"You always like to get good feedback when you design," said Therrien of JDI Productions. "So all of us involved in this show were thrilled when the bands went out of their way to compliment us. Aaron Patrick for ATR and Bryan Campbell for WCAR both commented how happy they were with the package and how the lighting had added an impressive visual impact to their perform
School of Rock - Broadway musical School of Rock, written by Downton Abbey's Julian Fellowes with music by Andrew Lloyd Webber, has opened to mixed reviews. The show, which was a hit 2003 film starring Jack Black, is about a wannabe rock star
Lighting designer Stevie Hernandez examined how 64 Robe Pointes are integral to the design.
Zedd's much talked-about live show visuals are a collaboration between himself, Stevie as production designer, VJ Gabe Damast and tour manager Ken Floyd who also runs lasers and SFX for the performance. They have all worked with Zedd for three years and are his first production team.
The team enjoys a coherent and fluid visual chemistry and Zedd considers them his 'visual musicians', all bringing their own specific imaginative disciplines into the show.
While Zedd knows exactly the visual vibe he wants for each song, he encourages everyone's input. Different ideas
The band toured earlier in the year, visiting some of the more off beat venues in the circuit, followed by some gigs over the summer and now this tour, which also plays a couple of arenas and for which Dan created a completely new design.
The new album is a departure from the punky, rocky attitude of the first two, moving into some darker and moodier territories and they wanted the musical evolution and depth of the new material to be reflected in the lighting and visuals.
In response, Dan has gone for multiple options for producing a wide array of strong moody looks with lots of variety and low side lighting that introduces intimacy and the idea of proximity
"The experience Jaime brings to this position dovetails very nicely with our vision of Chauvet's future in the Latin American market," said Albert Chauvet, President and CEO of Chauvet. "Jaime has a keen understanding of the lighting industry and of Latin American business culture. His experience in sales, marketing and business development will he
Drapes, softs and special effects company S+H Technical supplied 350sq.m of its animation cloth and 50sq.m of its RGB Starcloth product to the event, which were an essential element of the spectacular production design created by Alex Craig.
Alex's studio set evoked fantasy images of both high-tech and retro fairground attractions and was based around multiple LED screens, surfaces and scenic decoration, with an impressive five-layered pros arch and many dramatic curves. It provided dynamic backdrops to the all acti
"The aim was to make this production more personal and special for the fans," said lighting designer Sean Caie who is also head of lighting at the Grand Arena. He programmed on a grandMA2 Light.
There was no specification for the lighting design and Sean made use of the in-house gear in each venue which largely consisted of a Robe lighting rig, to create a warm look on stage.
"No additional gear was needed for the shows as there was great equipment in both venues," he said. "With tight deadlines and turn arounds, I had to programme a large portion of the show off-line. A
Laura Kriefman, one of this year's Wired magazine Creative Fellows and a resident at the Pervasive Media Studio, approached Howard Eaton and Emma Chapman of Studio Three Sixty to design the lighting for her inaugural Crane Dance Bristol. With set designer Lucy Osborne the third member of the Studio Three Sixty team, this was their first project and it was an unqualified success.
Faced with sourcing equipment best fit for purpose on a limited budget, theatre lighting specialist Howard Eaton knew from previous experience that a combination of the ultra-energy efficient P-5 and P-2 heads would be the perfect complement to the 1km of LED ropelight that would be used to outline th
MJ worked with their client Edith Venter, and the lighting designer for the event was Gary Sam, a freelancer who programmed on a grandMA 2 Light.
"The evening consisted of two parts, a show and an after party," commented MJ's Theo Rood, project manager. "Prior to the show, staff from the MultiChoice Call Centre participated in auditions and a knock out system, something similar to an Idol's type competition. The top eight singers performed at the grand finale, hosted at the Teatro auditorium at the Mosaïek."
Gary Sam needed something that wo
Fallon is a familiar face to many in the industry, having worked in product and sales management at Martin Professional for 12 years before leaving to establish his own business. "Gary comes to us with vast industry knowledge and experience and knows the value of hard work, discipline and supporting customers above and beyond," stated Elation sales director Eric Loader. "Gary will work to support and continue our growth plans on the East Coast, managing our sales reps and supporting our dealers in the region. I am confident he will fit well into our company culture and growth plans."
Mignone positioned 24 Legend 330SR Spot moving fixtures over the audience section of the 135,000 square foot converted ocean liner terminal (officially called Pier 94) for the Kaskade show, which was produced by RPM Presents. All of the fixtures were directed at the crowd of 10,000 fans.
"Audience lighting is critical at any EDM concert because fans want to be engaged with the artist," said Mignone. "However, this is especially true with an artist like Kaskade because of the way h
The high-profile US rock band have been touring in support of their 2015 album American Beauty / American Psycho, and undertook UK and European Arena shows throughout October, following a series of US dates over the Summer.
A long-time Jands Vista user, Robb took the S3 and D1 combination on the entire tour. The custom setup consisted of the S3 control surface, which was connected to an Apple i7 Mac Mini running the award-winning Vista v2 software, and a Wacom Cintiq Multi Touch pen tablet surface built into a custom case. The system ran with an identical back up and two Vista D1 Playback Processors, which were rack-mounted in a road-
"What prompted me to look at the SolaSpot PRO CMY was how brilliant they are for theatre," Nate explained. "So many other fixtures in the same range don't offer nice variable colour correction and don't have a quality frost. The Pro CMYs are stunning in their intensity. They can match to a conventional halogen rig and give us that quality we need in theatre lighting, even with an LED en
tn.jpg "Cassper Nyovest at the Ticketpro Dome, Johannesburg (photo © Neil Van Schalkwyk)")
The production design was based around his dynamic music and the creation of special 'moments', a process that built throughout the show, revealing different elements as the music called for them. For lighting and video control, Formative relied on grandMA2.
