Ten LC Panels were hung 'randomly' around the church's stage, with eight Vari*Lite VL2500 washes behind them to take advantage of the panels' transparency. The lighting and vision was programmed and operated on a full size MA Lighting grandMA console which was networked to an ArKaos media server.
Also in the rig were four Martin MAC 700 Washes, four MAC 300 wash lights and two Look Solutions Unique Hazers. During programming, equal attention was given to both lighting and audio so that each visual medium complemented the other.
"With a traditional LED wall it has to be configured as it is on the plan whereas with the LC Panels you can change their positioning at will," said Neville. "You're not reconfiguring hundreds of kilos of LED wall or anything like that. They're incredibly versatile when you're on site and allow for easy last minute design changes. Putting the LC Panels together is so simple and quick; you just need an allen key to bang them all together."
(Jim Evans)
