Serbia - Eurovision lighting designer Per Sundin once again controlled the TV spectacular with a sophisticated grandMA system. Four grandMA full-size at the FOH were joined by an equal number of consoles as backup. 23 MA NSPs (Network Signal Processors) spread the commands to a massive lighting rig.

The show used, besides many others, 136 Clay Paky Alpha Spot HPE, 24 BigLites, numerous Martin moving lights, approximately 120sq.m of Barco OLite 510, 24sq.m of Barco SLite 10 and a number of Martin LED screens. A giant stage construction was built on the arena floor which was 25m wide and 27m deep. 72 tons of light equipment were mounted to nearly 2,500m of truss.

Procon Event Engineering Germany, was the general technical supplier and provided lighting, sound, video, stage building, rigging and power. Production designer was Goran Joksimovic. Sven Stojanovic worked as art director. The event was broadcast and organized by RTS (Radio-televizija Srbije).

(Jim Evans)


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