Turkey - Asimetrik hosted an open day on 5 November for Clay Paky, DiGiCo and Meyer Sound's newest and latest technology products. The event was held on Asimetrik's HQ and Kucukciftlik Park (Outdoor Culture and entertainment centre). VPs of sales and Europe sales managers Alberico D'Amato from Clay Paky, James Bradley from Digico and Scott Gledhill from Meyer Sound also attended the event.

The event attracted considerable interest from sector professionals all around Turkey. All day long, brands' representatives continuously showcased their latest technological developments and products.

Clay Paky introduced the brand new masters of light 'The Projectors': SuperSharpy - a powerful beam light for long throw applications, Mythos - the most advanced combined spot light and beam light and Stormy - a strobe that uses ultra-modern LEDs, but still offers classic strobe effects as wel

Italy - Robe's new Bright Multi-Functional Luminaire (BMFL) Spots made their debut on the vibrant Italian electronic music and arts scene, featuring prominently on the main stage at the two-day C2C (Club2Club) International Festival of Music & Arts in Turin, where they were specified by production lighting designer Walter Lutzu.

Walter also utilised 16 x Pointes, 12 x MMX Spots and 12 x LEDWash 600s on his versatile and spectacular design, which had to be flexible enough to deal with an action-packed line-up of DJs and artists, all requiring their own distinctive visual styling and settings.

It was Walter's second year lighting the main stage at the multi-venue event which was again set in an atmospheric disused former industrial plant in the Lingotto area of the city.

As well as offering the best in Italian and international electronic and experimental music with over 48 si

UK - Debenhams flagship Oxford Street store revealed a spectacular Christmas lighting display at the beginning of November, which was delivered by lighting design and installation specialists Mushroom Lighting.

Mushroom's managing director Paul Butler was contacted by the Debenhams team at the beginning of September and asked to come up with some ideas that were worthy of a flagship store, particularly as the Oxford Street Debenhams had recently undergone a complete modernisation - including the exterior - which was designed by Ned Kahn.

"I met with Ian Dorsett, creative windows designer at Debenhams to show him some lighting products," says Paul. "One of things I took with me was LED fluorescent tubes. I suggested that we could do something similar to a sculpture I had seen that had a seemingly random design.

"We played around with the idea and I ordered

USA - Chapel Hill Presbyterian Church in Gig Harbor, Washington, recently converted the visual platform in their main worship space from a traditional projector and screen system to Elation EZ Series LED video screens, a high-resolution system designed, integrated and installed by Agility AVL.

Church personnel were looking to replace a pair of 10,000 lumen projectors whose optics were going bad and initially looked at two 15,000 lumen projectors as replacements. "The church was ready to go with projectors and they seemed to have already had their mind set on it," states Agility's Kevin Hill, account manager on the project. "They had a few companies come in with projectors but there were issues with the ambient light that comes in from some windows overhead that can wash out the screens. Although the new projectors looked good they just weren't bright enough. They

USA - Avolites' US partner Group One reports that the two companies are "seeing the fruits of our labours" in a dramatic way, as Avolites' new products - including the compact-yet-powerful Quartz console - excite the US market following LDI.

The newest addition to the Titan Mobile family, Quartz was the "star of the show" on stand as it made its US debut at the tradeshow, showing off its on-board processing and bright, vibrant 12.1" screen.

"Quartz is super compact, measuring only 16.7" wide, and is positioned as the ideal companion for lighting projects ranging from touring and festivals to clubs and one-offs," says Avolites Sales Manager, Stephen Baird Smith, who was on-stand at LDI. "It is Avolites' smallest fully-featured console, featuring the same high quality faders and hardware you've come to expect from Avolites, and is ide

UK - LD Chris Rigby has been presented with the award for Lighting for Multicamera for his work on Alan Carr Chatty Man, Season 11/12 (Open Mike Productions for Channel 4) at the prestigious RTS Craft and Design Awards.

Held annually, the RTS Awards recognise the creativity and talent of the many individuals working behind the scenes in programme production. Spread over 25 categories, the 2013/14 awards were chaired by CBBC Controller, Cheryl Taylor and covered a host of skills from costume design and editing to digital effects and lighting.

Commenting on Chris's work, the jury said: "The jury were impressed by the quality of the music numbers in the winning show. The lighting gave the numbers an edgy quality which made the winner stand out from the rest."

