Lighting

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14 March 2016

"NAMM recognises the importance of the live audio, house of worship and stage and lighting industries to the music products industry and welcomes these music industry professionals to the 2010 NAMM Show," says Kevin Johnstone, director of trade shows, NAMM. "This year, we're working closely with a number of partner organisations and media outlets that serve these segments to create a new and valuable education track to meet their needs and giving them even more reasons to attend this year's NAMM Show."

More than 15 industry partners, publishers, organisations and associations will offer a seri

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14 March 2016

"We initially pitched the new design to our client, the Rockefeller Group, owners of 1221 6th Avenue," said Lance R. Caffrey, chief production officer, American Christmas. "The Rockefeller Group puts a lot of emphasis on being LEED-certified and being environmentally aware, so as a nod to that, we suggested they change the existing display of conventional holiday lights t

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14 March 2016

The production was presented at the Magna Carta School theatre in Surrey, which presented a number of challenges including power, space and access restrictions during school hours.

Lighting designer Andy Vere explains: "We had a very short time in the theatre before the first performance so we arranged to do a pre-rig on the Thursday night, leaving the Friday night for focusing and plotting. Then the cast was onstage at 11am on the Saturday for re-blocking before the first performance at 8pm.

"Having pre-plotted the show back in our offices meant the only touch ups t

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14 March 2016

Apollo will be exhibiting at the Big City Bash 14 January and at Super Saturday on 16 January in Atlanta, Georgia.

On display for the first time in the US will be the latest LED luminaires from Multiform, the MultiSpot HP and MultiBeam HP. Rated at 27W and 54W respectively these fixtures use 3W Multricel LEDs to produce a uniform, shadow free, colour output. Fitted with interchangeable lenses they can provide beam angles of 25, 40 and 60 degrees.

Manufactured from rugged aluminium extrusions and galvanised steel they are equipped with a combined hanging bracket/floor stand, safety cable and designed for DMX or standalone operation making the

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14 March 2016

Thompson's lighting rig, supplied and operated by Kinetic Lighting of Los Angeles, consisted entirely of new luminaries including the MAC III Profile, LED sources, and other automated lights. Thompson sought a rig that featured LED, but also needed a luminaire that could handle the long throw distance and challenging surface of the building and turned to the MAC III.

Thompson comments, "We had to project colour and patterns from the east side of G

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14 March 2016

It was at least the 5th year that PSI has been involved with the Belfast YV Christmas concert, produced by London based Sound & Light Productions and featuring a mass choir of 5000 schoolchildren, plus featured artists which this year included VV Brown and classical superstars, All Angels.

The Odyssey Arena was used in a 'back-to-front' format for this show, with the stage at the opposite end to normal, due to there being more bleacher seating in the rear of the venue to accommodate the enormous choir, which was wrapped around the back and sides of the stage.

This presented its own challenges for the PSI team - who had to light all the choir

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14 March 2016

Pozzoli incorporated a visually stunning cylindrical LED screen made up of Martin LC Series LED panels into the design. He explains his decision to use the LC panels, "I needed LED panels with a medium pitch between 30 and 60mm to ensure intelligibility and transparency simultaneously. Rental company Giochi di Luce offered me the LC Series so I took the opportunity to test them in combination with Martin's Maxedia media server and Maxxyz lighting console."

The LC panels formed an arcing 6m wide by 4m high cylindrical structure positioned at centre stage, the visual centrepiece of the set.

"With both concave and convex sides facing the audience, in practice we achieved two superimposed sc

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14 March 2016

In addition to being a major social highlight and an annual must-watch ritual for thousands of footy fans, it plays a huge role in the pre-match build up. The breakfast includes a Grand Auction, with all proceeds donated to the Starlight Children's Foundation.

Clifton Productions were employed to provide lighting and visuals for the 1500 guests, including a veritable who's who of Australian sport, politics and culture plus performances from some of the biggest acts in town.

