Lighting

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14 March 2016

Founded in 1996, the multi award-winning WaterTower Theatre is a not-for-profit professional theatre company in Addison, Texas. It produces six main stage shows each season in its flexible, state-of-the-art facility, which is part of the Addison Theatre Centre.

The Centre already owned two Jands Vista consoles - the ultra-compact M1, and the original Vista T2 model, but recently added the range's flagship L5 console to their inventory.

Dan Schoedel of FullStageProductions.com, who was the lighting designer for Bonnie and Clyde, comments, "We actually upgraded from our existing Jands Vista T2 to the L5 during the show run. This is one thing that I love about the Vista line - the fact that the so

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14 March 2016

Lighting designer James Schipper of Kinetic Lighting used 22 Nexus 4x4 LED panels from Chauvet Professional to create an impressive downstage array that served as a backdrop for a live show that include dancing, acrobatic and musical performances. The Nexu

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14 March 2016

The new production of Gypsy (see Lighting & Sound International December 2014), which transfers soon to London's Savoy Theatre, employed four Robert Juliat Le Cin'k Fresnels, each fitted with 5000W tungsten lamp bases, in Mark Henderson's flexible lighting design. Hired from White Light for the season, these helped to cover a busy stage with multiple areas of focus, including three moving trucks.

"We find Le Cin'k to be brighter and slightly narrower than the 5kW units we previously used which, in their rigged position, is good because control is important in a thrust space," says the Festival Theatre's head of lighting, Sam Garner-Gibbons. "Being a completely exposed rig, unit size is critical

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14 March 2016

Lighting designer Steven Douglas specified 36 Sharpys, supplied by NegEarth, after using them extensively on the The Killers' previous tours.

"If you're looking for something that's going to be big and impactful, the first thing that comes to mind is the Clay Paky Sharpy," says Douglas. "They are the obvious choice for me as I've used them consistently in my designs for the last two years. They're great, reliable, compact lights that really pack a punch - everyone knows how good they are."

Douglas rigged the Sharpys to create a huge wall of light behind the band, in plac

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14 March 2016

"We are confident that the appointment Music & Lights as our distributor is our most effective step to ensure our continued growth in the Italian market," says Avolites managing director, Steve Warren. "We are extremely impressed with the potential of Music & Lights and CEO Fabio Sorabella's highly effective team are enthusiastic, dynamic and focused on growth."

Warren's words are echoed by Avolites sales director, Koy Neminathan. "Music & Lights have proved that they are capable of providing excellent service training and support, both pre and post-sale. Avolites have invested in the development of new and unique features for both lighting and video control and it is of the upmost importance that we

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14 March 2016

The UK Sound Archive includes recordings of local accents and dialects used to monitor the evolution of the English language and sounds of rare or extinct wildlife. It also includes full recordings of theatre productions going back 40 years, including the opening night of Hamlet in the Old Vic, starring Peter O'Toole and

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14 March 2016

More than three dozen broadcast and cable networks in the US and Canada telecast Stand Up to Cancer. The show, staged at LA's Dolby Theatre, featured celebrity guests, music by Lupe Fiasco, Jennifer Hudson and Common, The Who, the Dave Matthews Band, and Ariana Grande, and inspiring stories about patients who have benefited from the research supported by the organization. Atomic Lighting of Lititz, Pennsylvania provided the Clay Paky fixtures.

"This show really means a lot to me," says Brad Hafer, vice president of account management, at Atomic Lighting. "Stand Up to Cancer is about something real - it's not just do

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14 March 2016

The musical depicts a 1940s Hollywood writer working on a film noir thriller; the play switches between gritty, black and white film scenes, and the real writer and his friends, shown in bright, vivid full colour.

"This is the first time the show has been revived," says Harrison, "and one of the biggest challenges was performing it in the 250-capacity space - we needed flexibility of colour without using too many fixtures. I'd heard about Source Four LED Series 2, but had never used them, and despite not having the time or resources to do any kind of tests or shootouts, I was keen to give them a try. They turned out to be exactly the right thing."

The colour changing abiliti

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14 March 2016

Robe Lighting France S.A.S. will be headed up by two senior managers. Managing director Bruno Garros, a familiar face in the world of the French professional entertainment lighting market takes the helm of the French operation alongside Elie Battah, who as business development manager for France, will spearhead the parent company's business plan.

