"The issue we have in such a densely populated area is isolating RF channels that are not already in use," explained Chris Whybrow, the production's sound designer. "We basically needed to make sure we weren't stepping on anyone's toes."
The iconic venue is located in London's West End, surrounded by numerous theatre, musical, and comedy productions. The crowded nature of the area made isolating RF for on-stage instruments and vocal artists very difficult. Following a full assessment of his requirements, Whybrow selected a range of UHF-R Wireless Microphone Systems supplied by Shure Distribution UK.
"When we discussed our requirements and the frequency isolation issue with Shure, they were confident they could help," commented Whybrow. "They have experience working with limited frequency environments and were very helpful in ensuring that the right kit for the job was chosen."
Whybrow also contacted JFMG regarding frequency usage and to obtain the required license for operation of the equipment.
The installation used several Shure UHF-R systems on the Q5 frequency band, which enabled easy set up of this multi-channel system in a busy RF environment. The performers reproducing Jackson's greatest hits are provided with one of seven UR2/KSM9 microphones, finished in both black and champagne.
"The combination of the Q5 frequency band and Shure's wireless technology has given us a very strong RF frequency," said Whybrow. "We don't get any interference from other microphones or shows."
(Jim Evans)