The awards were held on 1st December at the London Hilton, Park Lane and were hosted by Jennifer Saunde

USA - Just over a month ago, the all new patent-pending RC4Magic Series 3 DMX4dim wowed judges at PLASA in London and received a PLASA Award for Innovation. Last week, that same four-channel wireless dimmer made its United States debut at LDI and continued to impress. In a field heavy with great new technology, only two New Product Awards were granted: one Winner and one Honorable Mention. The RC4Magic Series 3 DMX4dim received the Honourable Mention.

"For three straight exhibition days we were overwhelmed with the response to new Series 3 technology. Costumers, Music Tour Designers, Light Artists, and OEM customers all saw the versatility of our new equipment and immediately knew that it solved their problems," says Sean Dane, sales director and application specialist for RC4 Wireless.

RC4 Series 3 Harmonized Design provides integration of numerous ground-breaking R

UK - Dubstep/garage star Katy B's current UK tour is bringing a moody nightclub atmosphere to venues up and down the country thanks to Tom Campbell's audience engaging, silhouette rich, strobe heavy lighting design. Built around the dramatic effects that the new Clay Paky Stormy CC and the award-winning A.leda B-EYE K20 and K10 can deliver, Campbell has created a stunning design with relatively few fixtures.

Campbell's budget defying rig comprises his own floor package, however he also has to rely on venue house rigs for the overheads. This means he chooses his floor package carefully and works it hard to bring the signature look he wants to every venue. To that end Campbell has specified Clay Paky Stormys, alongside just four Clay Paky A.leda B-EYE K20s and ten B-EYE K20s from Siyan Ltd.

"I'm using the RGBW Stormys as block colour washes," explains Campbell. "T

Italy - ArKaos PRO has announced the appointment of Music & Lights as its exclusive distributor for Italy.

With immediate effect, Music & Lights will handle the full portfolio of ArKaos products which includes ArKaos Stage, Studio and Stadium media servers, the dynamic MediaMaster PRO and MediaMaster Express software and Kling-Net, ArKaos' user-friendly control protocol.

Music & Lights first made the headlines with ArKaos PRO in October 2014 when it adopted ArKaos Kling-Net into a number of its pixel-based LED lighting fixtures.

The arrangement between the two companies proved such a success that ArKaos PRO expanded the collaboration to incorporate the full promotion, sales and support of all ArKaos products across Italy.

"We are happy to increase the range of our solutions for the AVL market through the ArKaos brand," says Fabio Sorabella, product manager at M &

China - PR Lighting has extended its XLED series with the release of the XLED 3007. Containing seven LEDs (4 in 1 RGBW), each rated at 20W, this is a larger version of the XLED 2007 and features a 6:1 zoom - one of many similar functions it shares with the company's successful XLED 3019. And crucially, each LED is individually controllable.

Aside from its impressive zoom ratio (7°-42°), the fixture has endless pan and tilt rotation. In other words it will pan 720°, 360° or endlessly, and tilt 270° (or endlessly), with Swap and Invert function, auto position correction and magnet positioning function.

Other notable features of the XLED 3007 are the fact that it will operate to sound (sound to light), has optional wireless control, features touch keys on the panel and over-temperature protection.

The XLED 3007 contains all the functions that one would expec

UK - High up in the north east of England, Graeme Sewell first started lighting local bands around the Durham area more than 30 years ago, and after setting up Vortex Lighting was an early investor in 'intelligent' products. Today, Vortex Lighting supplies major hire companies and venues throughout the UK, specialising in concert touring.

In the early Nineties, Graeme developed a relationship with Ian Kirby and Clive Bailey, who now head up SGM UK, and news that Peter Johansen had taken over the Italian lighting company and relocated it to Denmark quickly ignited his interest.

After making an initial investment in X-5 white LED strobes he was soon captivated by the P-5. "It was a combination of the compact form factor and high power output that impressed me and my customers - as well as the quality of the colours," he said. "We use them for up-lighting buildings

Denmark - Elation Professional's new SixPar Series of indoor and outdoor PAR colour changers is providing dynamic colour wash for skate boarders and other street sport enthusiasts at StreetDome, a one-of-a-kind modern skate park in Haderslev, Denmark.

Designed by CEBRA Architects, StreetDome is an open playground and the biggest skating facility in northern Europe with both indoor and outdoor areas for skateboarding, BMX, bouldering, street ball, parkour, rollerblading, street dance, and more. Serving as a social meeting place for kids of all ages, skill levels and cultures, if street sports are your bag then this is the place for you.

