Featuring new lamp technology and an innovative optical system, the Platinum FLX does the work of three luminaires in one. Using the same patent-pending dual optical design as Elation's Platinum SBX, Beam mode and Spot mode perform under their own independent optical systems resulting in a narr
Martin's VC-Grid is a compact and powerful LED video panel that offers individually controllable pixels in RGB and cool, medium and warm white colors. The VC-Grid can be controlled via DMX or Martin's awarding-winning P3 protocol that provides high-quality image processing that eliminates the need for DMX pixelmapping, loose power supplies, and cabling. A hybrid power/data cabling systems also allows multiple VC-Grids to be easily daisy-chained for more creative designs.
"I'm really excited how these products make working wi
Lucidity - founded in 2000 by Paul Newman - also has a presence in Cape Town and Durban, and has built up a reputation for servicing a portfolio of high end corporate clients plus a selection of other premium live events.
Initially Lucidity's focus was on audio and AV, also acquiring rigging and trussing along the way. Although this was Paul's first major lighting purchase, his 25 years of experience which includes international touring and working in some of the country's busiest venues, he appreciates the value of buying quality.
The decision was prompted by increasingly paying for lighting cross rentals for va
A Basic One Day Training course takes place on 9 March. Subjects include Basic Fundamentals, Layouts, Pallets, Basic Tools, Classts & Layers.
The Intermediate Two Day Training will be hosted on 10-11 March. Topics include Preferences, Workspace, Basic Spotlight, Basic Renderworks and Intermediate Tools. The cost is R1 500.00 incl. VAT.
The Advanced Two Day Training will be held on 12-13 March. Subjects include Working Planes, Advanced Modelling and Advanced Renderworks.
Alternatively, delegates may prefer attending all of the above-mentioned dates for Full Vectorworks Training Week held from 9-13 March.
(Jim Evans)
For the duration of the 12-minute segment, at which Katy Perry headlined, experienced LD Bob Barnhart (of Full Flood) used 12 of the new X4 Bar 20, as well as 16 of another recently introduced fixture, GLP's large format impression X4 XL.
For Barnhart, who has used various generations of the impression at other high profile events over the years, this was his 17th outing at the Super Bowl Halftime Show.
GLP US's president Mark Ravenhill recalls his early conversations with the LD when he introduced the new X4 Bar 20, GLP's new zooming and tilting batten unit. "Bob was looking for something new for the upstage portion of one of the stages - a low profile fixture that would ad
The Titan One has proved to be a cost effective solution for lighting applications. It offers fast and intuitive control of intelligent lighting, dimmers and LED effects from one on screen console.
"The Titan One is a small but powerful lighting solution," commented Nick Britz from DWR. "Gareth Chambers hosts regular training sessions which are well received by the industry. He has a great knowledge on lighting and control, having formally worked in the rental market. He is also very passionate about sharing this knowledge."
"Once delegates have a better understaind of how the software works, it helps build confidence when running shows," added Britz.
Delegates are requested to provide lapto
The talk is to commemorate the 200th anniversary of Augustine Fresnel's Wave Theory of Light, which also coincides with UNESCO's International Year of Light 2015. Fresnel's findings are the basis for the lecture, which will discuss: '200 years of Fresnel: Why everything we light and look at today depends on what he said' and will be presented by Peter Phillipson.
"I am delighted that the Society of Light and Lighting Fresnel Lecture is being sponsored by Philips, alongside the International Association of Lighting Designers," says Phillipson. "Thanks to their support it means that 200 years of Fresnel's wave theory wi
The award winning company purchased Showline SL BAND 300 RGBW, SL STRIP 400 (both RGBW and Tunable White) SL BAR 520 and SL BAR 620 luminaires. The units were employed to deliver stunning lighting for the function, which was attended by members of the ministry, members of the Shoura Council and top executives from the companies involved in the scheme.
"We came across the Showline products at Prolight and Sound last year, and were extremely impressed," says project manager Nawal El Masri. "We decided to purchase them as the quality was so high - the standard we offer our clients."
Maestro has an impressive portfolio, with experience managing a broad range of events f
Very early in the process, even before the new music was available, Sinclair had a meeting with Creative Director William Baker and Set Designer Alan Macdonald, during which it was decided that 'precise geometry' and 'Bauhaus aesthetics' were to be the key themes for the set design, inspired by the lines of the set and the early costume ideas. Baker then created a very detailed and instructive style gui
For BL°F's recent show at Amsterdam's 17,000 capacity Ziggo Dome lighting designer Patrick Kramer did exactly this ... with a little help from over 200 Robe moving lights including 26 of the new BMFL Spots.
Patrick cut his professional lighting career teeth in the theatre and has always liked to work as part of a creative team. On this one, he collaborated with set and video designer Bart van Rooy and between them, the concept of building geometric shapes, squares and rectangles evolved. These were based on a Layher sca
Schipper got the look he was seeking with a massive diagonally slanted overhang array of high-output Nexus 4x4 LED panels from Chauvet Professional. Starting close to ceiling level upstage, the truss overhang formed a descending wedge of rich and varied colours as it moved down stage. The movement of the lights on the array, along with their intense o
The non-profit Stagecraft Institute began in 2006 and provides an immersive education to around 70 people each summer, 90 per cent of whom receive either a full or partial scholarship. All of the topics of study revolve around disciplines within the world of stagecraft and live entertainment, including lighting design and programming, media programming, sound, costumes,
Concept visuals of the new store revealed curved surfaces running along the front of the entire shop fascia. This gave World Duty Free Group and Blynk Digital Media's Neil Muir the idea to fill the surfaces with LedGo's innovative FLEX curved LED panels, to display eye-catching, moving content, visuals and tailored messaging to visitors in the new terminal.
