UK- Many familiar faces from the lighting industry attended the Theatre Museum in Covent Garden on 10 February, for the opening of an exhibition which celebrates the life and work of the late Michael Northen. Known to many as the first lighting designer of British theatre, Northen lit over 300 productions during a distinguished career that spanned six decades. In addition to being a prolific lighting designer, he was the first LD to gain a printed credit for lighting designer in a programme.

Speakers at the event included Mark Jonathan, well-known lighting designer and manager, who represented members of The Association of Lighting Designers (ALD) - an organization Northen founded with Joe Davis and later became chairman and then president of in 1995. Also speaking was Robert Camac - Michael Northen's long-term partner whom he was with from1948 until his death in 2001, and Giles

Switzerland - Integrated Systems Europe (ISE), the latest addition to the European audio-visual sector exhibition circuit, took place in Geneva's cavernous Palexpo complex in early February and was generally considered to have been a success on several fronts. The event, which is jointly sponsored by CEDIA, ICIA and NSCA, was spread over three days and included an extensive education and training programme alongside the exhibition in which around 120 companies promoted their products and services.

In a bullish build-up, the three associations promised to deliver "a unique trade exhibition and conference designed as a business-to-business event by industry insiders for the entire industry". Exhibitors did indeed cover the various industry sectors that are increasingly being integrated - commercial and residential sound, display, ommunications, security and audio-visual

USA - Visual Terrain recently completed the lighting design for Space: A Journey To Our Future, a traveling exhibit created by Clear Channel Exhibitions. Space opened at the Pacific Science Center in Seattle, Washington 22 November 2003.and continues until 9 May 2004. Considering the unique requirements of a traveling exhibition, designers Lisa Passamonte Green and Matt Levesque developed a lighting system to blend the creative desires with the practicalities of the project's lifespan. "Our goal was to create a design that enhanced the special features of each environment by integrating much of the lighting within the scenic elements," Passamonte explains. Using a combination of architectural and theatrical fixtures, Visual Terrain created the coolness of space with the warm magic of discovery.

"We were fortunate to work with such a creative and expe

UK - The Association of British Theatre Technicians annual showcase - ABTT, which runs for two days (16-17 June), this year promises to be the biggest ABTT show ever, according to the organizers. The event is 85% sold, with only 20 stands still available across The Lindley Hall and its new area - The Assembly Halls.

ABTT is the only dedicated forum in the UK for companies to showcase products and services aimed at professionals in theatre and auditoria. Boasting a broad cross-section of companies servicing this expanding market, over 16 audio companies are exhibiting from around Europe. New to the show are Alcons Audio from the Netherlands and Ben Ri from Spain.

With the Disability Discrimination Act (DDA) coming into force later this year, many audio companies are taking a lead on this front, including installer Orbital and manufacturer Sennheiser, showcasing its Wideband SI

UK - The A.C. Lighting North trade show (11-12 May 2004) will see products from some of the leading entertainment technology companies making their UK trade show debut in Leeds.

Chroma-Q, exclusively distributed by A.C. Lighting, will unveil the first in a new line of high output LED products. The Colour Block is a modular block of four DMX-controlled colour mixing LED lights which can be easily configured in stacks or rows to make battens, blinders or any combination. Colour Block also features a unique user interface offering Hue, Saturation and Intensity control of each fixture, plus a fully variable effects engine. From Jands (also exclusively distributed in Europe by A.C.) will be the newly launched Vista lighting console, with its ground-breaking timeline-based approach to lighting control.

Other new products on display will include Martin Professional's Ego 4 DMX effec

We know there are numerous demands on Members' time, however this is a rare opportunity to get free advice on how to develop your business, discuss common concerns with others in the industry, hear about market trends and network with other PLASA members.

On Friday 11 June, we are heading to Celtic Manor in Newport (two hours from London) for our AGM and Association Day. The first part of the day - the AGM - will cover what we are doing for members and will be a chance for you to raise questions or highlight issues you'd like feedback on.

Following lunch, Mike Southon, better known as the Beermat Entrepreneur, will get you thinking about how you can rekindle the entrepreneurial flame in your business. After a mid-afternoon break for coffee, you then have two options - you can either join a 45-minute workshop on sales or one on leadership, motivation and teamwork.

During the cours

April - Design Considerations for Buildings: 28 April, Interbuild, Birmingham.

This RIBA-supported seminar has been developed to provide architects, designers and installers with essential information when designing buildings for corporate or entertainment use.

To register email: nicky@plasa.org

May - Working at Height Update: 11-12 May, AC Lighting North, Leeds.

To continue the momentum from the two seminars held earlier this year, PLASA's technical standards manager Ron Bonner will deliver an overview of the compliancy issues surrounding the new legislation with examples on how to risk assess working at height.

To register call A.C. Lighting on +44 (0)1494 446000

Employment Law Seminar: 18 May, Victoria, London.