Robe moving lights were employed to creatively light the event, with 28 Robe ColorSpot 1200 ATs and 24 Robe ColorWash 1200 ATs rigged above the triangular s

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14 March 2016

The United Nations Climate Change Conference, or COP 15 for short, closed with top marks given for the lighting of the entire proceedings. Seelite A/S under the direction of lighting designer Lars Nissen, deployed more than 1000 GLP Impression fixtures to light the plenum rooms, television broadcast locations and other ancillary areas. Seelite used all of their own fixtures, which they originally purchased for the Roskilde music festival and sub hired the remainder from AED Rent in Belgium, knowing that the Impression could easily handle this task.

A goal for using the fixtures was the reduction in power consumption over previous systems, without compromising light quality. The Danish foreign ministry, Se

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14 March 2016

For the last 25 years, Rose has lit every annual New Year's Rockin Eve (NYRE) show, and if you were tuned in on 31 December you couldn't have miss Martin's newest LED fixture prominently lined on each side of two performance stages.

"When I had the fixture in our light lab for pre-programming on the Disney Parks Christmas Parade I got a chance to explore its capabilities, I was quite impressed by it," Rose commented. "I wanted something for the NYRE stage that looked different, an LED fixture that didn't show discreet LEDs per colour."

Production designer for the event, Bruce Ryan a

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14 March 2016

Proprietor Andy Collins says he has been using various PR Lighting products virtually since setting up his sales and rental company back in 2003 - and He also has a quantity of PR's Solo 250 conventional moving heads in his hire fleet.

But it was the new XLED 590s, containing 90 high power 5W RGB LEDs, that really "provided the wow factor", after UK distributors MilTec (UK) sent Eclipse a pair to trial at a massive fireworks display.

When the pair of XLED 590s made their debut at the massive fireworks event in Ipswich's Christchurch Park, it wasn't only the pyrotechnics that amazed the 50,000 people.

Says Collins, "We had them on either side of a 40ft x 30ft stage for a Michael Jackson tribute act. The colour wash we got was fantastic. We gener

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14 March 2016

"This year's NAMM Show marks a critical turning point for the international music products industry," said NAMM president and CEO Joe Lamond. "A strong NAMM Show signals the beginning of a comeback with buyers returning to their hometowns with renewed energy, passion and hope for a strong 2010, and exhibitors enjoying strong floor traffic and sales as they in

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14 March 2016

Programmer Rob Halliday says: "The fixtures were only a short distance above Jude's head, and when they were in the reset position, pointing straight down, he thought he was going to bump his head on them. It's unusual for an actor to notice the moving lights, let alone comment on them - so we were very amused when he started saying they reminded him of something from the Star Wars movies. More importantly, in this incredibly precisely lit show, his understanding of what we were trying to do was remarkable and his positioning was always spot on."

The show was a transfer the Donmar Warehouse production of Hamlet, first seen at London's Wyndham's Theatre as part of the Donmar's year

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14 March 2016

Production manager Amanda Murray at Capitol House says, "We already have our own in-house lighting, but we contacted London Light because we knew they stocked Color Web, which we'd seen and loved at other award events.The first meeting with [London Light directors] Sam Crook and David Buffham took place around six months before the event, when they discussed the show's requirements with our lighting designer, Quentin Jarman, including programming the effects to go with the music that would be used. We were really impressed with their helpful and creative attitude - I wouldn't hesitate to use them again or recommen

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14 March 2016

AFA09, which took place at Singapore Suntec International Convention and Exhibition Centre from 21-22 November, included concerts by a power-packed list of Japan's top musical performers collectively themed as I Love Anisong.

Trio AV of Singapore supplied audio, visuals, trussing and lighting for the two-day event with a package that included Martin MAC 2000 Profiles, MAC TW1 Washes, MAC 2000 Washes and MAC 301 Washes with lighting control from a Martin Maxxyz Compact and two of the new MaxModules, MaxModule Submaster and MaxModule Button. Video clips for the wide projection screen were from a Martin Maxedia PRO media server.

Programming the Maxxyz Compact was Joel Tay who has worked with a number of different lighting d

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14 March 2016

Flashlight will continue to receive direct support from ARRI to ensure that they are always up to date with the latest lighting products, and will also continue to maintain the high standards on which ARRI's reputation is based.

Flashlight carries large stock to maximise supply chain efficiency, as well as offering various levels of service for its specialist markets.

