New York rock roots streamed with Chauvet
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The owner of High Peaks Event Production, Sharp has always entertained the idea of putting on a summer festival honouring this local tradition, even starting a Facebook page dedicated to this mission. But keeping up with the demands of his growing business prevented him from getting around to realizing this dream. He finally found the time though after the COVID-19 lockdown put all events on hold.
With his event business halted, Sharp built a lockdown-safe recording studio and stage in his warehouse, and launched a weekly Sunday night livestream, NY Rock N Roots Festival to highlight local talent.
“Since we can no longer do mass gatherings, we’re focusing on another way of reaching people,” says Sharp. “This isn’t a money-making deal, it’s a way to keep ourselves and bands busy, while providing our community with an entertainment option, all while following strict safety standards.”
Looking to give viewers something as close as possible to an engaging festival experience, Sharp and his wife LD Christine Sharp along with their associates Bryan Madarasz and Corey Hayward decided to support each musical act with a full production light show that reflected the music. “Our goal is to create excitement around the bands without distracting from them,” continues Sharp. “This requires us to scale things down, since this is a smaller space than we’re used to, but we still need big, powerful looks.”
Helping Sharp and his team achieve these looks is an all-Chauvet Professional rig that features six Maverick MK2 Wash and two Maverick MK3 Spot fixtures on downstage truss as well as eight Rogue R2X Wash, four Rogue R2 Beams, four Maverick MK1 Spot and four STRIKE 1 fixtures on upstage pipes of different heights.
Varying which upstage fixtures are turned on at different times allows the team to create distinctly different looks for each band, while gobo patters from the beam and spot units add depth to the stage. Additionally, the wide zoom range of the downstage fixtures increases the variety of looks during the two-hour stream by allowing the design team to change the coverage area of their front lighting.
“We’ve been very happy with the looks of the shows, and we’re getting great feedback,” adds Sharp. “However, since this is a new endeavour for us, we’re learning new things all the time, which gives us a good feeling.”
(Jim Evans)