Free to members: Businesses have been faced with radical changes to the Employment Law in recent months and there is more to come. Delivered by Cl

UK - The PLASA Show 2004 takes place at Earls Court Exhibition Centre in London from 12-15 September. Now in its 27th year, the PLASA Show focuses on innovation with new features, product launches, professional development opportunities and displays and demonstrations from the leading brands and pioneering manufacturers and innovators in the industry.

Emphasising the importance of training and education, the PLASA Professional Development Programme (PPDP) reinforces the importance of continual learning as an integral aspect of the show. This year's sessions are designed to focus on technical hands-on training, industry debate and networking to appeal to lighting and sound professionals at every stage in their career.

Building on the success in 2003 of the inaugural Architectural Audio & Visual sector, this year there will be a village of exhibitors that are associated with v

Chinese manufacturer Pearl River recently signed with Italian distributor EtaBeta Electronics. The company was demonstrating a wide range of fixtures at SIB including its Pilot 575 moving head, which is available in 100/120V and 200/240V versions, and includes various colours (two wheels of six dichro colours plus white), gobos (seven interchangeable glass gobos plus fixed wheel) and effects (including three and five-facet indexable prisms).

EtaBeta's other brands include Opti, and Neil Rice was on hand to demonstrate the Opti range - new products included a clip-on gear-driven 50mm effects cassette for the company's range of projectors, and a variable speed Solar and K4 wheel rotator, which is also operable via the same remote IR controller which Opti introduced recently for its range of slide/gobo autochangers Also from Opti was a new clock projection attachment which now includes a

Space Cannon introduced an extensive line-up of new architectural lighting fixtures utilizing high-power Luxeon LED sources. These included the Helyos external colour-changing fixture; the Heos in-ground colour changing fixture for internal applications; the Olympus colour changing washlight for indoor and outdoor use; the Athena striplight - ideal for colour-washing individual window spaces; and the Poseidon underwater colour changing washlight. These fixtures were in addition to the range of conventional source fixtures, including the Pegasus - a 150W/250W unit which uses a patented colour-mixing system consisting of two dichroic tubes, one of which slides in and out of the other to produce a wide range of colours and shades. Using the same colour change system is the Focus, available in 575W, 600W, 700W or 1200W versions.

Tryka LED had recently sealed a distribution agreement with One 4 All. This was the first time Tryka had demonstrated its LED colour-changing lighting products to the Italian market. Indoor fixtures include colour changing strips in a variety of lengths (with the option of optics to control the light output), the flexible LinkLED in either single-colour or RGB, the popular MR16-sized Module 3 and Module 6 and the bigger Module 12. Tryka's outdoor range features IP67 and IP68 rated units (the latter suitable for underwater installations); projectors include the Module 12 (equivalent in size to AR1-11/Par 36) and Module 36 (now available in IP68 version) and in-ground units like the compact but bright Module 1.

Czech Republic-based Robe Show Lighting go from strength to strength, launching six new products at SIB. The new ColorWash 1200E AT is a powerful moving head washlight with CMY colour-mixing, variable CTO, two colour wheels (each with six easily replaceable slots for colours and effects) and a combined dimmer/shutter among its many features. The unit offers a zoom range of 7-50°, depending on the lens type used. Also included is an electronic ballast for flicker-free operation, a large LCD display (as seen on the company's ColorSpot 1200 AT), and an Ethernet connection.

Among its other launches were the ColorSpot 575E AT - an electronic ballast version of its popular ColorSpot 575 AT, offering flicker-free operation, enhanced light output, extended lamp life, power-saving mode for economy and reduced weight, while the same large LCD display and Ethernet connection add to its user-fri

This was the third SIB since the exhibition switched to a biennial basis in 1998, and the second since it moved to the new, out-of-town Fiera. In common with most other international exhibitions of late, SIB 2004 appeared a slightly smaller event than previously. Obviously, this is partly a reflection of economic conditions; European exporters have been hit hard by the weakening US dollar, and this on top of the catalogue of disasters which has helped to dent business confidence in recent years. However, anecdotal evidence from more than one exhibitor (and one of those a major player), suggests that the decision to go biennial is also a factor: some, it seems, believe that by making that move, SIB relegated itself from the trade show top flight.

But let's not be too negative; this was a busy show for the most part (although the organizers' claimed 70,000+ visitors seems to have more th

Link introduced new products in its LK connectors and Eurocable ranges. For its new LKS rubber locking ring, Link is offering a free replacement service in the case of a break within three years; encouragingly, this includes a 'no questions asked' policy - so you can do what you like with them. The company also introduced rubber locking rings for its LKH connectors and for the LK Audio range of connectors.

Martin Professional seemed to have half a hall at its disposal, filled with its various sector-specific product ranges and a very hospitable bar which L&SI was honoured to attend once or twice. Mark Ravenhill showed us the new extension wing for the Maxxyz lighting control desk, which is now beginning to make its mark on the live touring circuit. The extension offers two extra banks of 10 playbacks for larger shows, with motorized faders and LCD buttons as per main console. The extension slots easily onto either side of the desk, thoughtfully catering for both left- and right-handed operators.

