Painting With Light has worked on many previous projects with show producers Studio 100, and the first conversations with Peumans took place about the then very embryonic work around three years ago.
With the venue already earmarked, the idea of using mobile scenery trucks evolved, so Luc suggested simple lighting trickery to conceal these massive pieces when offstage ... by creating virtual wing space with light curtains.
The same concept is utilised to mask off different depths along the 'field of play' / performance space as the seating tribune and the location of the action shifts up and down the hall.
The light curtains alone involve over 500 lighting fixtures and there are at least another 500 more in the rest of the show!
There is a left and right vertical light curtain and four horizontal ones made up from a total of 465 Vari*Lite V*L5s and 28 bars of four ACLs - supplied together with all the lighting equipment by PRG Belgium.
Sourcing the right fixtures to optimise the effectiveness of this plan was crucial, and Peumans wanted the light to resemble the look of the original DHA Digital Light Curtains.
Most of the V*Ls are fitted with CT blue to enhance the cold atmospheres required for the war scenes.
A network of trussing has been installed into the Nekkerhal by PRG to facilitate the overhead lighting positions, and scattered around all over this are 44 x V*L3500 spots, 38 x V*L3000 spots, 36 x V*L3000 washes, 36 x Robe LEDWash 800s and 40 x Martin MAC Viper Wash DXs - with the framing shutters.
In addition to these 200 odd moving lights there, also in the air are four Atomic strobes, nine Dataflash strobes, 69 x PAR 64 cans, 76 x ETC Source Four PARs and 65 x ETC Source Four profiles.
Peuman's design also involves eight 9m high scaffolding lighting towers running down both sides of the 150m performance space, each with a Robert Juliat Aramis follow spot on top. Four energetic spot operators dash between the eight towers during the show operating the different units depending on the location of the cast members needing highlighting, the different scenery truck formations and the position of the tribune.
Rigged on the sides of these eight side towers are four V*L5Bs, two V*L3500Qs and a Robe Cyclone - high powered fan effect complete with a ring of LEDs. The Cyclones are used for directing and helping to simulate the very specific toxic brown smoke needed for the gas attack scenes.
A serious amount of smoke machines and hazers are located around the space and are an integral element of the lighting brief. The crew has developed various 'emission techniques' to produce a wide range of meteorology and effects from the 30 machines - made up of eight Jem Glaciator 410 smokers, four Concept ViCount CO2 crackers, eight Look Solutions Vipers and ten Unique hazers.
(Jim Evans)