Blynk Digital Media approached A.C. Video, a specialist sales division of A.C. Entertainment Technologies (AC-ET) Ltd., to supply them with the LedGo FLEX curved L
At the end of January 2015, Current RMS officially became a partner of the popular cloud accounting software Xero, offering seamless integration with this easy to use product, streamlining the rental cycle that one step further.
Prior to launching Current RMS, rental experts came onboard to test the system, working with the team to ensure it was entirely ready for launch. The same process took place for the Xero integration. One of the testers, Steve Lucas, owner of Soundbite Productions, has quickly seen the benefits of operating his rental business entirely in the cloud.
"Current is a must have for rental and hire companies, especially for those
Terranova has been freelancing with Avolites Ai as a programmer, operator and beta tester, before a permanent position arose. She has a degree in Stage Design and a Masters in Performance Design and Practice from Central St. Martins, where she also works as a guest lecturer. In the past two years, she has experimented with various programmes for live video manipulation, such as Isadora, Quartz Composer and Processing, and also the Kinect infrared sensor for motion tracking.
Terranova has worked with the London Philharmonic Orchestra, the Royal Festival Hall, the Queen Elizabeth Hall and Science Museum, designing interactive installations and sound reactive visuals.
"I saw the ama
When Tim took over lighting the epic live show in 2010, it underwent a complete redesign. The production toured again in 2012 before this final run, where he again reworked the lighting, this time due to swapping out several older fixtures for newer technology that had come onto the market in the last two years.
He retained all the classic looks and styling that had helped make WOTW such a visual tour-de-force, whilst new elements - not previously possible - were added to help ramp up the drama for this landmark finale.
The six BMFLs replac
Incorporated in the set were no fewer than 480 strings of SGM's pixel product, the LB-100 LED balls. Each string contains seven semi-transparent balls with a sphere of 28mm and a pixel pitch of 120mm viewable in 360?, creating alluring 3D graphic displays.
Demonstrating the magnitude of this show, the award itself is a golden gramophone statue, comprising gold and silver mounted onto a platform of optical glass with laser engravings. Experts estimate the cost of a "gramophone" to be around $1.4,000 US. On top of this, the Gol
The floor lighting package throughout the tour had in fact featured Robe moving lights, and more were added for the finale show, making a complete count of 14 x Pointes, six LEDWash 300s, 39 x LEDBeam 100s, 17 x LEDWash 600s and 26 x Robin 600E Spots, all supplied by Southampton based rental company, GLS.
The stage design was based on a 'futuristic' 1970's TV show concept, the visuality of which was partly inspired by the work of Ed's two favourite light artists, James Turrell and Dan Flavin, and their experimentation with block colours and the bold vibrancy of neon.
The result
Ayrton LED fixtures played their part once more in the dynamic lighting design by Bob Barnhart of Full Flood, Inc., with the new, compact MagicRing-R1 and NandoBeam-S6 helping to wow the crowds.
Five-time primary lighting designer for the highly anticipated telecasts, Barnhart delivered a spectacular show, overcoming many of the logistical difficulties of lighting a full-blown, large-scale production in the middle of a football stadium by mounting his lighting equipment on sixteen mobile lighting carts and four band carts.
Twelve Ayrton MagicRing-R1 beam projection fixtures were in
Bandit Lites once again worked with production manager Jerry Holcomb to provide the lighting for this ministry. Equipment included Clay Paky B Eye K 20 wash lights, Martin Vipers, Vari-Lite VL 3500 washes, Clay Paky Sharpys, Martin Atomic 3000 Strobes, 4 lite inline moles, Color Force 72 wash lights, 60ft black A type circle truss divided into 3 sections all lined with 12 mil LED product.
"I really like the arch that we've created on stage,&quo
Lighting designer James Schipper of Kinetic Lighting used 40 Nexus 4x4 panels to create a dynamic stage backdrop for the celebration's main entertainment event: a concert by the hip hop rapper Flo Rida backed up by DJ Blaze. The Nexus panels on stage not only matched the Grammy nominated People's Choice-winning star's performance; they also reflected the upbeat mood of the televised celebration.
Schipper arranged the Nexus panels 20 un
"I am pleased to announce the launch of the Rush Par 2 CT Zoom, which will be an ideal companion to our highly successful Rush Par 2 RGBW Zoom," said Mark Buss, product manager for Rush by Martin. "The ability to pre-mix white light ranging from 2700K to 7200K will offer lighting designers full flexibility for installations ranging from nightclubs and theatre applications to conferences and exhibitions."
With 12 10-Watt WW/CW (warm white and cold white) LEDs and a motorized zoom ranging from 10 to 60 degrees, the Rush Par 2
The two-day event kicks off Tuesday at 9:00am with Richard Pilbrow's educational seminar titled Light and Theatre? 50 Years of Change. Additional seminars follow and the exhibition hall opens at 10:00am-5:00pm with over 60 regional and national companies exhibiting the latest in entertainment technology. On Wednesday, the exhibition hall and seminar programme runs from 10:00am-4:00pm.
"We are thrilled with the incredibly high pre-registration numbers that we've seen so far, and can't wait for an extremely successful PLASA Focus event," said Laura Hoepker, PLASA Events sales executive. "Between the show floor and educational seminars, we are providing access to the best in the industry to everyone who attends."
Free registration to both the sh
