PRG XL Video supplies The Vamps tour
- Details
Created by Stuart Smith and his business partner Phil Woodhead, of Brighton based technologists Thundering Jacks, VideoDust is a user-friendly, intuitive tool for creating original video content in real-time from a live source. Stuart Merser has been the only video director outside of Thundering Jacks to use VideoDust/Cat combination on touring productions, he explained why he is such a fan: “I’ve been touring for over twenty years and VideoDust is one of the most impressive tools I’ve worked with.”
Stuart Smith explained how VideoDust came into existence: “My background is in gallery based, interactive visual art. In around 2011 I was invited to create some unique content for a Peter Gabriel tour, where he wanted to do some funky effects, with the image on-screen breaking into shards of glass whenever he moved his hand in a certain way. Word got around and people in the touring industry thought it would be amazing to have the capability to do stuff like this on more live shows.
“Shortly after that I met my business partner Phil Woodhead, who was working on Kings of Leon; I ended up joining the tour with a very early version of VideoDust—from which the effects were great, but it wasn’t very user friendly. I came home and overhauled the whole thing, the concept of VideoDust is that it’s a super easy-to-use tool with an iPad interface, that can be used as a creative tool for video designers and directors.”
The video playback surface for The Vamps was a colossal 33m-wide ROE F-12 LED screen, with additional LED panels on the band risers. All the content was driven through a Catalyst media server, with Stuart‘s mixing being done on a Black Magic 2ME desk.
Lighting designer Peter Barnes is a pop show lighting virtuoso and has lit The Vamps since their first theatre tour in September 2014. Discussing the layout of the lighting and choice of fixtures, Peter commented: “The band wanted a giant video screen, as they’d seen another show with something similar - so we came up with a screen that’s around 33m wide.
“The size of the screen means that all the lighting fixtures need to go either above or below it, which pretty much determined the style of lighting for The Vamps, with trusses over the stage and above the video wall, as well as lights lining the back of the risers below. Because of the amount of video, I needed something punchy to compete with the light output from the LED wall; I found that the Clay Paky Mythos and Icon Beam from PRG cut through the ambient light very well.”
Additional lighting used on The Vamps tour included Vari*Lite VL3500 wash lights; and the B-EYE K10 LED effects light and CC LED strobe from Clay Paky. Followspot power was provided by Robert Juliat Lancelots. Dom Crookes worked with Peter during pre-production, programming the show lighting on WYSIWYG and during production rehearsals - with Fraser Walker taking over as lighting operator for the tour, running everything from a Hog 4 Full Boar. Steve Major was the lighting crew chief.
(Jim Evans)
