Australia - Irish playwright, poet and author Oscar Wilde and his only novel The Picture of Dorian Gray tells a provocative and dreamlike story of a young man living in a Victorian-era England who relinquishes his soul for eternal youth and beauty.
Under the direction of Kip Williams, artistic director of Sydney Theatre Company (STC), actor Eryn Jean ‘EJ’ Norvill plays 26 separate roles capturing the audience’s attention throughout a two-hour performance.
To bring each role to life, TDC – Technical Direction Company worked with the team at Sydney Theatre Company to develop an on-stage technical solution for five moving LED screens and media server technology.
“The Picture of Dorian Gray uniquely uses live camera, pre-recorded and display technology as part of the stage design. The amazing stagecraft was developed by Sydney Theatre Compa

Vietnam - Phuc Giang recently supplied Xu Restaurant Lounge and Cocktail Bar with a JBL Professional distributed audio system.
Established in 2005, Xu Restaurant Lounge and Cocktail Bar is a social gathering place located in the centre of Ho Chi Minh City. In addition to its menu of cocktails and cuisine from Vietnam, Xu offers premium musical entertainment in the form of live bands and guest DJs. During the 2020 lockdowns, Xu took the downtime as an opportunity to upgrade their sound system with the help of Phuc Giang. To provide immersive musical experiences for guests, musicians and DJs alike, Phuc Giang installed a sound system using JBL EON powered speakers and subwoofers.
Staff reported that Xu Restaurant Lounge and Cocktail Bar needed a seamless and easy-to-use sound system that would deliver clear and balanced audio in all areas of the restaurant, and that the

USA - Bob Harmon, CEO and president of Eggshell Light Company of Honolulu, has had success using his stable of Proteus Hybrid luminaires to light shows at the Waikiki Shell ever since he acquired the multi-functional weatherproof lights in 2017. Still going strong after five years, Elation’s IP65 moving heads are reliably weathering another season at Honolulu’s renowned outdoor venue.
“I use a variety of manufacturers’ products but by far the most robust in holding up outdoors and dealing with heat and humidity are the Proteus Hybrids,” commented Harmon, noting that Eggshell has added more Proteus Hybrids to inventory since that first acquisition. “At the Waikiki Shell, they stay outside for four months at a time and work just flawlessly. They have been very reliable for us over the years.”
Eggshell handles lighting for a large number of one-off shows at

USA - Popular Richmond, VA live music venue, The Broadberry, has taken delivery of a new Martin Audio Torus constant curvature array, supplied by locally based rental partner, Soundworks of Virginia.
Soundworks has been working with the 550-capacity venue, owned by Lucas Fritz and Matt McDonald, providing sound for their outdoor concerts since the Spring of 2021.
Explaining the rationale behind the venue upgrade, Fritz says they had been making do with the old system that was in the venue when they took over in 2014. “We were well overdue for a PA overhaul, especially given the calibre of artists we were continuously bringing to the market. We had been working with Soundworks and knew they wouldn’t lead us astray.”
The venue’s production manager Justin Lewis confirms that the previous system had been poorly deployed - and he had a firm idea in mind for it

South Africa - Blond Productions supplies technical production for a slew of popular reality TV shows which have included several iterations of Big Brother over the years. There was much anticipation this year when the South African version – Big Brother Mzansi – returned for the first time since 2016 produced by Red Pepper and broadcast on Mzansi Magic.
Blond’s Ryan Lombard (head of the show lighting department) designed and operated the lighting, working closely with a new set design created by Michael Gill, and several of his go-to Robe moving lights including Esprites, LEDWash 300s and six of Blond Productions’ new iSpiiders.
Blond made this initial purchase of 12 x iSpiiders for I’m A Celebrity … Get Me Out of Here (Germany) which was shot in the South African bush for which they needed some hardy, weatherproof, LED wash fixtures

USA - For ARRI’s contributions to the industry, the company will receive the Philo T. Farnsworth Corporate Achievement Award at the 74th Engineering, Science & Technology Emmy Awards.
ARRI receives the award for its more than a century of designing and manufacturing camera and lighting systems as well as its development of systemic technological solutions and service networks for a worldwide complex of film, broadcast, and media industries.
Named after Philo Farnsworth, the inventor of the first fully working all-electronic television system and receiver, the Philo T. Farnsworth Corporate Achievement Award is a non-competitive award presented by the Television Academy as part of the Engineering, Science & Technology Emmy Awards. Since 2003, this prestigious accolade has honoured “an agency, company, or institution whose contributions over time have signific

