Lumiere London turned King's Cross and London's West End into a magical pedestrian playground
UK - London's first Lumiere light festival closed on Sunday 17 January having transformed the city's streets and buildings with 30 spectacular artworks. First estimates put the numbers of visitors at over 1m attending the festival over four evenings.

Developed by creative producers Artichoke and supported by the Mayor of London, Lumiere London turned King's Cross and London's West End, including Leicester Square, Piccadilly, Regent Street and St James's into a magical pedestrian playground and encouraged Londoners and tourists alike to explore the heart of the capital and view it in a new light.

With founding support from Atom Bank, Bloomberg Philanthropies, Heart of London Business Alliance, London & Partners and King's Cross, plus additional support from a host of partners and sponsors, including Westminster City Council, Lumiere London presented installations by 30 international artists, at some of the city's most iconic locations.

Audiences from across the world were enthralled by artworks including a glowing tropical garden filled with giant plants in Leicester Square Gardens and a technicolour animation featuring the faces of some of the UK's best-loved TV and film stars, projected onto BAFTA, 195 Piccadilly. At Oxford Circus, which was closed to traffic during the festival, people lay on their backs gazing up at 1.8 London, Janet Echelman's beautiful-illuminated aerial sculpture strung between buildings at Oxford Circus.

Along Regent Street, pedestrianised for the event, crowds gathered to see Elephantastic! a 3D, larger-than-life projected elephant stomping through the Air Street arch, while in St James's visitors gazed at the ethereal Les Voyageurs - sculpted human forms flying high above the buildings. At Westminster Abbey, audiences stood mesmerized by The Light of the Spirit, a digital painting by French artist Patrice Warrener, who had bathed the Abbey's West Gate in an electric riot of colour.

Aquarium, Benedetto Bufalino & Benoit Deseille's iconic red telephone box filled with exotic fish at Grosvenor Square, was a firm festival favourite, drawing audiences to the leafy garden square in Mayfair. The square was also a temporary home to Elaine Buckholtz's abstract digital painting, which uses light and music to re-imagine Van Gogh's painting All Night Café.

Hundreds of Londoners of all ages played their part in the festival: from donating a recycled plastic bottle to the glowing Plastic Islands installation by Luzinterruptus in the Trafalgar Square fountains, to appearing on film in the spectacular Circus of Light projected onto the Granary Building at King's Cross. 500 children also took part in workshops at schools in the area to help make Joining the Dots and Litre of Light, both also at King's Cross.

The Mayor of London Boris Johnson said, "I am thrilled by the success of Lumiere London, which has brought a wonderful burst of imagination, colour and creativity to our city's streets in the middle of cold, dark January. It could not have happened without the input and support of the many businesses and agencies who helped to make it happen. We have been astounded by the crowds, which exceeded all our expectations and brought a boost to the West End and King's Cross and are delighted by the response, not just from Londoners, but visitors from around the world."

Helen Marriage, Director of Artichoke noted, "It's been an unprecedented four nights for London and the turnout has been extraordinary. Thank you to all our partners who helped make this event possible. Over a million people came to experience something truly magical and unusual: this great world city turned into a temporary pedestrian playground. While the success of the festival did mean that contingency measures had to be put into place occasionally to help keep the crowds moving, the atmosphere has always been amazing. This festival has been about more than seeing the art. It's about people sharing public s


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