the right console for their future post-production needs. As part of the studio upgrade, they needed a console that would deliver great sounding audio, sophisticated routing capabilities and integrated surround sound mixing ability to address high definition audio standards. The C200 was the choice for both on-air promotion and sport

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A few interesting microphones turned up. Audio-Technica's ES991, ES993 and ES995 mics joined the Engineered Sound range, a dual-element cardioid condenser gooseneck and two dual-element cardioid condenser rigid-pipe models respectively, aimed at boardrooms, schools, courtrooms, council chambers and places of worship. AKG's TriPower Series makes models D 3700M, D 3800M and C 5900M available either wired or wireless in the same package. Also, finally, it will be interesting to see how many people take up Blue Microphones' 'The Ball' for stage use. It's billed as the first phantom-powered dynamic mic, and uses an active balancing circuit in the output stage to maintain 50 ohms resistance across the full frequency spectrum - while retaining a dynamic's SPL handling. Elvis would probably have liked it.

On the amp front, Crest extended its Pro 200 range with the P

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Apart from the D5T, arguably the other big technology announcement was Digigram's bi-directional EtherSound, although EtherSound itself has been around for 18 months or so. Going in both directions means that a network based on EtherSound is a 64-channel virtual buss, carrying 24-bit, 48kHz audio in every channel.

"Audio can be inserted in the down-stream," explained Digigram's Frank Siedel, "and the last device in the network sends every channel inserted back to the Primary Master device - the first in the network. From this up-stream, audio can be extracted from the network. Previously, we used the whole bandwidth of a 100Mb Ethernet to go one way. However, it's a full duplex network and we've now exploited this."

Only for those who don't need the 'star' configuration of a network, that is: bi-directional EtherSound only works in a daisy-chain. Naturally, star c

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In among the equipment debuts were one or two significant corporate manoeuvres. In the making of Digico's D5T, an offshoot of the D5 Live designed for theatrical production and launched on the first day, Autograph Sound Recording figurehead Andrew Bruce both contributed ideas and formed a US-based company to participate in the sales and distribution of the console. The company is called Autograph A2D, and Bruce was there for the launch. "As soon as I saw the D5 Live, I knew that it was the right vehicle for us to develop something digital for theatre use," he said after the presentation. "So we've given the operator 16 master faders in a row, slightly wider spaced than the eight-plus-eight on the D5 Live, and we've given the desk an off-line editor for the type of cue-lists we use in theatre. Live sound cue-lists are quite short: ours are typically 100-150 cues long. Arran

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Yamaha premiered two new input cards for the PM1D, each of which uses the head amp circuitry of the new analogue flagship, the PM5000. This heralded a "warmer, punchier and more open sound" admitted Yamaha's publicity, while also being smaller. In the original system, the AI8 input frame could only hold 16 A/B units. With a 4-channel card, each AI8 can now hold 32 inputs - resulting in a 96-input system of only three frames, rather than six. The LMY2-MLAB is a 2-channel mic/line with A/B input card and 28-bit A/D conversion. The 4-channel LMY4-MLF is a mic/line input card with 24-bit conversion.

It was also revealed that Yamaha has succeeded in supplying a PM5000 to Carnegie Hall, the very place where the PM1D was fanfared four years ago; and that a DM1000, together with no fewer than three DM2000s, have joined the largest fixed installation of V-Dosc in the US at The Aladdin

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In its inimitable style, the final edition of the AES Daily newspaper trumpeted: 'The Biz is Back', quoting a 'mobbed' show floor; 12,000 visitors over the first two days of the four; and exhibitors 'blown away' by the traffic. Despite the hyperbole, which has a habit of sounding very similar whatever the empirical circumstances of the show, it's hard to refute that the numbers seemed up in every department, and that most anecdotal comment was genuinely positive.

Quite a lot was made of a 'new generation' coming into the industry, and 'young blood' rejuvenating its financial muscle. The best example of this was Digidesign's tangential spree at the relocated School of Audio Engineering opposite Macy's, where every evening SAE itself hosted informal tours while Digi and other manufacturers put on seminars. Chief among these was the appearance of cult techno figure Richie Hawtin, revealin

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Lesa Kinney, once at Apogee, is now international sales manager at Furman Sound, the established audio and music technology manufacturer also located in Petaluma, California. Here was a genuine agenda, with the emphasis on the word 'international' in her title: "Furman Sound has placed a lot of its marketing and engineering resources lately in the home theatre industry, data communications and systems integration," she said, "while continuing to focus on the MI and contractor market. Until recently, most of this activity has been focused on the domestic North American market.

