FocusTrack was specified for the production by the show's lighting programmer, Vic Smerdon, who had successfully used FocusTrack to document the intricate moving light focuses on the show's London production. For New York, lighting designer Paul Pyant and his associate, David Howe, had adapted and expanded the rig, substituting new types of lights for some of the units used in London; the London FocusTrack allowed the team to match the focuses of the new units as well as providing all of the information needed to refocus the rig in New York.
FocusTrack's RigTrack rig database was then updated with the new rig, and FocusTrack used by Smerdon and the show's US lighting associate, Jared Sayeg, to keep track of the show as it changed and evolved during the rehearsal period.
Once the show was nearing completion, every focus used in the show was photographed and updated into FocusTrack to give a complete record of how the moving lights are used, to be used to maintain the show over the duration of is run.
FocusTrack can now also be found touring the US, with the national tour of Oklahoma!, lit by Ted Mather from the original lighting by David Hersey. Now playing split weeks and sometimes even one-night stands, FocusTrack allows the show's lighting team access to rig focus information on a by-light, by-focus or by-cue basis.
The Woman in White and Oklahoma! join the shows already using FocusTrack in the UK, which include Mary Poppins, Guys and Dolls, Miss Saigon, Billy Elliot and the new tour of My Fair Lady.
FocusTrack will be on show on the Strand Lighting stand at the ETS-LDI exhibition in Orlando.
(Jim Evans)
