Lighting design is by Howard Harrison (Mary Poppins, Cat on a Hot Tin Roof, Mamma Mia!) who was LD on the original London production that started at the Royal Court Theatre before moving to the West End, where it played successfully for nine months. Associate lighting designer is Daniel Walker with Marc Polimeni handling lighting programming.
Harrison uses 12 Martin MAC TW1 tungsten wash lights for tight moving specials on the Broadway production. "One of the problems we had was that the light we used in London - an old Strand Pirouette PC moving head - was hard to source in America," Harrison explains. "There was nothing that quite replaces what it does which is basically very small, tight specials to something a bit bigger, and moves and changes color. The one light of new technology that does that is the MAC TW1."
The MAC TW1 is a 1200W wash fixture that combines a motorized zoom, CMY colour mixing and both internal and external electronic dimming with the warmth of tungsten halogen. Supplied by Scharff Weisberg, Rock 'n' Roll represents the Martin washlight's Broadway debut. Other lighting gear was supplied by PRG.
"They do something that no one else does - very tight specials to a larger area in the same unit," Harrison states. "They go very tight, they have a very good colour mixing system, and they have dimming shutters as well as an on board dimmer which is new and very useful. Overall, they are an excellent fixture. Martin made it possible to get a hold of the TW1 with the narrow lens and we were very grateful to them for doing that."
(Jim Evans)