The new subsidiary is part of Robe Lighting s.r.o.'s planned medium-term expansion strategy, and follows robust trading worldwide in recent years.

Robe Lighting France joins four other highly successful fully Robe-owned operations worldwide - in the UK, USA, UAE and Singapore.

Also responsible for Robe Lighting France will be Ingo Dombr

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14 March 2016

The installation, which was the culmination of the University's 10-week Urban Lighting course, used the Singapore National Design Centre's expansive space to bring a true on-of-a-kind experience to life with help from Martin Professional Exterior 400 LED lighting fixtures.

Throughout the University's Urban Lighting course, students learned about the effects of both natural and artificial light on space as well as fundamental design concepts. The students then had the opportunity to develop an installation for the Singapore Night Festival as part of their final course project and according to the SUTD student team leader, Kenickie Cher Jia Jun,

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14 March 2016

Its lighting division was started two years ago with an immediate investment in Robe moving lights with the purchase of 16 x MMX Spots and 16 x LEDWash 1200s

Director of sales, Nidheesh Hari explains that Abacus provides full production for conferences, exhibitions, product launches - large and small - award ceremonies, and small to medium music concerts, offering including lighting, audio and video. They can offer design services or work with the client's own design team and concepts - depending on the set up.

They assessed all the options carefully before choosing Robe, and also sought advice from other industry prof

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14 March 2016

"We want to make the recycling of old lighting fixtures as straightforward and cost-effective as possible, especially for those who are investing in our Comus range of LED lighting," explains CLD chair Nigel Howes.

Recolight was set up by and for the commercial lighting industry to maximize the recycling of all lighting kit relevant to the 2006 WEEE (Waste Electrical and Electronics Equipment) regulations.

It provides a comprehensive recycling infrastructure across the UK for the di

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14 March 2016

As part of the move they commissioned two new high-spec gallery spaces. Following a comprehensive study of other manufacturers' products they turned to Dedo Weigert Film GmbH, Munich to supply state-of-the-art lighting fittings.

The innovative lighting system was specified in-house by Phillips gallery manager Ian Bell, working closely with Ossie Jung of Prolight Direct. The fittings were customised by Dedo and delivered and installed on time and on budget.

Thirty years as a gaffer in TV and film meant Ossie knew all about the unparalleled engineering, flexibility and quality offered by Dedo film and TV products. "It was a

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14 March 2016

The award-winning Chroma-Q Studio Force premium performance soft light range is designed to provide a beautifully soft, even light source in a choice of daylight, tungsten and variable white LED models which are comparable to traditional lighting technologies - and produce a massive output for their size. The range is factory calibrated to follow the black body locus, has a frequency adjustment up to 9,600 Hz, and features green balance, CCT & intensity control.

The Mole-Richardson lighting range includes the new Spacelite series of very c

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14 March 2016

On display will be three new professional LED-based luminaires - the Satura Spot CMY, Platinum Profile LED with framing and WW Profile warm white luminaire - as well as the new hybrid Platinum SBX 3-in-1 luminaire and powerful Platinum BX beam fixture. Also on show will be a new high-powered LED strobe, the Protron 3K, along with fixtures in Elation's SixPar Series of indoor and outdoor PAR colour changers.

Satura Spot CMY: The new LED-based Satura Spot CMY is a high-powered LED spot luminaire with zoom, CMY colour mixing and dual gobo wheels. Seven dichroic colors are included for added colour customization. Its 320W LED engine delivers 11,700 lumens of power for an output across all colours that is comparable

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14 March 2016

Having worked in the audio visual rental industry since 1988, Sander brings with him a wealth of expertise having worked for several major international AV companies worldwide. With experience with AV systems on conferences, corporate events and trade shows, Sander has also been responsible for his own international productions and has previously been a client of CT's in their London, Holland and Spain regions.

Sander was born in Amsterdam in the Netherlands but has lived in Barcelona since 2000. He also speaks five languages.

(Jim Evans)

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14 March 2016

In 2013, in an on-going effort to reach out to more people and at different levels, Ward began to offer four different worship styles in three different venues, all on the same campus. When a contemporary service was launched, Bryan Guelzo was brought in as part of a full A/V renovation.

