The system featured a central cluster of eight KARA cabinets, with two further KARA and two SB28 subwoofers per side as in-fills.
Onstage, the band was using L-Acoustics 115XT HiQ active stage monitors.
"I have spent all my career in recording studios mixing top Brazilian and international artists," says Carlos' engineer, Flavio Senna. "For live sound it's pretty hard to find the same quality we have in studios due to the environment of the different venues. L-Acoustics K1 and KARA are the systems that come closer to the sound we have in the studios, and make my mixing job much easy. The Loudness guys, Celson and Fernanda, did a great sound design and system calibration."
A similar system was also used for the PrΩmio da Musica Brasileira (Brazilian Music Awards), also at the Teatro Municipal.
(Jim Evans)