Central to the StreetDome complex, primarily indoor activities like skateboarding, basketball and bouldering, is the 1,500 sq.m StreetDome Igloo. Unheated and lit primarily through sunlight during daylight hours, the dome-shaped roof hovers over

USA - Red-hot rapper Machine Gun Kelly lives up to his name with a rapid fire delivery and crackling stage presence that, in the words of one of his trademark songs, get crowds to "lace up", for a spiky, hard-edged experience. Any lightshow at a concert by 'MGK', as the lanky rapper is affectionately known to his legion of fans, better be able to blow past conventional expectations with brain searing intensity, which is precisely what lighting designer Alex Kay delivered for the rapper's recent No Class Tour, a 40 city escapade done with iconic metal band Limp Bizkit.

Kay, who has been working with Kelly since the 24-year-old rapper was doing local shows in his hometown of Cleveland, used a power blasting collection of fixtures provided by 4Wall Entertainment Lighting's Los Angeles office that utilized aerial beams, strobes, colourized foggers and a collection of super

USA - The Austin City Limits Music Festival recently returned to Zilker Park to showcase more than 130 rock, pop and hip hop artists on eight stages, including Outkast, Beck, Eminem, Skrillex, Calvin Harris and Pearl Jam. grandMA2 full-size consoles were on hand to provide control for festival performers. Seth Jackson served as festival lighting designer and lighting coordinator.

grandMA2 full-size consoles were found "everywhere you turned" at the festival, Jackson explained. "It looked like an MA showroom! There were grandMA2 consoles on every stage. We had two at every station, and sometimes the bands brought their own.

"Ninety percent of the artists used grandMA2," Jackson reported, "and they brought their own show files. With grandMA2's networking capabilities people could work on systems simultaneously: Two artists could program their respec

Australia - Indie dance trio RÜFÜS recently embarked on their latest Australian tour, with lighting designers Matthew James Smith and Lynden Gare of Colourblind incorporating some Clay Paky A.leda B-EYE K20s into their production for one of the first times in Australia, wowing audiences with the fixtures' never-seen-before effects.

Smith and Gare's clean, silhouetted design evoked a 'club' vibe, and was based around a 3D, trapezoid-shaped custom LED set piece provided by Eness that was positioned in the centre of the stage. The B-EYEs, supplied by Alive Technologies, were part of the floor package around the piece.

"We used the B-EYEs in the Shapes mode, with the on-board macros and effects giving us a fantastic way to open the show and the battery-powered menu system making them easy to prep - it's a nice feature that Clay Paky has been doing for some time." says

Austria - Die Große Chance (A Great Opportunity) is one of Austria's leading talent competitions. The 2014 final staged in Studio 1 at national broadcaster ORF's HQ in Vienna was lit in great style by lighting director Thomas Kruder using nearly 300 Robe moving lights.

It was also Kruder's first chance to use Robe's new Bright Multi-Functional Luminaires (BMFLs) of which he had eight on the rig. "It's one of the most powerful fixtures I have ever used," he states.

In addition to the BMFL Spots, he utilised 133 x Pointes and 146 x LEDBeam 100s, all supplied by rental company Supporting Role, also based in Vienna.

Kruder has lit the last two editions of Die Große Chance. In 2011 the original concept of the show - popular throughout the 1980s - was reformatted and presented in a contemporary context, complete with tele-voting to decide on the winner ou

Czech Republic - Herbalife, the Los Angeles-based manufacturer of natural nutrition products, held its annual corporate 'Extravaganza' motivational event this year in Prague. A total audience of around 54,000 people attended the event in the city's O2 Arena, a modern multi-purpose facility inaugurated in 2004.

The production of 'Extravaganza' Prague was entrusted to event company Planet Service, long-time partner of Herbalife for its international conventions. Technical manager for the event was Alessandro Giangi; lighting design was by Luca Casadei and Claudio Tappi, and set design was by Emilia Covotta and Raffaele Persico.

The stage included a rotating circular stage, and an automated system to fly in a large chandelier during the launch of a new product line. To illuminate this design, Planet Service installed a lighting system consisting of over 350 DTS fixtures, includin

UAE - Gary Barlow, has premiered a one-off open-air show version of his recent Since I Saw You Last tour in Dubai. For the special event, lighting designer Tim Routledge specified an array of super-bright Clay Paky fixtures, including one of the latest additions to Clay Paky's product line, the SuperSharpy, from leading supplier Eclipse Staging Services.

Routledge specified 55 Clay Paky Sharpys, 12 Sharpy Wash 330s, 36 A.leda B-EYE K20s, 10 A.leda B-EYE K10s, 15 Clay Paky Alpha Profile 1500s and 20 SuperSharpys to deliver versatility and impact to the diverse production by Louder Entertainment.