Formative ran two media servers and two grandMA2 full-size consoles, with an additional grandMA2 full-size at 'dimmer beach' as well as four MA NPU (Network Processing Unit). "We ran Art-Net from the media servers into grandMA2 for pixel mapping and split timecode between all the systems for full redundancy", Peters explained
Andy Hurst was asked to create a visual concept and Blackburn rental company HSL supplied lighting equipment which included an investment in 300 Martin VDO Sceptron 10 LED battens, which were rigged on custom structures to form a giant '88' digital clock face.
The large digital figures were an idea that Andy and Sister Bliss from the band had thought about in the quest to have something different from conventional video with large screens and content onstage. When the dialogue with Andy
WL stocks a full range of high-quality CORE products, all of which are available for purchase. Amongst these is the ColourPoint, of which more than 5,000 units have now been shipped worldwide. The ColourPoint is a lightweight, lithium battery-powered LED event uplight which uses the latest Wireless DMX Control.
Phil Ion, founder of CORE, comments, "What's great about the ColourPoint is its versatility. It is ideal for outdoor use and can be used for lighting up trees, three storey bui
This has been demonstrated loudly and clearly by the sold-out shows being put on throughout the fall and holiday season by Dead & Company, featuring original band members Bob Weir, Mickey Hart, and Bill Kreutzmann. Playing to sold-out audiences, the 10-stop coast-to-coast tour is serving up some tasty new arrangements of classic Dead songs with renowned rock guitarist John Mayer filling the role of the departed Jerry Garcia on the guitar and vocals.
Contributing to the immersive experience is a beautiful lightshow anchored around a collection of Nexus 4x1 linear fixtures from Chauvet Professional provided by Upstaging.
Jon Pollak designed the lighting rig, but all the looks were fabri
Javier Latorre, Stonex CEO, opened the conference commemorating the 35th Anniversary of Stonex. "We are happy to share with all of you this seminar. Al Gurdon and Peter Canning's Masterclass is the best scenario for sharing knowledge and experience in the lighting field."
Francesco Romagnoli, area manager for Clay Paky, presented their latest products including Scenius, Spheriscan and Mythos, among others.
Al Gurdon opened his speech by highlighting the importance of a good light. The tours of Madonna, Kylie Minogue and Beyonce were some of the shows
Active in 47 countries on six continents, the AV Alliance acts as a quality seal with AV Alliance members involved in over 100,000 projects a year. The AV Alliance is committed to professional service at the highest quality and is devoted to creating synergies among members to further professionalize the industry. Of the many sponsor benefits is the opportunity to network with AV Alliance member companies, which includes AV rental companies from all over the world.
"We are pleased to have Elation Professional on board as a sponsor of the AV Alliance," stated Nico Ubenauf, member of the AV Alliance Board of Directors and CEO of German production company satis&fy. "Elation continues to become a more visible player
A&L put special effort into carefully selecting the venue. "It took us quite a while to find the right place. We had to consider some special factors when choosing the venue," explained Eric Loo, who was in charge of finding the site for this event. "We knew the capabilities of these lights. In order to show off their full potential, the height and length of the venue were crucial. Acce
Since its formation 44 years ago, WL has built a strong reputation of supporting pantomimes, with this year being no exception. One of the most popular Christmas shows is the classic story of Snow White, which is currently playing at the Bournemouth Pavilion Theatre. Nev Milsom is the lighting designer on the production. He comments, "Snow White is such a lively, busy show so it was important that the lighting rig not only worked with the cast and scenery but also produced vivid colour and texture throughout. Pantomi
This Christmas season sees the interior of the church awash with imagery, produced by Jason Yang of Invisible Element, based on the Christmas story and depicted in colourful visuals reminiscent of stained glass. Advent is a season of anticipation and Ottley's theme is to present a beautiful and welcoming environment as the congregation enters each week in the build-up to Christmas.
"Our aim was to create a short video clip as an opening sequence to the services over the five week period of Advent,"
In Romania, West Side Story has been adapted by choreographer and show director Razvan Mazilu to be presented at the Sibiu International Theatre Festival (FITS) for the organisation Uniter - Theatre Union of Romania.
SGM's Romanian partner FIVE'S International supplied a SGM package consisting of 12 x SixPack blinders, four P-5 wash lights and two G-Spot moving heads. For the outer theatre building, the IP65-rated Q-7 RGBW flood lights were deployed for architectural illumination.
Lighting designer Alin Popa reports, "We needed the clean colours of the P-5, the fine dimming of the SixPack, the power of the G-Spot and its large pallet of colour temperature control settings. The SG
Prior to joining Bandit, Allana oversaw the lighting for the rehearsal of a dance troupe in Chicago, before moving to Orlando to attend school for lighting. Now as one of Bandit's essential lighting technicians, she will repair, clean and maintain Bandit's vast inventory of moving fixtures.
Mark Mistal's career in the lighting industry spans multiple settings including theatrical, film and television in addition to architectural installations. He also brings with him experience in stage rigging and automation. Previously, Mark was with Carnival Cruise Lines and most recently with Tait.
(Jim Evans)