"When the current building was built about 15 years ago, no one had dreamed that Ward would be holding a contemporary service, let alone shoot HD video, Imag and stream services online," stated Bryan, who has worked as Ward's full-time AVL engineer since July of 2014, working alongside Austin Germain (director of production for worship), Billy Petty (director of wo

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14 March 2016

Hangar B2 at Cotswold Airfield in Kemble, Gloucestershire, UK, a vast space built as a World War II RAF station which also served as a base to the Red Arrows aerobatics team until 1983, it's been largely utilized for storage since then ... was transformed into a gleaming modern airport fantasy world for the event.

Bright developed the design concept and CPL helped realize this by providing the full technical production - rigging, staging, power, video, sound and lighting.

CPL's project manager Lee Gruszeckyj led their crew of 10, working closely with Bright's production manager Andy Oswin.

While the building structure is well engineered and has a de

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14 March 2016

The band just marked the debut of their fifth studio album, .5: The Gray Chapter which was quickly followed by performances at their own Knotfest in San Bernardino, California. They began headlining the Prepare for Hell tour afterwards.

Trevor Ahlstrand, lighting designer/production designer for Slipknot, is using a grandMA2 full-size and amongst others 30 Clay Paky Stormy, obtained from Christie Lights, on the shows. Ahlstrand chose the grandMA2 for the show for "its reliability and worldwide availability".

He says the grandMA2's "speed and precision with individual parameter timing and effects are grea

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14 March 2016

The band last played the Sportpalais four years ago, in a series of landmark multi-date end-of-year shows that had become an annual end of year concert experience. Back in 2014 in some style with a six-month tour, they wanted to end the year with a performance phenomenon that was high-impact and memorable and different.

The initial concept discussions between Luc and lead singer Koen Wauters started nine months in advance. Of all the shows that the band have performed in Belgium's favourite arena ... they enjoyed 2003's in the round presentation the most.

Clouseau have

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14 March 2016

"When setting up this type of lighting design you really have to be aware of your position and fixture choices," began Grill. "While the physical set-up of the stadium and the realities of lighting an outdoor event will dictate these choices to some extent, you really have to make sure you choose the right manufacturer's fixture for each position and purpose. I have worked with Vari-Lite luminaires f

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14 March 2016

An American country music band from Texas, The Eli Young Band released its 10,000 Towns album earlier this year. During its career the band has had three singles reach number one on the Billboard country charts. The band is currently on a North American concert tour and just finished hosting its popular yearly House Party concerts on back-to-back weekends at Globe Life Park in Arlington, Texas and Minute Maid Park in Houston.

"The overall design of the tour is high-impact versatility," says lighting designer David Carr. "We deliver a lot of speed with fast moving lights and design."

Carr uses eight Clay Paky Sharpys as floor lights for t

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14 March 2016

The lighting for this special one-off - which also celebrated the start of moe.'s 25th year - was designed as a larger version of their recent touring system which had featured 12 x Pointes hung on a custom structure and used to create most of the signature looks.

For the New Year's Eve show, the Pointe count was upped to 24 ... plus a few wash lights and strobes. The additional 12 Pointes were flown on the venue's house bars and helped fill in the spaces with additional lighting.

Preston loves the almost endless variations on the beam offered by the Pointes.

"There's so much scope that I can keep a whole show fresh throughout just by using Pointes as the hard-

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14 March 2016

The Festspielhaus was built by STABAG (the general contractor) and designed by Delugan Meissl Associated Architects, Vienna. It seats over 862 people (there are 732 seats in the galleries and 130 removable seats in the orchestra pit area) and has the largest orchestra pit in the world (160 sq.m / 190 sq.yd.). The building covers no less than 7000 sq.m / 8372 sq.yd. Johannes Laugwitz (CA GmbH) from Königsbrunn was called in as technical lighting manager and grandMA2 operator for El Juez.

During his task, he was able to count on Clay Paky A.leda Wash K10s, A.leda Wash K20s and Alpha Wash 1500s.

Laugwitz faced a real challenge owing to budget and rigging limitations: the lighting technicians, led by Andrea Steiner, Ludwig Sigel and Roger Irman, only ha