USA - “I’m ready to get back out and feel the nights come alive,” Jason Aldean said when announcing this summer’s 34-city Rock N’ Roll Cowboy tour. The country music superstar’s lighting designer, Keith Hoagland, knew just how he felt. After two years of contending with COVID lockdowns and restrictions, both were ready to spread their creative wings and fly.
From Hoagland’s perspective, the tour represented a welcome opportunity to roll out some big, bold looks with new tools, such as the Chauvet Professional Color STRIKE M motorised strobe/wash and STRIKE Array, which like the rest of the lighting rig, were supplied by Bandit Lites.
“We really wanted to come at this tour from a new direction,” said Hoagland of CKP Lighting. “The Luz Studio team did a great job developing this scenic concept mainly driven by video. Manager Chris Parr, project manage

Hungary - The infectious beats of EDM music fused with the vibrance of festival culture returned to the picturesque shores of Lake Balaton at Zamárdi (AKA The Hungarian Sea) with the 2022 Balaton Sound event which was completely sold out. An impressive line-up included Martin Garrix, Alesso, Marshmello, Sven Väth and many more international artists performing across multiple stages.
Robe moving lights had a big presence on the main stage with over 200 fixtures in a high impact production design created by LD Mark Kontra and delivered by Budapest-based rental company, Colossal LTD.
Apart from the Main Stage, there was even more of a Robe buzz on site this year as the brand’s own Show Truck rocked up – fresh from a four-date tour in Switzerland – and became an integral part of the backstage village. The Show Truck’s tent extension provided a hub for the media

Poland - Erected in the 19th century at the request of Ksawery Konopacki, the Konopacki Palace is located on Strzelecka Street in the heart of Warsaw's bohemian Praga district, known as Nowa Praga (New Praga).
After major reconstruction works on this Neo-Renaissance style building, the Konopacki Palace finally re-opened its doors as the second home of Praga Cultural Centre in September last year. It offers its auditorium, gallery and outdoor terrace for various functions including music concerts, art and an open-air cinema. Such versatility of events required an equally flexible sound system, with L-Acoustics Polish distributor, Audio Plus, delivering Syva, X Series and A Series systems to one of Warsaw’s newest cultural sites.
The diverse genre of events at the Konopacki Palace required a tailored sound system that would keep up with the ever-changing roster of ent

Canada - Gil Perron lit a special, private show by the award-winning Italian trio Il Volo at Montreal’s Teatro Leonardo DaVinci. Although rigging was a lot easier at this beautiful facility, the design team had to be much more mindful of load capacity.
This was “sort of a big deal” for Perron, given his penchant for grouping fixtures in clusters to create unique multi-directional light angles. “It’s kind of my thing; I like clumping fixtures in groups of three and then layering them vertically and horizontally,” he said. “This is tougher on a fly system than on truss, but it’s well worth the effort. Doing this, I can use colour theory to create either triadic or analogic colour complementariness.
“Working with another proponent of colour theory, our programmer/operator Guy Laflamme, made this a lot of fun - you pick the primary and then, as if by magi

USA - Last year, César Benítez Seilhamer became a fan of KLANG’s approach to immersive in-ear monitor mixing on a co-headlining tour with Latino superstars Ricky Martin and Enrique Iglesias, using a DMI-KLANG card mounted into one of the slots on the back panel of his DiGiCo Quantum5 console.
And the shows keep getting bigger - Martin is doing a series of one-off orchestral dates this year, including two recent nights at the Hollywood Bowl with the 100-plus-member Los Angeles Philharmonic Orchestra in July - but Benítez has a new way to keep up with that, as well as giving the artists and musicians the most effective sonic environments possible on stage.
His solution is the new KLANG:konductor immersive in-ear mixing processor. Able to deliver 16 immersive mixes and process 128 input signals at up to 96kHz at an astonishing internal latency of less than 0.25ms, th

The Netherlands - Heerlen hosted the 10th edition of ParkCity Live on 16 and 17 July 2022. Headliners on the main stage on Saturday night were BLØF and Limburg legends Rowwen Héze, while Sunday night ended with performances from Danny Vera, Anouk and renowned Dutch DJ duo Lucas & Steve. The main stage featured lighting provided by Ampco Flashlight Group, while spectacular lighting effects for the tented dance area were provided by SLF Group.
ParkCity Live is an event that's gone from strength to strength since its inception in 2010 and this edition welcomed around 35,000 festival goers over the course of two days.
For the main stage, 24 iFX-640 effect moving heads by Infinity were used. These versatile light fixtures ensured that the main stage was illuminated with an ever-changing variety of colourful light effects.
For the tented dance area, SLF Group us

