The system, designed by Orbital's Simon Whitehorn specifically to cater for the fast turnaround of provincial touring productions, centred on DiGiCo's mixing console at FOH position. Operated by Gareth Owen, the desk proved to be a highly flexible and robust design tool. Gareth explained: "Digico have really pushed boundaries with the D5 - it's been a pleasure to work with, courtesy of Orbital. There were some challenging moments, but overall the desk provides an extremely flexible platform to operate a complex musical production. It's ideal for a touring production - very lightweight and easy to install. Also the multi-core system is a dream! The fibre optic is very robust having already survived 18 weeks of abuse from local crew!"
With over 100 programmed scenes, the D5 was used to capacity with all but one of its 32 matrix outputs being deployed. In addition, 28 auxiliary outputs, 16 group outputs and four direct outputs were used. Over 100 inputs were channelled through the desk from the orchestra, radio mics on stage, samplers and playback. In addition using the desk's onboard Midi facility, it also controls various sound modules for the band.
By virtue of its compact size, the desk's reduced footprint, typically eight seats in a provincial theatre also benefits a show like Summer Holiday. On a Friday and Saturday there is a bigger audience than seats available - being the crucial window where a touring production makes its money. At these peak times every seat liberated by the Digico desk is a direct benefit to the producer and theatre box office, enabling them to recoup the costs of the tour.
(Lee Baldock)
