Pajak's company Fish Eye was also responsible for the whole technical coordination of the event, with Marcin Szczakiel working as programmer and operator and Tomasz Szwelicki leading the technical department.
Organised by one of the leading MMA promotions in Europe KSW Federation, Pajak specified 40 x SuperSharpys, 32 x Sharpys and 24 x B-EYE K20 fixtures from prominent rental operation Transcolor for the event.
"The key
The Music and Dance Scheme, which provides financial assistance to applicants for specialist arts schools, has also had its financial support bumped up by £1m - bringing its total funding to £29m. In addit
Melissa's brief to Intevi, the Digital Solutions Provider, was to blend their artistic designs with suitable technology to bring their creativity to life. Commenting on the project, Tom Scott, managing director of Intevi said: "We had previously worked with the contractors on another retail project and they knew we could deliver on the very distinctive brief Melissa had produced. In the large entrance hall, visitors would be surrounded on three sides by floor to ceiling LED screens. These screen
France's second most-visited theme park (after Disneyland Paris) allows visitors to witness history being brought to life through over 60 shows - from the Vikings and Knights of the Round Table, to Richelieu's Musketeers and Gallo-Roman gladiator games.
The park's flagship show Cinéscénie - which, at over 23 hectares is also the world's largest night show - provides a look through the ages and utilises the latest advances in technology and artistry. It was for this show that the drone technology was created.
Nicolas de Villiers, President, Puy du Fou, says: "The team was searching for a way to incorporate new heights to Cinéscénie. We wanted to create the biggest c
Status Quo's distinctive 'boogie rock' sound has earned them over 60 chart hits and a Brit Award for 'Outstanding Contribution to Music' in a career spanning 45 years. They are still going strong, with more energy than ever, delighting their very loyal original fanbase as well as at least two generations of new - and equally enthusiastic - younger Quo fans.
Ewan took over the LD slot at the end of 2013 when Quo's previous LD - almost as legendary as the band - Patrick Marks - decided to retire after 25 years in the 'hot seat'.
When it came to creating a lighting design for this tour, Ewan wanted to retain a continuity with some of the classic Quo aesthetics that Pat had evolved over
In refurbishing Chichester, it was essential to preserve the magic and warmth that had cast a spell over audiences for years, whilst at the same time replacing outdated and unsustainable technology. GDS was to address all aspects of auditorium and backstage lighting. The catenary lighting above the thrust stage at Chichester Festival Theatre lies at its very heart and soul and its upgrading, without any loss of original character, was crucial to the entire project.
GDS's award-winning LED ArcSystem was installed for all aspects of house lighting, including emergency lights (around 200 fixtures in total). In this case fully wired and dimming seamlessly from 100% to zero, this aw
Produced by CX Network, the show caps 25 years industry publishing experience for the network which until now has produced publications and internet TV in Australia.
"When we started CX-TV in 2010, YouTube had a seven minute clip limit and was standard definition," CX chief Julius Grafton said.
CX Network established several successful internet TV shows, including Gearbox, CXtra and most recently The Hump. They have been broadly viewed on the website cx-tv.com and are specific to the Australian market, whereas Light-Tonight is intentionally global.
A team of presenters from
As the packages were to be used and to be fitted in a multitude of formats and programmes, the brief was to keep it simple, and to create a "stripped back" cozy look, which was also unbranded.
The set consisted of a simple four towers of Barco Mistrip, rigged vertically, with even spacing between each. The Mistrip had been used to create low resolution abstract moving graphics in the
Among the UK's most popular club experiences, a line-up including Richie Hawtin, Alesso, Annie Mac, Jamie XX, Fatboy Slim, Fac51 The Haçienda, The Martinez Brothers and literally hundreds more top artists, made the beats move and groove back at WHP's spiritual home, the Store Street arches underneath Piccadilly station
dbn's own WHP team was project managed by Pete Robinson.
The company has provided lighting design and equipment to the WHP phenomena since it first hit the scene nine years ago. The Store Street venue has a capacity of 1800 and the entire season from October to New Year's Day usually sells out in a matter of minutes.
The biggest technical challenge as always was getting all the production ready in the three hour ti
Robe fixtures were supplied for the shows - Anhembi in Sao Paulo, an open air space famously utilized for their Carnival, and Rio's HSBC Arena - by leading Brazilian lighting rental company LPL, project managed for them by Erich Bertti.
Robe has been one of the 'preferred manufacturers' on the Arctic Monkey's rider throughout this tour which was originally designed by the innovative Paul Normandale, and has been lighting directed on the road by Sam.
Sam has also worked with LPL before - first on a Placebo tour and most recently at the start of 2014 with David Guetta.
"Knowing the high quality of the Robe products
Springfield, MO-based Paragon 360 accomplished this feat at the 35-year old-church by adding new architectural elements and upgrading the audio, video and rigging system, in addition to installing an impressive collection of lighting fixtures from Chauvet Professional. As a result of these changes (and the hard work of church staff) Emmanuel Baptist is now able to change its sanctuary s
The announcement comes just weeks before Avolites and Improve team up at the Amsterdam tradeshow Integrated Systems Europe (ISE) to exhibit Avolites' range of control consoles and servers and unveil the new features of its Ai V8 software.
In May 2014, Avolites appointed Fairlight as its sole distributor for The Netherlands, and they will also be represented at ISE by Menno Appelhof, who will be on the Avolites stand. Improve will act as Avolites' exclusive Dutch dealer.