"The sheer brightness of the fixtures was the main reason for using the SuperSharpys this time around," says Routledge. "As we had moved to outdoors for the first time I needed something to make the show special. Whilst we played in darkness being in the middle of

UK - Lighting designer James O'Neill enjoyed working with rental company Entec so much when they supplied an Imelda May one off St Patrick's Day gig for him at London's Roundhouse earlier in the year that they were his company of choice to supply a dynamic floor lighting/specials package for the latest tour which has been out for six weeks around Europe and the UK.

"When it was clear that we would be taking production on this tour, I went straight back to Entec," explained James, who was delighted to be back working with Entec's Noreen O' Riordan and Pepper (Paul Schofield). "Once again they have been amazing," he declared.

James has worked with the popular Irish singer/songwriter since 2010, in which time her profile and fan base has grown steadily. The starting point for the lighting design on this tour was to make it look interesting and a bit quirky - a

UK - It was announced on Friday that the UK's first government-backed National College for the Creative and Cultural Industries is to be established at The Backstage Centre, High House Production Park, opening in September 2016.

Managed by Creative & Cultural Skills on behalf of a consortium of employers and industry organisations including Live Nation, Royal Opera House, White Light and the Association of British Theatre Technicians, the new National College will provide specialist training in the technical skills needed by the creative and cultural industries. This is in response to significant industry growth, with the creative economy growing at four times the rate of the national economy, and the value of the UK's creative industries exports standing at over £15 billion per year.

Business Secretary Vince Cable said: "The talent which brings plays, operas, and f

USA - Virtually every new club lighting project has its own challenges, whether they involve dealing with limited power draw or trying to accommodate some unusual architectural limitation. For Jay Krause of Sound and Lighting Solutions, the biggest challenge when working on the city's Hunter's nightclub was getting the 10 Rogue fixtures his client wanted in fast enough.

"As soon as our client saw demos of the Rogue R1 Spot and R1 Beam, they fell in love with the fixtures," said Krause. "They wanted them yesterday. They were super excited, because they saw what the Rogues can do in a bi-level club - which is create added depth plus all of these magical uplifting images in the air."

There are six Rogue R1 Spots and four Rogue R1 Beams in Krause's rig at the club. He positioned the beams midway between the first and second levels. "They sort of hang out o

South Africa - Lighting designer Willie Bothma was honoured to once again light the Kings of Chaos on their latest tour to Sun City and at GrandWest's Grand Arena in Cape Town. The full technical was supplied by Gearhouse Group's Cape Town branch and supported by Gavin Taylor, Sean Caie and the team at the Grand Arena.

Kings of Chaos featured special guest Steven Tyler alongside Billy Gibbons, Matt Sorum, Gilby Clarke, Duff McKagan, Robin Zander and Nuno Bettencourt and was brought to South Africa by Andrew Mac of AMP Events.

"It was a great show to do," said Bothma from Gearhouse who also lit the performance in 2013. "The only request was that the band should be seen all times and this was done. At the end of the day it's about the band and that is why people come to the show."

The rig and design were the same at both venues. The main challenge was setti

USA - The 15th Annual Latin Grammy Awards took place in a blaze of glamour at the MGM Grand Garden Arena in Las Vegas, and was attended by some of the biggest names in Latin music and a sold-out audience of nearly 17,000. Almost 10m television viewers - the highest figures to date - tuned in for some or all the three-hour live broadcast on the Univision network.

For the fifth consecutive year, the lighting was designed by Carlos Colina, LD for all of Univision's major shows and events. After using Robe's Pointes for a successful show-stopping 'special moment' last year, he chose Pointes again this year to add extra elements of magic to key moments in an evening of great entertainment, collaborations and landmark live performances, plus a string of Awards.

Colina worked closely with set designer Jorge Dominguez to create the aesthetic for the show. They took full advantage of t

World - Since the beginning of the Arctic Monkey's last global journey in May 2013, lighting director Sam MacLaren estimates he must have had his hands on over 50 different grandMA2 consoles from rental sources across the world.

So he must have been a regular grandMA2 user before then? "Well, actually that wasn't the case," says MacLaren. "I used the MA1 a few times but more recently have been using a few boards from other manufacturers, all of which have had some issues with reliability. So when we were deciding on the specification for this tour, the choice of console was obviously high on my list of priorities. I knew I would be picking up boards from local companies as well as touring closer to home with a full rental rig so my choice had to have reliability and availability at the top of the tick list. Integral to the decision was the knowledge that we would

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