UK - London's first permanent digital immersive arts experience, Frameless, will be opening in October in the heart of London’s West End. Frameless has partnered with projection technology provider, Panasonic, who will use the venue as their global flagship showcasing their projection technologies and large format displays. Creative Technology, have also been brought on board to deliver integration services for all video systems across the attraction.
Using over 50 of Panasonic’s 3-Chip DLP laser projectors, the art projections inside the attraction will be delivered by 479m pixels and 1m lumens of brightness and colour, to give ‘a truly stunning image’ quality across all four immersive galleries as well as a fifth gallery dedicated to corporate and educational events.
A second layer of audio immersion is achieved by 360-degree surround sound played over 158 l

Austria - Sting visited Eisenstadt during his My Songs Tour and performed on 15 July in the grounds of the Esterházy Palace Park in Vienna. With him on tour were Austrian Audio mics. Since all Austrian Audio mics are hand-made in Vienna, it’s an actual homecoming for the OD505, CC8 & OC818 mics, used on backing vocals and guitar amps.
Sting: My Songs is a special performance featuring the 17-time Grammy Award winner's best-loved songs, like Englishman in New York, Fields Of Gold, Every Breath You Take, Roxanne and Message In A Bottle and many more. Sting performs live, accompanied by an electric rock ensemble consisting of: Dominic Miller (guitar), Zack Jones (drums), Rufus Miller (guitar), Sting (bass), Kevon Webster (keyboards), Shane Sager (harmonica) with Melissa Musique and Gene Noble (backing vocals).
Sting’s FOH engine

Europe - Located at the intersection of France, Germany and Switzerland, the Basel Train Station (Basel SBB) in Basel, Switzerland is a primary hub for travel throughout Europe and is often regarded as Europe’s busiest international train station. With high background and travel noise compounded with highly reflective ceiling and walls, announcements were hard to understand, resulting in traveller confusion, missed trains and unnecessary congestion throughout the station. To combat the acoustic challenges Basel SBB faced, Renkus-Heinz Iconyx Compact loudspeakers were installed to aid in delivering intelligible announcements for passengers and staff.
Travellers are inundated with a wide range of sights and sounds as they pass through any busy transportation hub: arrival, boarding and departure announcements, safety and security information, marketing and services messaging

USA - Michigan’s much-anticipated Electric Forest Festival returned for 2022 with an expertly curated line up of EDM stars, jam bands, dubstep heroes and multiple other genres.
On the Sherwood Court stage, a massive 7056x2864 canvas of LED screens made up of 180m2 of Roe MC7 and 150m2 of YesTech MG7 featured visuals created by Observatory and powered by Hippotizer Tierra+ MK2 Media Servers.
Notable on the Sherwood Court stage were US ‘heaven trap’ DJ duo Slander, bass-heavy Mersiv, and ‘chillwave’ pioneer Toto y Moi. Observatory’s brief was to create the scenic visual content for the Sherwood Court stage’s proscenium arch LED screens, and the upstage LED screen when there wasn’t a guest VJ or content supplied with the performer. The team was commissioned by Electric Forest organisers Insomniac events and Leisure Expert Group, on the back of a successful

Switzerland - During the first two weeks of July, legions of music lovers again descended on the shores of Lake Geneva for the Montreux Jazz Festival, which returned this summer.
Meyer Sound also returned to Montreux at full force for its 36th year as a strategic partner and official sound provider, supporting the festival with nearly 300 loudspeakers deployed across 12 venues, indoors and out, large and small.
Most of the festival’s headliner concerts are presented in the 4,000-seat Auditorium Stravinski, and this year the venue also had the distinction of hosting the first indoor concerts to be reinforced by Meyer Sound’s new system, the Panther large-format linear line array loudspeaker.
“It was pure joy to mix on Panther,” said festival sound coordinator Martin Reich of audioconsulting ag, who also served as FOH engineer for Westerman and Gregory Port

Poland - In the city centres and main squares of many Polish towns and cities, visitors will come upon a multi-purpose building known locally as a ‘culture house’. Like many of these structures, which date back to the 1960s, Arts and Culture Centre Oskard in Konin was beginning to show its age.
A renaissance has now taken place in this centre thanks to a renovation project run by the Arts and Culture Centre Oskard's Arts Council and Committee. A key part of this rejuvenation was the installation of two all-new lighting rigs, one for each of the centre’s stages.
The council did careful research, visiting trades shows and consulting with local installation specialist, LTT, which distributes Chauvet Professional products in Poland.
In the end, Chauvet Professional fixtures were used for the new rig. To provide the foundation for a multitude of powerful looks

