USA - Klark Teknik has added a third model to its Square One range - the Square One Splitter. Packaged in a 2U steel chassis, the Square One Splitter combines a simple eight-channel solution with a high-performance, Midas XL8-inspired pre-amp design, making it suitable for applications ranging from concert sound to recording. The new unit was unveiled at the Anaheim Convention Centre during Winter NAMM 2008 this week.

"This new unit reflects the fact that the analogue audio splitter remains the most versatile and cost effective way to distribute audio signals to multiple locations, says Midas and Klark Teknik brand development manager Richard Ferriday. "This is especially relevant where digital and analogue consoles are paired in front of house and monitor configurations, and digital consoles employ different audio transport protocols."

The Square ONE Splitter features Midas XL8-derived mic preamps, providing 143dB dynamic range and high CMRR to accommodate input levels up to +22dBu.

Another key feature is the Splitter's third set of transformer-isolated, gain-independent outputs located on the front panel for easy connection of recording devices and outside broadcast facilities. There is also a 1-16 media split function, which allows input 8 to be routed to all 16 rear-panel XLRs simultaneously via a single recessed switch on the rear panel, making it suitableideal for press feeds and other multiple-signal distribution applications.

Other features include nine-position rotary gain switch per input; 30Hz Hi-pass filter with switch and status LED per input; duplicated inputs on front and rear panels; front-panel and remote 48V switching with status LED per input; solo buss with integral headphone amp and level control allowing mic amp performance and level to be monitored from the front panel; separate ground lift switch with LED status indicators for each set of rear panel outputs; individual 4-segment LED output metering for each input; and universal power supply.

A review of the NAMM exhibition will appear in the 2008 issue of Lighting&Sound International magazine.

(Jim Evans)


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