The system works in the same way as Baldwin Boxall's market leading 'CARE' products. Remote units are wired in a loop configuration and it is possible to have a number of disabled refuge remotes, fire telephones or toilet alarms all on the same loop. Also in the range, Baldwin Boxall has developed a combined disabled refuge and fire telephone remote. Like all of Baldwin Boxall's 'CARE' products the system is compliant with BS5839 part 9
Democracy Now! chief broadcast engineer, Nick Marcilio, explains why he opted for an InnovaSON console over anything else. "There were a number of reasons," he remarked. "I'd seen the board side by side with a number of other digital console brands at a recent AES show, and was struck by the versatility of the d
From the AV perspective the entire project was managed by Grant Collie of technical solutions company LDPS, Ne
Besides saving Copenhageners several minutes on their commutes, not to mention providing a safe and beautiful alternative to the noise and trafficked roads, visually Bryggebro connects two sides of Copenhagen - Islands Brygge with Havneholmen - while defining the space of the harbour.
At night the bridge stands as a lighted ribbon over the water thanks to built-in linear luminaires designed by Dissing + Weitling in collaboration with Martin Professional. The bridge's central spine, which divid
At Iruma Municipal Hall, QSC Installation Line Array (ILA) and Modular Design (MD) components were specified for the refurbishment of this 1,100-seat auditorium, located in the Saitama Prefecture. Whereas the pre-existing system had been installed inside the proscenium arch, this time the main sound reinforcement system has been designed in front of the arch in order to generate a higher SPL and better coverage, with improved clarity.
While this acoustical solution would generally be favoured it is seldom permitted in general civic halls as it interferes with the architectural aesthetic. That the ILA system was permitted to adopt such a position outside the pros arch in this instance was completely unprecedented, believes ComodoMattina's Takafumi Asahina.
The ma
"The aim of the new studio is to provide a facility for up-and-coming musicians to take their music to the next level," explains High Fidelity Studios MD, David Dorn. "The suite offers bands the experience of a full blown gig, providing quality equipment they would find at a top line event. The space is set up like a venue with a fully furnished stage including drum rises, a valve back line, and top quality 32 channel monitor and FOH desks."
"We are very familiar with A&H mixers as we have GL2200's and GL2400's in our hire stock, and we come across them in most of the venues we engineer," continues dire
Manageable through a web interface, Christie ACT allows the user control and flexibility. It can be accessed from any web browser on a networked computer making it accessible from a portable handheld computer or laptop.
With an intuitive graphical user interface, even the novice can easily customise tasks and events to suit specific needs, says the company. Featuring pre-d
As a result, their home games are packed, with all matches accompanied by a continuous cacophony of crowd noise. This, coupled with a critical reverberation, explains why two different installed sound systems have both been replaced within the last ten years after being deemed unsatisfactory.
In spring last year, the town of Lugano issued a tender for a new sound system which needed to fulfil the sound reinforcement requirements of a wide range of events and also meet the EN 60849 regulation for evacuation purposes.
The concept o
Some 1,000sq.m, a quarter of the overall capacity at Singapore Expo, will be set aside for Event 360º Asia. Heartened by the initial response, Davin Er, who is responsible for developing this sector, believes that interest has not only been stimulated by the support from the Singapore Tourism Board, but the building of the S$3.85bn Marina Bay Sands complex, housing casino, hotel and convention centre.
Event 360º Asia will also be working closely alongside Singapore-based UnUsUal Productions, who are among an increasing number of local companies that have the capability of offering world-renowned ev
Based in LA's fashionable Santa Monica area, the Temple Bar is a unique music venue hosting local, national and international artists performing a spectrum of music covering the genres of jazz, electronica, indie, hip hop, soul, latin, reggae, and world music. There is also a house DJ performing between acts, and the venue regularly organises film screenings and poetry nights.
The Temple Bar's music director and chief mixing engineer, Swan, commented, "The sound of the console is magnificent, I've been mixing at the Temple Bar for five years, I have never hear the room sound like this before. It brought our sound system alive! Its compact footprint fit perfectly in our sound booth, and ou
The main object of the exercise was to integrate a show PA system with Wembley's house PA to provide full audio coverage throughout the stadium. They also took the opportunity to ensure that Emergency announcements could be heard in all locations around the venue.
Summit's Jon Bray was contacted by Brit Row's Bryan Grant to supply the necessary support structures for the tests. Bray and a team of three riggers erected a total of five masts, which stayed up for a two-day peri
The venue now has a new sound system supplied and installed by South London-based Subfrantic Production Services. The Turbosound system comprises four TA-500 Aspect Wide mid-highs, four TSB-118 subs and six TXD-15M wedge monitors, all controlled by two LMS-D24s. Subfrantic also supplied amplifiers, mixing consoles, outboard equipment, microphones, a custom-designed multicore and an ASL communications system.
"The main factor dictating the specification was to get the best sound we could on a rea
The DAWs are being installed in the Library's new facilities at the National Audio Visual Conservation Centre in Culpeper, Virginia, where staff will be using them primarily to digitise the Library's audio collections, creating high-quality preservation files. The Pyramix systems were assembled by Merging Technologies' US distributor Independent Audio and supplied to the Library of Congress by Massachusetts dealer Parsons Audio.