UK - AED Audio supported a student music showcase, What’s Going On at The BRIT School in Croydon, South London which is funded by the British Record Industry Trust. Its alumni include artists such as Adele, Jessie J and Amy Winehouse.
What’s Going On was a showcase of protest music in a variety of eclectic styles, all performed and written by current year 12 music students.
The concert took place in the School’s Obie Theatre, which AED Audio provided with a range of equipment to help bring the student’s creations to life. This included two line arrays consisting of eight FLEX6 speakers and one SOLID15 low cabinet/subwoofer, as well as a ground stack of SOLID28 and SOLID15 subs with a FLEX6 in point source to provide infill to each side. The AED Audio system integrated seamlessly with the Obie Theatre’s existing Dante network, meaning it could o

USA - Tallowood Baptist Church, in the Memorial City neighbourhood of West Houston, replaced an aging mixing console at front-of-house with a Solid State Logic Live L350 in recent months. The installation was part of ongoing upgrades at the church that also includes construction of a new video and audio control room, new audio and video equipment and wider implementation of a network infrastructure.
When the choir and the musicians returned to the church after the initial lockdown due to the coronavirus pandemic, they all wore masks to prevent the spread of Covid-19 and, not surprisingly, it sounded like it. “It was really hard to get intelligibility and clarity,” Tallowood’s director of technology, Miguel Ortiz, says. Then the church replaced the old desk with a new SSL Live L350. “The choir was still wearing masks when we switched the console - and it sounded as if

USA - DJ Deorro played two shows at the Hollywood Palladium in early July and electrified the sold-out crowds using a lighting rig that included Elation’s multi-functional Smarty Hybrid CMY colour mixing moving head as the main moving effect light. The atmosphere at the 4,000-capacity venue both nights was raging, reflecting the EDM community’s excitement to be back live, as well as the hype around the artist’s new album Orro which was released just days before.
“The Smartys were an excellent choice because they can move as fast as a typical beam fixture, but also provide all the core attributes a spot fixture has to offer,” said Lorcan Clarke of the full-featured 11,000-lumen moving heads. Clarke served as lighting director, programmer and operator on the shows, coordinating 12 Smarty's on the downstage floor plus another 12 on the downstage overhead truss

USA - Veteran audio engineers Ross Landis and Andrew Crow had the opportunity to demo an Allen & Heath dLive system earlier this year. “You can do basically anything, and set it up how you want,” recalled Landis. When it came time to tour with Grammy-nominated rock group Nothing More, the pair opted to each bring along a dLive S5000 surface - one at front of house, and one for monitors.
Both Landis and Crow appreciated how many user-defined SoftKeys were available to them on the large format 28-fader dLive surface. “I was able to use those for mute groups, stopping and starting my recordings, FX controls, and even selecting certain channels that aren’t always visible on my fader banks” noted Landis. “To be able to mix how I want to mix without having to navigate through layers - that was huge.”
Their system incorporated a DM64 MixRack, which features

UK - Japanese-born singer-songwriter, model, and actress Rina Sawayama, released her debut album during lockdown on the Dirty Hit Label to favourable reviews, from ‘strongest album of the year’ (Elton John) to ‘something truly beautiful’ (NPR).
In support of the album, Patchwork London was selected by Rina’s management / record label to record live video shoots during the lockdown period, providing monitoring and multi-track recording, which led to Patchwork being asked to support the UK tour, followed by her biggest show to date at Roundhouse and ultimately the NME Awards 2022 show.
With lots of energetic choreography and dancing, on her first large scale tour, a premium wireless microphone system was a necessity. Patchwork London’s touring director and Rina’s production manager / FOH engineer, Calum Mordue selected the Shure Axient Digital Wireless Sys

Singapore – This summer, the Singapore International Festival of Arts (SIFA) returned to the Southeast Asian city island for the first time in two years. Titled The Anatomy of Performance - Ritual, the event featured over 70 performances staged at seven sites and venues, all designed by creative designers in various performance art disciplines. Opening the festival with a performance in a defunct power station, SIFA presented the Singapore Chinese Orchestra in L-ISA Immersive Hyperreal Sound provided by J5 Productions.
The Singapore Chinese Orchestra, together with the Tuyang Initiative, a Sarawak-based creative agency that focuses on the cultural heritage of indigenous Borneans, opened the festival with their performance of Mepaan. In the language of the Kayan peoples of Borneo, mepaan means ‘always’ and the performance was a sonic and visual voyage through the

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