New to Martin's DJ product range is the Mania PR1 high precision gobo projector. This 250W unit can take steel or glass (D-size) gobos, and offers adjustable gobo rotation speed and a colour slot for interchangeable colour filters. Also new for the DJ market, the EF1i is a 100W fixture which comb

Decima's distributed product lines include Look Solutions' range of tiny smoke machines and Le Maitre's more heavy duty models; also represented were hoists from Verlinde and rigging hardware from Doughty Engineering, as well as ETC Europe and Transtechnik Lichtsysteme. New from ETC was the CEM+ (Control Electronics Module) which, the company says, takes dimming to a whole new level. Designed to connect directly to the ETCNet2 Ethernet system, the CEM+ equips the dimmer rack with an Ethernet control signal input that is fully configurable with a range of patching and priority programming capabilities. ETC also showed its new RRFU (Radio Remote Focus Unit), which joins the RFU (cabled Remote Focus Unit) and WRFU (Wireless Remote Focus Unit) in the company's range of hand-held tools.

Italian manufacturer Coef showed its stylish new MP 200 wash and spotlight fixtures, both single-arm yoke-mounted moving heads using a 150W lamp source (CDM-SA/T, HQI-T or HSD). Features of the wash version include 11 colours plus open (with intermediate colour positioning), adjustable speed rainbow effect and strobe, blacklight filter and internal PFC; the spot version additionally offers four metal and two dichroic gobos (all interchangeable).

Alongside its Giotto range of moving head fixtures and its Regia lighting control consoles, SGM introduced its stylish new Palco range of LED-based architectural washlights. Design for both indoor and outdoor use, the IP65-rated Palco fixtures use high-power Luxeon LEDs in either 3W (Palco 3) or 5W (Palco 5) variants. The output is given as an impressive 2,500 lumens for the Palco 5, and a range of interchangeable lenses are available to suit varying throws. Palco units are compact and weight just 13.5kg.

Ayrton's export manager Ivano Burato reported good business for the company's LED-based Easycolor colour changing moving heads, which come in large (36 LED) and small (18 LED) flavours. Burato added that the level of interest in the products from the TV studio market in particular had been surprisingly strong; examples include the use of 28 units for the French pop TV show, Hit Machine.

PSL - 'Programmi e Sistemi Luce' - now supplies a number of brands aside from its core show lighting products. Other ranges available from the company include the Lightmakers range of lighting fixtures for theatre, architectural, exhibition and decorative applications, the Aromadispenser - which does exactly what it . . . etc, Tecno Truss trussing and the Party Line range of DJ lighting effects and smoke machines, among others.

Italian manufacturer LDR is one of the few companies around which has enjoyed significant sales growth over the past 12 difficult months; director Lisa Papi puts this down to the company's compact and therefore manageable size, and also the relatively tight market focus of its range of stylish but functional theatre luminaires. On the same stand, Jan de Jonge was showing the latest dimming products from IES, with emphasis on custom units for differing power requirements.

A bespoke solution designed for the National Theatre in London is now offered as standard - a 6 x 2.5kW dimming pack switchable to 3 x 5kW.

The new iSpot 1200 from Coemar, previewed at SIB, is a moving head fixture available in normal or electronic ballast (EB) versions. Utilizing a 1200W discharge lamp, its includes a five-colour wheel, a high-resolution colour-mixing system, two gobo wheels (each with six gobos), two rotating prisms, proportional frost, CTO correction filter and iris.

Also from Coemar, the ShowColor 3200K and ShowColor 1200 have a halogen lamp and a discharge lamp with electronic ballast respectively. These moving head spotlights are designed for stage and TV studio applications, and form part of a new range of luminaires engineered to provide maximum light output from the source, say Coemar. Both offer colour mixing via an "innovative radial CMY system", while the discharge version additionally offers a strobe effect.

The iWash LED brings LED technology to Coemar's moving head fixtures. Addi

Another SIB exhibitor quietly enjoying significant growth is Dutch company Highlite International, which now produces a huge range of lighting, audio and trussing products. Company owner Huub de la Haije told me that since the company was founded in the early 90s, it has doubled its turnover every two years. Highlite has always manufactured its products in China, and has more than 10 years' worth of relationships with Chinese manufacturing interests under it belt. Consequently it is somewhat ahead of the game now that everyone's eyes turn are turning eastwards.

On the Ianiro stand, Artistic Licence's Mark Thompson was showing the intelligent Pixi-Led array which demonstrates Remote Device Management (RDM) in operation, with each individual fixture feeding back status information to the controller - the same technology Artistic employed in the Broadgate installation. Also with Ianiro was High End Systems, whose Fons de Vreede, Phil Mercer and Tony Magana were on hand with the Catalyst digital media server system and the Catalyst DL1 moving head.

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