Amongst others the lighting rig features Clay Paky Alpha Wash Halos, Vari*Lite VL 1000, VL2000 spots and VL2000 washes, Rainbow Scrollers and Robert Juliat Super Korrigans.
On the LED front there are Thomas PixelLine 1044 battens and a ChromaQ Color Web 250 flexible LED mesh grid installed in the show. Because of the full integration of grandMA video, the media server could be controlled as a fixture. The PixelLine battens are controlled directly from the console so that effects can be created quickly by using the grandMA effects.
White Light supplied the lighting equipment for the show. Andy Greenwood is the lighting crew chief, Simon Gooding the show's production manager.
(Jim Evans)
