As all the other artists on the programme, the Chicago-born singer, with her unmistakable raunchy voice, used an Outline sound system, put at her disposal by local rental firm Cipiesse, founded in 1979.
Festival audio chief Giancarlo Paladini, explains, "The PA was made up of nine Outline GTO C-12 modules per side plus three Outline Mantas on down-fill chores for the front rows of seats, which were close to the stage. We used eight DBS 18-2 subs per side, and four LIPF 082 on front-fill duty.
"Although this might seem an over-sized rig, it enabled us to avoid pushing the system - which in fact was almost always run at half volume - and the twin 12" speakers in the GTOs we chose for the main hangs ensured really nice low frequencies, appreciated by the various FOH engineers."
The subs were ground-installed in end-fire configuration, ensuring optimum performance and keeping the stage completely free, and the all-Outline powerhouse comprised 24 T11 amplifiers.
The square is 50m wide and 70long and surrounded by buildings from 23 to 26 feet high but, in spite of the size of the venue, Giancarlo Paladini comments,"It was almost a case of plug & play, with just a pair of small adjustments on mid-mid/low frequencies, to limit the square's reflections, rather than correcting the system. The various guests' productions only made a few small tweaks of around 2-3 dB on some frequencies, for personal taste and the timbre they wanted to give their artists, but never for any problems with the system's operation."
Paladini concluded, "Anastacia's production team didn't have any particular requests and in fact her FOH engineer was very satisfied with the Outline system's performance after testing the set-up and didn't change anything before the show."
(Jim Evans)
