Lighting designer Giancarlo Tosani, who has been lighting for the band since 1980, said: "I must say that Xenon provided me with everything I wanted and also Renato Neri and I are absolutely convinced that Clay Paky projectors outshine all their competitors. I installed the Super Scan Zooms on the central truss above the stage together with the Stage Color 1200 for basic lighting. A lot of Stage Zooms 1200 were placed on the upper truss, on those perpendicular to the stage and on the floor, while the Astroscans, the brand-new Clay Paky projectors, were arranged on the stage and ceiling.
The stage covers area of 16m x12m, and is surrounded by a large white drape that serves as a projection screen used in various ways, for example: for the spectacular entrance of the band, whose huge silhouette is rear-projected onto the closed curtain; for projecting large-format images from a Pani projector in the director’s cabin, or for various graphic effect projections and rear-projections.