In a separate sale, Washington's National Gallery of Art has also installed a Pyramix for use by the Gallery's audio-visual staff.
(Jim Evans)
The Stonex group, founded in Madrid in 1980, specializes in engineering and turnkey stage equipment projects for theatres, auditoriums, congress centres, casinos and theme parks, encompassing stage engineering, show lighting, architectural lighting and audio-visual installations. The company has offices in Madrid and La Coruña, and boasts more than 300 reference projects in the Iberian market, such as WB Madrid theme park, Pamplona Auditorium and congress centre (Baluarte), Colon Theatre in La Coruña, Campoamor Theatre in Oviedo, Expo 98's Lisboa Camoens Theatre and Gran Casino de A
Raising issues about how best to maximise theatre design in the 21st Century, the Performing Theatres Conference is chaired by Ian Brown, artistic director, West Yorkshire Playhouse, Genista McIntosh and Venu Dhupa, director of creative innovation, Southbank Centre. The one day event promises to offer a lively and wide-ranging debate on how the design of theatres will meet our needs in the 21st Century.
Complementing ABTT's annual Theatre Show, which highlights technological innovation a
Over three days (11-13 April) Britannia Row crews rigged the stadium for 'end on' and 'side on' concert configurations. "We rigged an EV Xline system off 15 metre SmarTmasts from Summit Steel as for a main stage system, and then added Outline Butterfly delays off 11 metre masts out in the field. The system was then linked into the house EAW installed system an
Owned by DHP, the Motor Vessel (MV) Thekla gained notoriety in the 1980s as The Old Profanity Showboat, run by well-known eccentric and former Bonzo Dog Doo Dah Band main man Vivian Stanshall.
The makeover includes a complete new lighting and sound rig, supplied by Stage Electrics. The hold is still the main performance area, which sees six Turbosound QLight TQ-445 full range enclosures, four TQ-425 bass units and two TSB-118 subs installed, controlled by two LMS-D24 digital controllers and driven by Turbosound-badged MC amplifiers.
On stage six Turbosound TXD-15M wedges are used for foldback, while the bar area in the main room also sports four QLight TQ-
GDS will also be showcasing its new i Stage Managers Desk which was manufactured for the Royal Welsh College of Music Drama and Art in 2006, since then the company has supplied three more desks for major UK venues and are working closely with both the British and Irish Stage Managers Association for both consultation and advice.
(Jim Evans)
The system integrators were London-based Handy AV, who in just five years have built up an extensive portfolio of clients in their specialist areas of providing a complete systems approach to corporate and retail. Their product supply ranges from their specialist own-branded HandySCREEN and interactive HandyTOUCH displays (such as those showcased at the Hayward Gallery on London's South Bank) as well as mainstream A/V utilities.
Christie's long association with Harrods extends back to the Peter Pan window display during Christmas 2003, which was followed up with the permanent installation of two Christie S+16K 16,0000 lumen DLP projectors, firing onto a vast 4.7 x 3.5m portrait canvas
Marking Sonic Distribution's fifth anniversary, Rupert Neve, one of the most important figures in the development of pro audio equipment, gave a speech to mark the occasion and demoed some of the latest products from Rupert Neve Designs. Famed producer Bob Clearmountain (Rolling Stones, Bruce Springsteen, Paul McCartney and many others) and the head of sE Electronics, Siwei Zou, were also on hand to mark the occasion.
The facility boasts cutting edge studio and live rooms kitted out with the latest hardware and software, with users being able to demo the latest releases from Apogee, sE, Ghost Acoustics, Waves, Rupert Neve Designs and iLok.
James Young, MD of Sonic Distributio
The newly-built, newly-opened club is located beneath Merchant Square in the heart of Glasgow. Owned by private entrepreneur company Springbrisk, Byblos has the capacity for 900 people, spread out through three lavishly designed rooms, and aims to be the biggest thing on Glasgow's busy club scene.
O'Neill's company, Flashlite, was contracted to Byblos on the basis of his reputation. O'Neill likes to work with Electro-Voice, and with its UK distributor Shuttlesound, so much so that the equipment list at Byblos reads like an EV catalogue, and features some notable 'firsts' in terms of installation.
Based around a Digidesign Pro Tools HD | 2 Accel system, the company aims to work in two main areas. At its base, out post will concentrate on utilising its vocal booth and 5.1 Genelec surround monitoring to record and mix voice overs, audio for film, television and gaming as well as supporting podcast creation and hosting in-house. Additionally, out post's extensive sound
CEDIA will be staging a full educational programme which commences on the opening day (May 20) with a three-hour presentation on Home Cinema Designby Peter Aylett.
The schedule also includes: Introduction To Systems Integration (presented by Simon Buddle), Residential Audio and Video Multi-Room Systems (Steve Martin), IP In Residential Custom Installation (Peter Aylett), and Project Management Workshop (Simon Buddle and Steve Martin).
(Jim Evans)
