L-Acoustic Syva reinforces Scottish Rite Theatre
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“Syva was the perfect solution for audio reinforcement at the Scotty,” says Greg Moore, installations project manager for creative technology. “It had to sound great, which it does, but it also had to disappear. The aesthetics of this project were of paramount importance to the client. We were able to essentially camouflage the Syva, which we ordered in white from L-Acoustics, by installing them in the fluted trim around the sides of the proscenium.
“We used a combination of the manufacturer’s own mounting solutions and a custom Unistrut bracket to hang them. The slim-yet-powerful Syva form factor is a perfect fit with the venue’s proscenium architecture.”
The Scotty’s new system comprises one Syva enclosure mounted to each side of the stage, a white Syva Low sitting on the stage below each main Syva column, four KS21 subs in the orchestra pit, and six 5XT coaxials spread out across the stage lip as front-fill. In addition, there is a cluster of two A10 Focus and one A10 Wide per side as balcony-fills, as well as two short-throw X12 coaxials as near-balcony side-fills, two X8 speakers as under-balcony side-fills, and two more X12 as under-balcony delay speakers. Six LA4X amplified controllers power the entire system.
“The venue’s acoustics were pretty good to start with, and it has some nice natural diffusion, so there was no need for acoustical treatment,” says Moore. “And with the L-Acoustics deployment, we don’t have to push the system to get the kind of impact we need. The Syva themselves are doing only about 40 percent of the work, well supported by the other speakers, and the Syva Low enclosures are a great intermediary between the Syva and the KS21 subs.” The system, he says, covers both the seating area and the frequency spectrum effortlessly.
Jenny Parkhurst, executive director of performing arts at Scotty parent company The KDB Group, says the Syva system is everything they’d hoped for, crediting L-Acoustics and Creative Technology for succeeding in achieving a sound system that satisfies the requirements of modern audiences and professional performers while also maintaining the original architecture of the building and not distracting from the historic interior design.
“While we are not quite open to the general public yet, we've had a few test runs of the sound system and it sounds amazing, far exceeding our expectations,” she reports. “We appreciate the time and effort taken by Creative Technology to carefully analyze the performance space, listen to our needs, and implement a state-of-the-art sound system that will prove to be the best in our community.”