The 2009 GBP price list is no longer valid. A Euro price list is available on request. (Tel: 01706 625866 E-Mail: sales@flash-light.org.uk)

(Claire Beeson)

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14 March 2016

The iF product design award recognizes outstanding achievement in design and design innovation. This year's competition included 2,486 products from 1016 contestants, representing 39 countries.

Specifically designed for the end-user, this DMX controller features a sleek, high-end design and an intuitive interface that allows anyone to create static and dynamic lighting scenes. The glassy interface features an LED ring around the touch wheel to guide users in selecting and adjusting colours, intensity, and speed, as well as the ability to select four colours for graceful colour-changing lighting scenes, says the company.

Light-Drive Elite is the first e:cue standalone DMX controller and user interface for dynamic RGB LED lighting; it does n

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14 March 2016

The exterior light art for both sites was designed by Finnish lighting designer Mikki Kunttu. It was the second year of the event, and followed on from Kunttu's successful lighting of Senate Square last year.

Kunttu chose the sites for their prestige and visibility in the city. The newly launched Robe CitySource 96 units were specified following site tests. The fixtures were delivered to lighting rental company Moving Light via Robe's Finnish distributor Live Nation Finland a couple of weeks before the installations went live.

Having these at his disposal enabled Kunttu to produce a spectacular co

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14 March 2016

"We have refined the Stealth processing components to meet the unique requirements of our touring and creative architectural markets," says Jeremy Hochman, VP software development for Element Labs. "Flexibility in panel arrangement has always been a priority for Stealth users, and the new SP2 Video Processor delivers on expanding its flexibility. In addition, the SP2 is a 2U rack mount unit that actually replaces both the SP

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14 March 2016

Fela! directed and choreographed by Tony Award winner Bill T. Jones, is a musical about the controversial life of Afrobeat legend Fela Kuti. Jones charged the design team, which also includes sound designer Robert Kaplowitz, projection designer Peter Nigrini and scenic/costume designer Marina Draghici, with the task of transforming the Eugene O'Neill Theatre into Fela's Shrine Club in Nigeria.

Wierzel explained, "When you enter the theatre, you are immediately aware of being inside the club. For our production, there is nearly as much lighting equipment in th

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14 March 2016

Bandit is further educating its staff on 'Green' thinking and urging all team members, as well as all its vendors and clients, to consider the environment first in all decisions. The company says: "A bold new look is on the Bandit website, reaffirming the commitment to eco-friendly actions. The greening of Bandit is a process and not a single action. Bandit will work toward every possible action that is environmentally friendly and saves energy."

The staff at Bandit has spent the last year working with GRNLite to develop a full range of rugged,

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14 March 2016

Following eight consecutive years of supplying elements of lighting equipment and staff, this was the first year that Stage Electrics was the sole supplier of all the lighting for the New Years Eve event for Jack Morton Worldwide. This year's event stepped up a level with lighting designer Durham Marenghi making use of 14 Clay Paky Alpha Beams 700s, which were programmed by associate designer Paul Cook, to form 50ft tall digital count-down clock, on the Shell building façade, achieved using some precise indexing of the oblong slot Gobos.

The cues were triggered by a satellite time code via MIDI into the console, which set the stage, attracting over half a million New Year revellers, who again braved the cold to usher in the New Year as

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14 March 2016

Concert and festival lighting designer Steve Shipman used two grandMA full-size consoles, five MA NSPs (Network Signal Processors) and three MA video stations with the MA VPU (Video Processing Unit) software. Shipman stated, "We chose the MA system primarily because of the networking capabilities - we had a large system. Having two operators running two consoles networked in Multi-User-Mode was a convenient way of controlling everything including the LEDs of which we had plenty. We ran the

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14 March 2016

Supplied and installed by Firenze-based Project Italia, the 8 x 5 panel (9.6m x 5m) R12-ER 12mm screen utilises a Lighthouse LIP-XGA controller. Located opposite the main entrance to the racecourse and with excellent visibility from both the main stand and clubhouse, it is used to show live coverage of races from different cameras around the track, action replays, advertising and interviews.

Completed on 17 October 2009, just before the venue's first race meeting of the new season (which is also one of its biggest events of the year), the installation was supervised by Lighthouse Italy proj