Show designer Andy Hurst has developed the latest spectacular look for the band who are playing a series of festival headliners and own shows throughout Europe across the summer, where they are maintaining their reputation for high production values and epic visual and sonic experiences.
HSL is also supplying a standard 'floor specials' lighting rig for the entire tour which is being used in conjunction with a festival / venue 'house' rig at all gigs and which is built to Hurst's specification.
HSL's project manager Mike Oates comments, "We love working with the Prodigy. They are one of the most innovative artists and put huge emphasis on 'the show', while Andy's lighting and visual concepts are always fresh, exciting and energizing."
Sonisphere presented a great chance for HSL's new Nitro strobes to have a good workout as Hurst wanted a monumental effect to really offset the show, and HSL even bought some more RGB Nitros for the occasion.
The fundamental Prodigy tour design is based on the 'aircraft hangar' look that Hurst created for their high profile New Year's Eve show at London's O2.
That was originally designed as a one off, so Hurst produced a tourable and adaptable version of the basic infrastructure - six upstage / downstage finger trusses, complete with 60 Robe LEDBeam 100s and a large upstage arch rigged with 32 beam lights - part of 68 on the spec'd rig - which is sourced and provided locally, and then augmented with their touring lighting rig.
The touring package features the band's striking Harrier jump jet backdrop upstage, plus eight floor-based upstage trussing towers which are wheeled on - each rigged with two Robe LEDBeam 100s, two Nitro Color RGB strobes, four ColorBlock db4 MkIIs and a Patten 2013 on the top. Then there is a 'small' arch that frames Liam's keyboard hub and eight Robe Pointes rigged on top.
Both parts of the rig concept are fully scalable and can be shrunk or expanded to fit the available stage space.
"The most important thing to remember about designing a festival rig is to make it infinitely variable but retain its form and integrity. To ensure that we can have our show wherever we are playing took a lot of pre-planning, but that is all paying off when we get to site," confirms Hurst
Sonisphere was the first time that HSL's Nitro Strobes had been used for a full-on rock concert.
They were arranged in three flown arrays either side of stage, taking advantage of their ability to be easily clipped together - similar to constructing a flown PA. The units were built into drops of 10 and attached to steel wire rope ladders.
HSL also supplied additional smoke and haze machines to boost the already humungous amount of atmospherics, and other extras for this show included 14 Patten 2013s - their distinctive retro look is another favourite with the band.
HSL's top technicians Ian Stevens and Matt Brown ensured that everything ran like clockwork onstage for the Sonisphere, and Hurst operated the lighting using his own Road Hog Full Boar console.
(Jim Evans)
