Bidding War at Dome Auction
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Paula J. Dinkel, principal lighting designer for Walt Disney Imagineering, is currently leading the lighting design teams at Walt Disney Studios in Paris. Her paper ‘Theatre to Theme Parks’ owes much to her 20 years’ experience with Disney theme parks and retail projects, amongst them DisneyQuest in both Orlando and Chicago, the Port Discovery Children’s Museum in Baltimore and Club Disney.
John Rayment, the man responsible for the exciting lighting design of the opening and closing ceremonies of the Sydney 2000 Olympic Games, will discuss this experience in his paper ‘Olympics’. Beginning his career in seventies London, Rayment went on to become associated with the Sydney Dance Company, and was also
Following the demise of the former Sound Dept, the new company will commence trading from an operating base in Banbury, Oxfordshire, at the beginning of April, under the executive management of Steve Smith (MD), Andy Simmons (sales and marketing director) and Peter Nicholls (FD).
The new company has consolidated its position with all the premier brands previously represented, and will act as exclusive UK distributor for Crest Audio, Community Professional Loudspeakers, Sound Advance, Level Control Systems (LCS) and Australian Monitor Industrial (formerly Audio Telex).
Other key members of The Sound Department team are technical support manager, Steve Badham, along with Bruce Francis, who will now run the service department from a self-contained unit in
PRG ant
The UKCMA aims to raise standards within the industry and promote awareness of crowd safety issues among legislative bodies in the UK, as well as to foster co-ordination of training and operational standards. The lead is being taken by the inaugural members of the UKCMA, which represents the major players in crowd management. The need for recognised industry standards and a responsible approach to training has been a subject of much discussion within the security and crowd management industry. Whereas currently companies can provide personnel not trained in crowd management, whether it be pit work, minimum force, or response work, the recognition and call from the industry for nationally-accredited standards is one that can no longe
"A full investigation has been carried out by my officers and we have explored many other courses of action to avoid having to make this application. Our actions in this case should act as a warning to other premises where there is a serious drug problem that we are prepared to take every st
The show consolidated its core theatre roots, firstly by changing its name to the ABTT Theatre Show 2001, and secondly by widening its appeal to complementary sectors and actively targeting architects, consultants and specifiers of front-of-house services. This inevitably led to a broader range of products on the show floor and alongside the lighting, audio, AV and staging equipment, came front of house goods and services - principally seating, but also training, recruitment and licensing. This, in turn, led to more visitors and first indications are that the visitor figure was up a massive 72% over last year’s registered numbers . . .
The talk on the AC stand was of the company’s new HQ, the finishing touches to which, are being
Chaired by Dave Ward of the Gateway School of Recording, members of the Group include some of the key training providers in the industry, together with representatives of the trade press and the PLASA head office team.
The intention is that the Group will make recommendations to the PLASA committee on the way forward for training and education initiatives for this industry. Part of its remit will be to review ways in which PLASA can create a coherent and sustainable training structure which addresses not only those coming into the industry, but also those already in it. Issues such as accreditation, new technologies, health & safety and good training practice will all be addressed as part of PLASA’s training strategy.
In the first instance, PLASA is looking to ident
With over 89% of the available stand space already sold and all the leading manufacturers booked into the show, PLASA 2001 promises to live up to its reputation as the showcase event that launches the entertainment technology year. Venue improvements have continued, with over £500,000 invested in the last 12 months to improve comfort cooling at the Show. Furthermore, an overall investment of £6million will ensure that Earls Court is a fully air-conditioned exhibition centre by 2002.
Over 400 exhibitors and 14,000 UK and international visitors are expected to attend. Manufacturers, suppliers and distributors of professional lighting, sound and AV equipment will descend upon Earls Court to unveil their lates
The agreement allows Australian customers access to Stage Technologies’ products through Jands Electronics. "We will be pooling our expertise, experience and knowledge," said Jands’ managing director Paul Mulholland. "Stage Technologies has excellent credentials and is a worldwide leader in stage control systems. Coupled with our mechanical expertise and ability to source local materials, this will prove to be a very strong alliance." Stage Technologies’ marketing director John Hastie added: "Together with Jands, the complete range of Stage Technologies equipment and solutions will be supplied and well supported in Australia."
MCL will offer a complete inventory of audio, lighting, staging and AV equipment. Mike Bell told us: "We are intent on changing current conceptions about AV staging - often referred to as ‘One Stop Shops’.
The Hazlitt Theatre in Maidstone is owned by Maidstone Borough Council and, like all other departments of the council, has to take its place in a long queue for what small amount of money is available. A general re-fit was accomplished 20 years ago, but since then there has been no major injection of cash available to it.
Theatre manager, Mandy Hare, took the reins just over three years ago and set about raising the profile of the venue, putting in more events, a wider artistic base, a thriving youth theatre, a regular programme of workshops and a selection of outside events. Production and operations manager, Eric Lund, joined the team just over two years ago and soon realised that th
Another regular, Vari-Lite Europe provided the complete lighting system - featuring more than 500 luminaires - as well as providing the rig for the After Show Party. Lighting designer for the event was Al Gurdon. With the ceremony designed to look spectacular both for the live audience and a massive worldwide broadcast audience, the lighting design encompassed the entire space within Earl’s Court 2, both on and around the huge stage and the specially-constructed auditorium.
The large-scale lighting rig included 40 VL2416s, 54 VL5 Arcs, 81 VL5Bs, 76 VL5s, 24 VL6 wash luminaires, 38 VL6Cs, six VL7s and 130 VL2C spot luminaires, with control from two Virtuoso consol
The Festival provided the perfect backdrop for a visit to the company’s manufacturing facilities in both Valencia and Barcelona, where dealers got the opportunity to take a closer look at a number of new speakers recently launched by the company, and first seen just a few weeks earlier at the Frankfurt MusikMesse.
Key amongst these is the Compact 1. Self-powered, it is a three-way, bi-amplified system that can be used as a full-range stand-alone unit or as a mid-high cabinet with bass reinforcement. It features a 1000W ‘Class D’ switching amplifier, which delivers 500W to the low frequency transducer and 300W to the mid/high section. The low frequency section has a G-354, 15" low
- PLASA Show - members of the Clarion Events show management team and members of the PLASA Exhibitor Forum will be on hand to discuss PLASA Show-related issues.
- Membership Services - PLASA’s head office staff dealing with membership services will be joined by consultants from certain of our service providers and members of the PLASA Executive Commi