Kenny, whose illuminating résumé includes lighting design for David Bowie, Eric Clapton and The Who, among others, has been working in and around VMAs production for more than 20 years - designing the lighting for the main show for the better half of a decade. Working with the creative minds of the artists and their own creative production teams, including Brooklyn artist KAWS, who also designed the new MTV Moonman award, Kenny imagined a tremendous design for the arena and its two-stage setup.
More than 100 Martin MAC Auras shined on the diamond-base main stage for performances and presentations. Weight was a major issue with the rig, so the lightweight, functionality and quality of the Auras were a top aspect in Kenny's design. "We had a lot of lighting throughout the entire show and it was important to keep the rig functional and safe. The Aura's multi-function capabilities, processing and its beautiful colours were flawless, which was evident during the live show," Kenny stated.
Another 100 Auras were used as house lights to help radiate the fashion and style of the celebrities in the audience, while numerous Atomic Strobes were used to provide more "flash" to the winners as they were announced and walked up to the stage from the audience.
"We wanted something 21st century, something turnkey that would work flawlessly," Kenny continued. "With the Martin lights, we could have been producing in a Broadway theatrical sense or a rock show, both of which we intended to present with the lighting. From the first shot of the live show, everyone in the world was watching. It had to be, and it was perfect."
Assisting Kenny throughout the design, deployment and live phases were Mike Appel and Mike Grimes.
Florian Wieder designed the VMAs, the art director was Tamlyn Wright and Den of Thieves, Jessie Ignatovich, Jen Jones and MTV Productions produced the show. Assisting Kenny throughout the design, deployment and live phases were Mike Appel and Mike Grimes.
(Jim Evans)