"We are now thinking globally. We now design 230V products as we are developing domestic products. We're doing market research internationally, and directing publicity and press releases to international publications. In order to make it easier for our distributors to get information from us in

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UK - Stanton presented the Third Allies Allstar Beatdown world finals at London club Fabric, which was rammed to capacity as Tigerstyles defeated I:Emerge in the final, after two closely contested opening rounds. Such was the standard that the contest provided a real challenge for the panel of top judges, headed by the Scratch Perverts. Deliberating with them were DJ Craze, Beatdown promoter Tony Vegas and mixologists, Benny and Go.

At the end of the contest, The Allies' Infamous presented the prize of £2,000, the Beatdown Stanton SA5 mixer and a bunch of accessories. The Allstar Beatdown has turned into one of the most respected and prestigious of all DJ battles, drawing audiences of all ages and cultures.

As a team, The Allies have dominated every DJ battle in the world and the Stanton SA-5 2-channel battle mixer, utilizing custom Penny & Giles line faders and crossfaders,

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USA - During the recent LDI exhibition in Orlando, Florida (21-23 October) ESTA (the Entertainment Services and Technology Association) announced the winners of the 2003 Dealers' and Manufacturers' Choice Awards.

The Dealers' Choice Customer Service Awards offer ESTA's Dealer Members the opportunity to publicly recognize those manufacturers that provide consistently good customer service throughout the year, and recognize high performance in four main areas - Customer Service, Shipping & Billing, Technical Support and Quotations/Project Management. Dealers cast their votes for Manufacturers in each of three categories based on the Manufacturers' number of employees, 1-6, 7-25, and over 25. The winners for 2003 are Doug Fleenor Design (1-6 employees category), City Theatrical (7-25 employees category) and Apollo Design Technology (over 25 employees category).

The Manufacturers'

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UK - Gallowglass Ltd, one of the UK's leading suppliers of crew and modular staging for the events market, has extended its hire division to include temporary grandstand seating. "We are always looking for ways to develop our business and open up new avenues for our core operations. The new seating division will help to boost our summer trade and give us an even greater presence in the outdoor events market," said managing director Paul Grecian. He continues: "We do not see ourselves as becoming a large outdoor event supplier. We will be looking to supply the smaller, niche markets with seating solutions. If we can supplement these contracts with additional crew and staging opportunities - then all the better."

Gallowglass' clients over the past five years have included the likes of BBC Radio 1, M2002 Commonwealth Games, Bloomberg, BP, and most of the FTSE 10

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USA / Europe - IAAPA (The International Association of Amusement Parks and Attractions) and EAASI (the European Association Amusement Supplier Industry) have agreed to form a new company created to own and manage what they claim will be Europe's largest exhibition for the amusement parks industry. The new exhibition will represent all amusement parks, fairs, manufacturers, carnivals and attractions throughout Europe.

Clark Robinson, president of IAAPA, said: "The strength of the partnership is combining IAAPA's role for the industry worldwide and EAASI's expertise in the European market."

Wieland Schwarzkopf, EAASI president, added: "This historic moment . . . will offer a single meeting point for the European amusement industry."

A final agreement is expected to be announced in the next few weeks.

(Lee Baldock)

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UK - Shure Distribution UK, sole distributors of Shure, QSC Audio, Phonic, PreSonus, Aviom and Sound Devices will be displaying the latest broadcast related products, at the SBES Show. Stand 53 will be boasting a number of new products including the new Sound Devices 302 compact production mixer which features three high-performance microphone inputs, informative level metering and flexible headphone monitoring. In addition, the highly acclaimed Sound Devices 442 field mixer that now ships with new channel-fader knobs featuring touch and visual feedback for single-finger control.

SBES will also see QSC's QSControl.net, which encompasses the seamless integration of the company's signal transport, control, processing, and monitoring technologies. QSControl.net melds QSC's power amplification and loudspeaker products into a unified system that enables the user to administer it all

  1. LDI reinforces optimism for industry
  2. Prolight+Sound update
  3. International Society for Performing Arts Conference
  4. TP announces 2004 Awards nominees
  5. ILMC gains grant for live music safety guide
  6. XTA for Hammersmith's AC/DC reopening
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