New Contract for New Company
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The project is managed by David Taylor (pictured) from the Connecticut office of TPC, but George Ellerington of the London wing of Theatre Projects provided the unique theatre equipment package with an array of stage lifts, acoustics banners, hundreds of reverb chamber doors and a 40-ton three-piece canopy, all controlled from a custom PC-based memory system.
The concrete is complete to auditorium level in the concert hall and, to stabilise the building, the attic floor overhead is being poured at present. Despite the difficulties in construction over the summer, the site is being considered for an OSHA safety award. The second performance space, a 550-seat recital theatre is also underwa
In 1992 the company’s VA system received two industry awards for design and concept. In 1998, the digital distributed system (installed in the largest VAPA site in the world - CLK airport Hong Kong) was granted Millennium Product status by the UK government and in May 2000 the company won SMART Award funding for the development of a new compact networked model.
Stephen Byers represents a constituency in the North East of England and is familiar with the Sunderland Stadium of Light - one of the prime locations in the region to have a SigNET VAPA system. The sound system at the football club has received praise from fans, visiting teams and MPs. However, less well recognised, is the SigNET syst
This latest accident happened in late September at Olympia, when David Upton of Unusual Rigging caught his foot whilst fitting a banner to the entrance of the Grand Hall and fell 18ft. Fortunately, it didn’t cost him his life, but it has left him paralysed, and an investigation is now underway by Hammersmith and Fulham Council.
This latest incident has refocused attention on the two earlier fatalies at Earls Court - the death of Kevin O’Brien, a freelance lighting designer working for the SpotCo, in December 1999 and the subsequent death of David Mott, a contractor working for Unusual Rigging, in June this year. L&SI has contacted
Coming from a rigging and trussing background, Darracott MEng AMIMechE will bring a new perspective to the committee. He joined Total Fabrications at the start of 2000, heading up the design team responsible for the company’s award-winning T2 trussing system; prior to this he worked in a number of fields including broadcasting, lighting, stage machinery, rigging, special projects and demountable structures.
Mick Hannaford (LightProcessor), the serving PLASA chairman, has been re-elected for his second thr
Students without previous experience spend 48 weeks working in the events industry, normally with one organisation. A few students undertake two 24-week placements. Students are normally paid a modest salary and, as well as contributing to the day-to-day operation of the business, they are required to undertake a project which will be of lasting benefit to their host organisation.
Martin Wright, senior lecturer at the UK Centre for Events Management at LMU, told L&SI: "There has been a lot of recent media comment about the need for practical, as well as a
Specially designed for anyone working in the live events industry, the day-long course examines event hazards in detail and covers everything from legal responsibilities to Risk Assessment. The course is open to freelancers, students and groups from companies, venues and student unions, and is fully approved by the Production Services Association. The course runs on the following dates: Bristol (29th Jan 2001), London (31st Jan 2001), Manchester (12th Feb 2001), Birmingham (13th Feb 2001).
Keith Morris, under the auspices of CSS Productions, managed the event, reassembling the team he used so successfully for the British Gas, Maritime Museum New Millennium’s Eve event (strange how little we hear of the Millennial events that succeeded). Being November and rather nippy around the towers, this dinner and music show was staged on the pitch, but under cover. Serious Structures provided its Space Building, a giant derivative of the classic Orbit roof, being a curved ‘tunnel’ 92 metres long, 40m wide, with a max height at centre of 15m. The main feature of the Space Building is the totally transp
Cirque du Soleil was formed by a troupe of street performers in 1984 and has grown to include permanent shows in Las Vegas, Florida and Berlin; it employs over 2,000 staff across the world, and has performed to more than 23 million people to date. The company has staged productions of Saltimbanco and Alegría at the Royal Albert Hall in previous years, and is this week opening a show in London,
The stylish, contemporary interior design is by Matt Rawlinson of Raw Design, and the stunning effects lighting design is by Carl Dodds of Making Light Work (pictured with Avolites’ Azure console). All lighting fixtures for Dodds’ rig were supplied by Coe-tech to installers, Dublin-based Audio-Tek, with the Avolites Azure 2000 control console supplied directly by Avo to Audio-Tek.
The club’s main dance floor is overlooked by a balcony, with the VIP area in the ‘Gods’ at the top of the building, an atmospheric former warehouse, built in the 1930s. Dodds chose a variety of instruments for his high-impact rig, which was to be put in the hands
The site, launched in late November, is devoted entirely to live music, drawing from the strengths of company partners Wembley plc, The McKenzie Group (owners of three live music venues - Brixton Academy, Shepherd’s Bush Empire and the new Birmingham Academy), UK concert promoters SJM Concerts, Metropolis Music and one of Ireland’s leading promoters, MCD; plus technical partners Virtue TV, Europe’s leading Internet broadcasters.
WTV is distinctive in content and style, featuring "as it happens" tour news and a new Pay Per View Broadband Broadcasting Service. This enables the subscriber to watch a performance as many times as he/she likes during a 24hr
A visit to the Brit School in Croydon quickly annihilates those dated eighties images and replaces them with a slick, contemporary vision where leg-warmers (if they’re worn) are disguised beneath cool student attitudes and dedication to the various artistic and technical vocations on offer. With the recording industry backing the Brit School, it’s no surprise to discover that the music courses are well developed and until recently the school emphasis fell in that direction.
The school’s production manager, Caroline Heale, was brought in with a brief that included
Control Systems for Live Entertainment has become something of a bible for those who seek a better understanding of control systems. In this updated and revised version, Huntington has revised his original work in answer to the changes of the past six years. He covers the new technologies that now operate in the field, although perhaps the most important change has come not in the technology itself, but the level to which it is now being used. Huntingdon addresses the challenge of how to adapt these technologies to purposes for which they were never designed. Covering control for lighting, lasers, sound, video, film projection, stage machinery, animatronics, special effects and pyrotechnics for theatre, concerts, theme
Ever mindful of the growing burden legislation places on businesses, PLASA has launched a new service designed specifically to make life easier for its company members.
The new Human Resources Service, set up in conjunction with CP Associates HR Consultancy, provides PLASA members with access to professional help and advice on personnel issues.
The service is designed to offer practical, independent advice, based on the latest legislation, and covers areas including contracts & terms of employment; disciplinary and grievance procedures; employee benefits; employment legislation; pay reviews; recruitment and selection; risk assessment; redundancy and absence control.
To give you an idea of the type of information you could receive through this new service see the Briefing panel to the right. To
If all this has come as news to you, then it would be worth your while taking advantage of PLASA’s new Human Resources Service. The advice you receive will clarify the current legislation so that you and your staff don’t end up in a dispute.
For instance, when the Parental Leave Regulations were updated in December 1999, the existing entitlements were revised. Parents became entitled to 13 weeks’ leave per child before the fifth birthday (subject to a four-week annual ceiling in blocks of one year), a ruling which also applies to adoptive parents or those of children with