Improve's core business is the design and implementation of integrated lighting and video concepts for the corporate and cultural events market, sourcing industry-leading control consoles and media servers push the boundaries of what can be achieved
"We're very happy to have received this award," says Norbert Stangl, sales and marketing director of the Laserworld Group. "The potential that arouse from this deal for the whole company group is huge and we already see the significant synergies and benefits.
"The Laserworld Group is continuously expanding, and there are more deals to be expected in our industry soon. There are already many other companies where Laserworld is involved in one or another way, especially the US market which has high potential."
(Jim Evans)
Last fall, Adimsa supplied and installed Elation LED lighting in one of the bustling city's newest hotspots, Republica club. The 800-capacity club, inspired by the old house design of the Republica age, features a colonial style with chic explosions of colour, yet with delicate touches. Architect Filipao Nunes designed the space with the interior concept completed by Javier Díaz Ceo from Fortuna Lab in cooperation with Adimsa. Adimsa's's Edson Rivera was responsible for the lighting design.
One of the club's outst
In Australia, James was able to take advantage of Robe's latest BMFL Spot moving lights for the first time as part of the rig, which were supplied by MPH Australia, a leading lighting rental specialist. The rig contained 22 x BMFL Spots and 12 x Robe LEDWash 600s.
The BMFLs were used extensively throughout the performance for key and back lighting, with some positioned on the floor for eye-catching 'aerial sculpture' moments.
It was the first time that James had used BMFLs on one of his own shows - having first seen them demonstrated by Robe UK's Amy
The Cobalt console was supplied by Kilowatt Rentals and Staging, who thought the desk's exceptional busking capabilities would be perfect for the Milk Media Festival. It controlled a rig full of moving lights, LED luminaires, audience blinders and strobe lights.
The festival was the first time that lighting designer Yan Prokofyev had used a Cobalt desk. ETC console trainer Vl
Lighting designers from LightLab were looking for a solution evoking a permanent vertical flow, to create a special 'city life' impression. They introduced rental company, Lumière et Son, who last year brought the Hermès flagship store at Champs Elysées to life during Christmas using LB-100 LED Balls from SGM. Their suggestion to create a 3D graphic volume to inspire city movements was met with great enthusiasm by the client.
Lumière et Son prepared a
The event will run Wednesday 22nd, Thursday 23rd and Friday 24th April 2015, in the UK, at Gatwick Manor, London Road at Lowfield Heath, just south of Gatwick Airport.
The Developers Conference provides a European forum for manufacturers, designers, consultants and prospective users to discuss and learn about the various control protocol standards emanating from the PLASA Technical Standards program, and aims to ensure that the adoption of these new standards achieves desired levels of interoperability and reliability.
Conference sessions will cover the use and implementation of the published RDM, sACN and ACN standards, together with other projects in the current PLASA Technical Standards Program such as "E1.33 : RDMnet".
The "Plugfest" is a hands-on o
The new school building was commissioned by the Education Funding Agency (EFA) because, in direct contrast to the high standard of teaching, the school buildings were in poor shape - described by officials as being in the worst condition in the city.
However, no provision had been included for sound and lighting systems in the multi-functional assembly hall or drama studio. With the budget already stretched and sensing this was a real opportunity to create the hall as a spectacular performance space, the school's former head teacher came out of retireme
"We had to fit everything - and I mean everything -- from costumes and props to the show's famous mirror balls into a single trailer for this tour," said Allen. "Ray Woodbury of RK Diversified Entertainment did an amazing job helping me put together a rig that delivered all the lighting punch we needed, while not taking up an inordinate amount of space in the trailer."
The "workhorse" of this rig,
Based at the company's headquarters, Colette brings a wealth of experience to the Stage Electrics London and Bristol operations, having worked for more than 20 years within the engineering and distribution industries.
Previously, Colette was branch manager at Buck and Hickman, one of the UK's leading distributors of tools, maintenance and health and safety equipment. Prior to that she had moved up 'through the ranks', holding a number of key management positions.
On joining Stage Electrics she was tasked by Adrian Searle, head of technical & hire operations to re-focus the company's hire sales team.
"My background is predominantly in people management and develo
LumenRadio's long-term OEM partner, ENTTEC together with Mint Lighting Design, was brought on-board to provide custom lighting solution to realize the vision and design proposed for Melbourne Airport.
Mint Lighting Design and ENTTEC transformed the forecourt and main terminal façade with a dynamic lighting installation. The project has 12 individual sites programmed as one to create an intricate, synchronized light show with more than 40,000 pixels requiring 57 universes of control. The project involved more than 2,140 individual components.
In order to distribute DMX data to the difficult l
Wireless Spectrum Challenges
NFL Frequency Coordination - controlling who uses which radio frequencies, when, and for what purposes - is carefully planned and enforced. This is to accommodate varied technical requirements of everything from hundreds of two way radios, wireless microphones and cameras, to ticket processing and
But in a completely unique deployment, 68 of the LT-200 2m tubes now form a pulsating sculpture in a brain science institute. This is at the heart of designer Bob Crowley's set for the new Tom Stoppard play, The Hard Problem at the Dorfman Theatre, part of the National Theatre on London's South Bank.
It was a YouTube video of a spinning cube that first set Crowley's creative juices flowing, and faced with the task of emulating this effect in order to represent brain pulses, the theatre's lighting operations manager, Marc Williams and control supervisor, Daniel Murfin tracked down SGM's 3D pixel tubes after visiting the PLASA Show, and seeing them displayed on the website of Madrix LED
